{"id":1624,"date":"2014-06-18T11:38:31","date_gmt":"2014-06-18T18:38:31","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1624"},"modified":"2014-10-12T11:40:35","modified_gmt":"2014-10-12T18:40:35","slug":"the-well","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/the-well\/","title":{"rendered":"THE WELL"},"content":{"rendered":"<p style=\"text-align: right;\"><strong>By: debbie lynn elias<\/strong><\/p>\n<p>I need see nothing more than Seamus Tierney as the cinematographer on a film and I\u2019m along for the ride.\u00a0\u00a0 From his crystalline visuals in the vignette styled\u00a0 \u201cBurning Palms\u201d for first time director Chris Landon to developing a tonal bandwidth along with actor Josh Radnor when Radnor moved into the director\u2019s chair with \u201cHappythankyoumoreplease\u201d and \u201cLiberal Arts\u201d to the gritty emotional texture and world of John Gray\u2019s \u201cWhite Irish Drinkers\u201d and most recently, his work with another first-time director, Lake Bell and her debut feature \u201cIn A World\u201d, Seamus Tierney has a level of excellence and storytelling in his lighting and lensing that captivates, enhances and enthralls.\u00a0 With THE WELL, his use of light and shadow and saturation of color to capture and create the hollow barren horror that in today\u2019s world of climate change and global warming, is all too real.\u00a0 And that\u2019s exactly what he brings to Thomas Hammock\u2019s debut feature, THE WELL.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-420\" src=\"http:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/06\/LAFF-the-well.jpg\" alt=\"LAFF - the well\" width=\"400\" height=\"225\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/06\/LAFF-the-well.jpg 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/06\/LAFF-the-well-300x168.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>From an original script by Jacob Forman that blends horror, sci-fi and post-apocalyptic terror with a show down at the OK Corral vibe, director Hammock calls on his own vast experience in production design (most recently, the visually stunning and terrifying \u201cYou\u2019re Next\u201d) and paints an engrossing and indelible world where water is non-existent and rain hasn\u2019t fallen in more than a decade (sounds like California now).\u00a0 Few survive.\u00a0 At Wallace Farm for the Wayward Youth, the lush green valley that once surrounded it is now dry, brittle dust.\u00a0 From what Kendal knows from listening to the ham radio, it\u2019s like that everywhere yet she and a few others, like Dean and young Alby, dream of the day when they can escape the attic hideaway and the acrid grit and dog-eat-dog world of survival they face at Wallace Farm.\u00a0 But dreams won\u2019t fill the taps or their water bottles or hydrate them.<\/p>\n<p>Although the minimal underground water supply is decreasing daily, Wallace Farm does have the last working well in the region.\u00a0 Eeking out survival by drawing whatever water remains underground from THE WELL on the farm, there is no more precious commodity and the battle for water has long been a battle with much spilled blood thanks to corporate raiding water hoarder, Carson.\u00a0 Carson and his goons have traveled the countryside killing all those in their path and taking control of whatever water and wells remain.\u00a0 And now he wants the one at Wallace Farm.<\/p>\n<p>With Dean suffering from advanced kidney failure, it falls to Kendal to make her way through the region to scavenge abandoned vehicles for parts that can be used to rebuild a broken down old crop-duster at the farm.\u00a0 But the search is not easy thanks to Carson and his un-merry band of killers.\u00a0 Armed with a rusty axe and pump-action shotgun as her only means of protection, with every step, Kendal knows it could be her last.<\/p>\n<p>As fragile as Kendal\u2019s world is, it gets rocked even more when the ruthless Carson makes his way to Wallace Farm and what is now the only well left in the valley and what underground water lies beneath it.\u00a0\u00a0 Kendal, Dean and Alby are now the last ones standing.\u00a0 With a sick man and a young boy to protect, does Kendal stay and fight or succumb to the fate of the world at the hands of Carson?<\/p>\n<p>In one of two films in which she appears at LAFF this year (the other being \u201cThe Young Kieslowski\u201d), here as Kendal, Haley Lu Richardson brings an intensity and determination that resonates, adding yet another strong female protagonist to the cinematic horizon.\u00a0 Matching\u00a0 veteran actor John Gries note for note with his performance as the evil Carson, Richardson is one actress to keep an eye on.\u00a0 As for Gries, although effective as Carson, he doesn\u2019t bring quite enough menace to the role.\u00a0 Fast becoming one of my favorite young actors is Max Charles who is a delight as the young Alby, showing off some serious dramatic acting chops.\u00a0\u00a0 A familiar face to \u201cTwilight\u201d fans as Seth, in THE WELL, Booboo Stewart shows growth as an actor while giving a strong turn as the infirm Dean, pushing Stewart to hit more dramatic notes than with his previous endeavors.<\/p>\n<p>A compelling and interesting script that is only elevated further by performance and Seamus Tierney\u2019s visuals, noticeably absent, however,\u00a0 are the rich details of backstory which are necessary in a film tackling an issue of this magnitude &#8211; water scarcity on a global level &#8211; particularly given that this is an issue not rooted in fantasy but one which in 2014 is at our front door.\u00a0\u00a0 The absence of explanation via story, dialogue or visuals as to practical survival concerns such as food and the ongoing source of energy (which we still typically attribute to being generated by water) also cry for more exposition and depth. A big highlight for me is the implementation of ham radio as an integral component to the script and a means for connecting to the outside world.<\/p>\n<p>Visuals are impeccable, exhibiting Hammock\u2019s skill with shot composition, which is then showcased by Seamus Tierney\u2019s cinematography.\u00a0\u00a0 Steeped in natural light, Tierney and Hammock breathe emotional life into the dry, parched world of Wallace Farm while Tierney\u2019s often widescreen aesthetic furthers the isolated terror of Kendal\u2019s battle, intensifying the dire situation at hand and its inherent violence, resulting in a\u00a0 palpable sensory experience.<\/p>\n<p>Adding further technical polish to THE WELL, editing by Sarah Broshar and Adam Wingard is\u00a0 keenly paced, keeping the suspense at rapier levels.<\/p>\n<p>With its World Premiere at Los Angeles Film Festival 2014, director Thomas Hammock and company go well beyond the expected making THE WELL, a \u201cMust See\u201d film for all.<\/p>\n<p>Directed by Thomas Hammock<\/p>\n<p>Written by Jacob Forman<\/p>\n<p>Cast:\u00a0\u00a0\u00a0 Haley Lu Richardson, Booboo Stewart, Max Charles, John Gries<\/p>\n<p>(Los Angeles Film Festival 2014 review)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By: debbie lynn elias I need see nothing more than Seamus Tierney as the cinematographer on a film and I\u2019m along for the ride.\u00a0\u00a0 From his crystalline visuals in the vignette styled\u00a0 \u201cBurning Palms\u201d for first time director Chris Landon to developing a tonal bandwidth along with actor Josh Radnor when Radnor moved into the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":420,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[254,143],"class_list":["post-1624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-the-well","tag-thriller"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - 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