FYC: Editor WILLIAM GOLDENBERG discusses editing Ben Affleck’s AIR – Exclusive Interview
Academy Award-winning editor WILLIAM GOLDENBERG goes in-depth discussing editing and crafting the storytelling style of AIR
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Academy Award-winning editor WILLIAM GOLDENBERG goes in-depth discussing editing and crafting the storytelling style of AIR
Costume Designer CHARLESE ANTOINETTE JONES breaks down fashion, fabrics, jewelry, and more to create and immerse us in the 1984 world of Nike and AIR.
In this exclusive interview, Production Designer FRANCOIS AUDOUY discusses what went into creating and immersing us in 1984 and the Nike story, and the storytelling that comes through the production design in Ben Affleck’s award-worthy AIR.
Director MIKE ROTH goes in-depth discussing his animated feature directorial debut, MERRY LITTLE BATMAN, one of the most charming new films of the holiday season.
In this exclusive interview, Sound Designer BENJAMIN COOK and Supervising Sound Editor BRANDEN SPENCER discuss the importance of sound and designing and editing the soundscape and aural experience of MONARCH: LEGACY OF MONSTERS.
In this exclusive interview, editor NONA KHODAI goes in-depth discussing her editing process with MONARCH: LEGACY OF MONSTERS
In this exclusive interview, cinematographer LINUS SANDGREN goes in-depth discussing the lighting and lensing of SALTBURN.
Costume designer SOPHIE CANALE discusses using costuming to emphasize character personalities and traits while blending luxury brands and costume design to define the world of SALTBURN.
In this exclusive interview, production designer SUZIE DAVIES talks about the majesty and mystery of all things SALTBURN!
Executive Producer JENNIFER GRANT and screenwriter JEFF POPE talk Cary Grant and bringing ARCHIE to life.
In this exclusive interview, LAURA AIKMAN discusses tackling the role of Dyan Cannon and working with Dyan herself to bring ARCHIE to life.
DYAN CANNON goes in-depth reflecting on Cary Grant and his legacy and her work and collaborations in bringing ARCHIE to life.
