It’s all about action on #BTLRadioShow this week thanks to director SHANE DAX TAYLOR and his new film, EXIT PROTOCOL, and director MICHAEL DOWSE and his latest film, TRAP HOUSE.
Extending Halloween a bit longer this week on BEHIND THE LENS as we chat with documentarians BRADFORD THOMASON & BRETT WHITCOMB about THE SPIRIT OF HALLOWEENTOWN. Plus, writer/director MATT WHITAKER discusses the powerful and important narrative film TRUTH & TREASON.
To celebrate my favorite holiday of the year, Halloween, BEHIND THE LENS has got some chilling, spooky, terrifying tales for you as PEDRO KOS breaks down his new film, the horrifying IN OUR BLOOD, while JON BERARDO talks about the blood-drenched noirish THE MANNEQUIN.
A terrific BEHING THE LENS for you this week as you’ll hear from Brandon Slagle talking AFFINITY and NEIL MARSHALL talking COMPULSION.
A terrific week on #BTLRadioShow thanks to KIAH ROACHE-TURNER and his new film BEAST OF WAR, along with ALLEN DANZIGER & RAY SPIVEY and THE WEEDHACKER MASSACRE. A shark and a murderer with a weedhacker? My kind of show!
We’ve got some multiple-hat-wearing filmmakers on this week’s BEHIND THE LENS with actor turned screenwriter LISA BRENNER discussing ONE BIG HAPPY FAMILY and Linda Lavin, while DEVIN MONTGOMERY talks about his feature directorial debut MONSTERS WITHIN.
I’m excited for this week’s #BTLRadioShow with RENNY HARLIN talking THE STRANGERS: CHAPTER 2 and MATTHEW BISSONNETTE talking DEATH OF A LADIES’ MAN.
An interesting show this week on BEHIND THE LENS as producer/actor Johnny Danks talks about his new film, SHAKEY GROUNDS, while director/editor VINCENT GRASHAW discusses the emotionally powerful character study BANG BANG.
Chatting about some terrific films this week with ALLAN UNGAR talking LONDON CALLING while CHRISTOPHER LEONE & PATRICK PIANEZZA talk CODE 3.
Two fabulous films and three fabulous filmmakers for you this week on BEHIND THE LENS as writer/director MIKI MAGASIVA and actor ANAPELA POLATAIVAO talk about TINA while director CHAD HARTIGAN discusses THE THREESOME.
