2020 Film Independent Spirit Awards Carpet Chat with NADIA SHIHAB
Carpet Chat with NADIA SHIHAB, Director of JADDOLAND. After waking to a morning ocean fog on the beach in Santa Monica on Saturday, February
Carpet Chat with NADIA SHIHAB, Director of JADDOLAND. After waking to a morning ocean fog on the beach in Santa Monica on Saturday, February
Carpet Chat with BRONWYN CORNELIUS & JULIAN CAUTHERLEY, producers of CLEMENCY. After waking to a morning ocean fog on the beach in Santa Monica
Carpet Chat with director MADELEINE OLNEK and producers CASPER ANDREAS, ANNA MARGARITA ALBELO, and MAX RIFKIND-BARRON of WILD NIGHTS WITH EMILY. After waking to
Carpet Chat with screenwriters of DRIVEWAYS, HANNAH BOS and PAUL THUREEN. After waking to a morning ocean fog on the beach in Santa Monica
Carpet Chat with writer/director/producer KIRILL MIKHANOVSKY and writer/producer ALICE AUSTEN of GIVE ME LIBERTY. After waking to a morning ocean fog on the beach
Carpet Chat with director EDWARD WATTS and director/producer WAAD AL-KATEAB of FOR SAMA. After waking to a morning ocean fog on the beach in
Carpet Chat with NOAH LONG, Producer of THE CLIMB. After waking to a morning ocean fog on the beach in Santa Monica on Saturday,
Carpet Chat with JOSH WELSH & MARY SWEENEY After waking to a morning ocean fog on the beach in Santa Monica on Saturday, February
The genesis of Ang Lee’s high-concept GEMINI MAN stems from the 1997 reveal of the birth of Dolly the Sheep. Cloning, long a scientific
BEN SMITHARD quickly became a favorite cinematographer thanks to “The Trip”. His work in films like “My Week With Marilyn” and “The Second Best
Focusing on a specific event which occurred on September 5, 1862, when meteorologist James Glashier “hitched a ride” in a balloon belonging to aeronaut
Oscar-nominated cinematographer PHEDON PAPAMICHAEL puts the pedal to the metal with some of the most outstanding cinematography on film thanks to his work in
