This week on BEHIND THE LENS, we turn our attention to the Miami art world and first-time feature director Jing Ai Ng with her film FORGE. And, of course, DUTTON RANCH!
What a terrific show I’ve got for you this week on BEHIND THE LENS as I get to introduce you to a wonderful British filmmaker, writer/director JOHN MICHAEL KENNEDY, who makes his narrative feature directorial debut with the mystery thriller, AN ENEMY WITHIN.
I’m very excited about this week’s BEHIND THE LENS because I get to talk about RENNY HARLIN and his new film DEEP WATER!
Patrick Muldoon was not simply a co-lead. He was a friend, a creative partner, and, in the world of “Dirty Hands”, the man who made that central brotherhood breathe.
As promised, this week on BEHIND THE LENS is all about director DAVID MACKENZIE and his new explosive film, FUZE. Plus a little reminder about TCM Film Festival this week!
For filmmakers and craft artisans, FUZE offers a compelling case study in how to compress narrative, manipulate audience attention, and sustain tension without excess.
“What’s going to work against you, you have to make work for you,” David says, summing up a philosophy that shaped the entire production.
This week on BEHIND THE LENS, it’s all about tension and terror, blood and brutality with writer/director ANTON SIGURDSSON talking about his psychological thriller/mystery, REFUGE.
This week on BEHIND THE LENS it’s all about “To See or Not To See” with BEN WHEATLEY and ANEIL KARIA.
This week on BEHIND THE LENS we’re talking about the religious-themed, historical drama A GREAT AWAKENING, with director/co-writer JOSHUA ENCK.
