Sound. So often an underestimated and underutilized storytelling tool in filmmaking, many operate under the mistaken belief that “louder is better”. That’s not the
Paul Salamoff. You may not know his name, but you definitely know his work. He’s been a fixture in the film industry for almost
LARRY CLARKE. You know him. He’s “that guy.” “That” guy. The detective, the cop. the lawyer, the morgue guy, the priest. Yep. “That guy”.
As defined by psychological treatises, “Empathy is the experience of understanding another person’s thoughts, feelings, and condition from his or her point of view,
Making his feature directorial debut with SURVIVING CONFESSION is MATTHEW TIBBENHAM. A veteran director of numerous shorts, not to mention garnering experience with the
If you haven’t seen Amazon’s smash hit GOOD OMENS, you don’t know what you’re missing! Excellence on every level from writing and directing, to
Known best for gracing and enhancing a multiplicity of episodic comedies with her patented improvisational comedy stylings, not to mention her work as a writer
JAKE SCOTT has every reason to sit back and ride on the laurels of his famous director father. But that’s not who Jake Scott
Remember “back in the day” when the arts were celebrated in schools? I do. I was lucky. I went through the Colonial School District
One of the often unsung elements of television production is the music that fills the backgrounds of episodic television. Actual theme songs are talked
BEN RICHARDSON is one of the versatile and exciting young filmmakers working today. Skilled in working with both film and digital, one of Ben’s greatest
Weta Digital. The name is instantly recognizable in the worlds of visual effects. For more than a quarter century, the award-winning visual effects house
