THE NUT JOB
By: debbie lynn elias Feeling a little nutty? Go see THE NUT JOB. While overall entertaining and a sure crowd-pleaser to the younger set, with
By: debbie lynn elias Feeling a little nutty? Go see THE NUT JOB. While overall entertaining and a sure crowd-pleaser to the younger set, with
By: debbie lynn elias One of the great strengths of THE LEGEND OF HERCULES lies in the story origins and bringing in Sean Hood and
By: debbie lynn elias Being a fan of director Francesca Gregorini’s freshman directorial effort with co-director Tatiana von Furstenberg, Tanner Hall, I was more than
By: debbie lynn elias Assistant District Attorney Mitch Brockden is the star of the D.A.’s office. With a winning conviction record, he has been on
By: debbie lynn elias Adapted from the young adult novel by Meg Rosoff, screenwriters Jeremy Brock and Tony Grisoni bring this apocalyptic coming-of-age dystopian drama
By: debbie lynn elias With THE PAST, Iran’s official submission for this year’s Best Foreign Language Oscar, writer/director Asghar Farhadi once again taps into the
By: debbie lynn elias Thank you director Peter Segal, Sylvester Stallone, Robert De Niro, Jon Bernthal and Kevin Hart for giving me a great early
By: debbie lynn elias There is sage wisdom within the story of AUGUST: OSAGE COUNTY. Directed by John Wells and written by Tracy Letts based
By: debbie lynn elias I am in awe of THE INVISIBLE WOMAN. On every level – from script to performance to period perfect production design
By: debbie lynn elias Making this the jolliest holiday of the year, SAVING MR. BANKS is, quite frankly, practically perfect in every way. Timeless magic
By: debbie lynn elias Written and directed by Eric Heisserer, who here makes his directorial debut, HOURS is one of the final films of Paul
By: debbie lynn elias In his sophomore outing with OUT OF THE FURNACE, writer/director Scott Cooper proves that he is no “flash in the directorial
