
THE AMERICAN
By: debbie lynn elias Anyone familiar with Anton Corbijn’s photography recognizes and appreciates his austere, simple, yet powerful, elegance – particularly with his black &

By: debbie lynn elias Anyone familiar with Anton Corbijn’s photography recognizes and appreciates his austere, simple, yet powerful, elegance – particularly with his black &

By: debbie lynn elias According to Emily Mortimer, not a day goes by that you don’t “turn on the telly” or pick up a newspaper

By: debbie lynn elias With a lyric backdrop of the 1939 Johnny Mercer-Al Donohue tune by the same name, writer/director Victor Salva, brings classic horror

By: debbie lynn elias “Jeepers, creepers, where’d ya get those peepers? Jeepers, creepers, where’d ya get those eyes?” And so our story begins. “Every

By: debbie lynn elias I know, I know. After my take on “Gigli”, you’re all experiencing shock and awe that I am actually reviewing this

By: debbie lynn elias I used to be a Martin Short fan. He was always entertaining, cutting edge, funny to the point of tears-streaming-down-your-face-rolling-in-the aisles

By: debbie lynn elias Under the direction of Spielberg protégé, Joe Johnston, this third installment of the Jurassic Park phenomenon takes us back to Isla

By: debbie lynn elias Currently screening at the Method Fest Film Festival in Calabasas, California is one of the most endearing and touching films I

By: debbie lynn elias Shawn Levy what were you thinking! In his first directing effort since last year’s smash hit, “Big Fat Liar”, Levy brings

By: debbie lynn elias Well, what can I say. You’re gonna “jump” over this one. That’s right – JUMP! – marked its world premiere at

By: debbie lynn elias Monsters? Did someone say “monsters”? They sure did and not a moment too soon as it has a been a long

By: debbie lynn elias I still remember the very first” meal” that I ever cooked for someone. It was in my first apartment and for