WARM BODIES
By: debbie lynn elias A post-apocalyptic zombie story told from a zombie’s point of view? And a love story at that? With a living human?
By: debbie lynn elias A post-apocalyptic zombie story told from a zombie’s point of view? And a love story at that? With a living human?
By: debbie lynn elias With Oscar voting opening up shortly for Academy members, of whom many of my readers are, let’s shed a little light
By: debbie lynn elias What’s not to love when you’ve got Taylor Hackford behind the camera and Jason Statham, Michael Chiklis, Wendell Pierce, Clifton Collins
By: debbie lynn elias With a well worn premise of “good cop gone bad trying to be good but now facing a redemptive price” and
By: debbie lynn elias We got a taste with Expendables and then he left us salivating for more with Expendables 2, but now, with THE
By: debbie lynn elias With an awkward beauty celebrating the beauty of awkwardness that hits you like a bolt of emotional lightning in the third
By: debbie lynn elias At age 75, Dustin Hoffman marks his directorial debut in splendor with the emotionally exuberant and fulfilling, QUARTET. A witty, smartly crafted,
By: debbie lynn elias Everyone knows the extreme level of trepidation I have when it comes to remakes, reboots or reimaginations of movies, and given
By: debbie lynn elias Timely and topical, PROMISED LAND speaks to your heart; it speaks to your mind; it opens your eyes to “the big
By: debbie lynn elias Although BLANCANIEVES didn’t make the short list of potential Oscar nominees for Best Foreign Language Film, it more than makes my list
By: debbie lynn elias We know where it began and we know how it ended, but what happens in between that leads to the end
By: debbie lynn elias Who doesn’t remember where they were or what they were doing on December 26, 2004, when a world-shattering tsunami arose in
