SHADOWPLAY (DWF review)
By: debbie lynn elias A man. A corporate conglomerate. A suspicious probing executive. A little girl. An angry wife. A blank slate for an office.
By: debbie lynn elias A man. A corporate conglomerate. A suspicious probing executive. A little girl. An angry wife. A blank slate for an office.
By: debbie lynn elias Let’s just cut to the chase. In short, PHIN is Phabulous! Patrick and Timothy Chapman, as director and writer, respectively, really
By: debbie lynn elias Director Sam Hancock is crazy if he thinks anyone will believe that US is his first feature. Compelling, thoughtful, poignant, touchingly
By: debbie lynn elias From a purely emotional and personal level, there is nothing in DWF or anywhere else that will top GOLDEN. Speaking for
By: debbie lynn elias Henry James’ 1897 novel, WHAT MAISIE KNEW is as relevant and poignantly heartbreaking and loving today as it was at the
By: debbie lynn elias Joining the legendary class of mafia/hitman films is Ariel Vromen’s THE ICEMAN. Setting THE ICEMAN apart from the classics like Goodfellas,
By: debbie lynn elias AFTERSHOCK is mind-blowing entertainment! F**king genius fun! A shock-filled high octane thrill ride that never ends. Think Springbreakers meets Earthquake meets
By: debbie lynn elias Let’s just say it – IRON MAN 3 WILL ROCK YOUR WORLD! IRON MAN is back and the world is in
By: debbie lynn elias Matthew McConaughey continues his 2012 command of the big screen with 2013’s first McConaughey film – MUD. But shining even more
By: debbie lynn elias Always a treat is actor Michael Eklund and for Eklund fans, the past year has been an ongoing Christmas present. Starting
By: debbie lynn elias Whenever a filmmaker or writer can create characters and develop a dynamic that strikes a chord with comparison to Arthur Miller,
By: debbie lynn elias Psychosexual, erotically charged, unsavory, seedy yet visually beautiful and intriguingly conceptual, all describe writer/director Antonio Campos’ SIMON KILLER. With trace elements
