THE INTOUCHABLES

By: debbie lynn elias Already nominated for 9 Cezar Awards, France’s equivalent of the Oscars, THE INTOUCHABLES is, in a word, stupendous. The first real

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THE YANKLES

By: debbie lynn elias There may be no crying in baseball but there certainly is praying – a lot of it – especially when it

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Virginia

By: debbie lynn elias Oscar winning screenwriter for MILK, Dustin Lance Black now jumps into the director’s chair with VIRGINIA. Debuting at TIFF two years

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GIRL IN PROGRESS

By: debbie lynn elias Director Patricia Riggen sprang to the attention of English-speaking audiences several years ago with the beautifully poignant La Misma Luna. Her

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THE PERFECT FAMILY

By: debbie lynn elias There’s a new director on my radar named Anne Renton. Making her feature film directorial debut with THE PERFECT FAMILY, Renton

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FIRST POSITION

By: debbie lynn elias Every little girl (and even some little boys) and aspiring ballerina knows what “first position” is: arms slightly bent with hands

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THE RAVEN

By: debbie lynn elias To paraphrase Edgar Allan Poe’s own descriptive terms in The Tell-Tale Heart, what many may mistake for my own madness is

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LOCKOUT

By: debbie lynn elias A non-stop adrenalin rush from start to finish, LOCKOUT is the film that action junkies – especially those who love those

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