SKIN
With every passing day we are reminded in some heinous fashion or other of the long-simmering violence and hatred stemming from racism and white
With every passing day we are reminded in some heinous fashion or other of the long-simmering violence and hatred stemming from racism and white
It’s not often that I can get behind remakes, reboots, or reimaginations of superbly told stories and films. While there have been a few,
Wry, dry, deadpan humor that just makes you laugh out loud, THE DEAD DON’T DIE is witty, wild, and weirdly fun. This is a
To set the stage for discussion on OPHELIA, one must borrow from the Bard himself and ask “what light through yonder window breaks”, as
Adapted for the screen by Arthur M. Jolly from his acclaimed stage play, A Gulag Mouse, first-time feature director Simon Fink adroitly translates from
Leave it to Ron Howard to craft a portrait of Luciano Pavarotti that is as exquisitely told and emotionally beauteous as Pavarotti’s own voice.
With THE SOUVENIR, writer/director Joanna Hogg revisits her own past with this emotionally charged visual memoir through time, catapulting us into the emotional fray
Deon Taylor has an uncanny knack for lulling one into a false sense of security when it comes to both his characters and his
Filmmaker CODY MEIRICK, like so many, was weaned on the beloved horror stories of Alvin Schwartz, “Scary Stories To Tell In The Dark.” To
Led by a breakout performance from Taylor Buck, PRINCESS OF THE ROW shines a unique light on homelessness, mental illness, PTSD, veterans affairs, poverty,
In true Hitchcockian fashion, EVERYBODY KNOWS is an absorbing film filled with twists and turns and the mesmerizing ambiguity of “who dunnit” when Laura
A refreshing take on the psychological horror genre, with THE HOLE IN THE GROUND, writer/director Lee Cronin subverts genre tropes and delivers a nail-biting,
