TO THE WONDER
By: debbie lynn elias If one is able to look beyond the existential tedium so often found with Terrence Malick films, there is often a
By: debbie lynn elias If one is able to look beyond the existential tedium so often found with Terrence Malick films, there is often a
By: debbie lynn elias Helming his ninth film as a director, Robert Redford melds the past and the present with the thriller THE COMPANY YOU
By: debbie lynn elias With Derek Cianfrance and Ryan Gosling, the team from Blue Valentine, in the driver’s seat of THE PLACE BEYOND THE PINES,
By: debbie lynn elias Stemming from revenge and under guise of kick-starting a landmark project that will put them on the map, graffiti “artists”, Malcolm
By: debbie lynn elias Sumptuous and beauteous, with RENOIR, director Gilles Bourdos has captured not only the very essence of a Renoir painting, but elicits
By: debbie lynn elias PJ Hogan never disappoints with his films, especially his comedy. Be it My Best Friend’s Wedding or Confessions of a Shopaholic
By: debbie lynn elias Leave it to Tyler Perry to hit us hard with contemplation, emotion and faith during the Easter/Passover season. TEMPTATION: CONFESSIONS OF
By: debbie lynn elias Topical, timely, frightening, flag-waving inspiring, OLYMPUS HAS FALLEN is a non-stop explosive thriller that leaves you breathless! But, just how accepting
By: debbie lynn elias Makinov is a master of manipulation. Pushing the envelope and imbuing his personal manifesto of life within both his filmmaking process
By: debbie lynn elias It takes both a visionary and visualist to create a film like UPSIDE DOWN. And that’s exactly who Juan Solanas is.
By: debbie lynn elias Click your heels together and repeat. “There’s no place like Oz. There’s no place like Oz. There’s no place like Oz.”
By: debbie lynn elias 21 AND OVER is not for the faint of heart, not for those that can’t remember the stupidity of youth, not
