Big Fish

By: debbie lynn elias There are several things of which I am sure when it comes to a Tim Burton movie. It will be imaginative,

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Birth

By: debbie lynn elias It’s been ten years since Anna’s husband dropped dead on the pavement while jogging. And although Sean’s memory will always live

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THE BLACK DAHLIA

By: debbie lynn elias In addition to last week’s HOLLYWOODLAND, I have anxiously awaited this latest entry of what would hopefully become a film noir

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Black Knight

By: debbie lynn elias Jamal Walker, direct from Florence and Normandie in the heart of South Central Los Angeles, works as a maintenance man at

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BOBBY

By: debbie lynn elias Over five years in the making, Emilio Estevez gives us his all and brings not only his political passion but his

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BOLT

By: debbie lynn elias Disney goes to the dogs (and cats, and hamsters) once again and this time it’s with miles and miles (as in

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Bottle Shock

By: debbie lynn elias A glass of wine is much like a film. There are nuanced notes to both compositions that synergistically meld and melt

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BRATZ

By: debbie lynn elias To many, the word “bratz” (or, brats as the case may be) brings to mind pesky little brothers and sisters (or

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BREAKING AND ENTERING

By: debbie lynn elias It’s been a few years since we heard from director Anthony Minghella. His most noted prior works “Truly, Madly, Deeply”, “The

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The Break Up

By: debbie lynn elias Break Up”, is that concerning the Brad and Jen break-up and the Jen and Vince get together. Although many may flock

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