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		Comment on Blood, Brutality, Suspicion and Duct Tape: ANTON SIGURDSSON on the Craft of REFUGE &#8211; Exclusive Interview by Grief, Guilt and Gallons of Duct Tape: REFUGE Is a Brutal Psychological Pressure Cooker - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/anton-sigurdsson-refuge-interview/#comment-192</link>

		<dc:creator><![CDATA[Grief, Guilt and Gallons of Duct Tape: REFUGE Is a Brutal Psychological Pressure Cooker - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 07:33:08 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41480#comment-192</guid>

					<description><![CDATA[[&#8230;] nowhere to run in REFUGE. No escape hatch. No relief valve. Just four men, one remote cabin, and a past that refuses to stay [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] nowhere to run in REFUGE. No escape hatch. No relief valve. Just four men, one remote cabin, and a past that refuses to stay [&#8230;]</p>
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		Comment on NORMAL Is Anything But: A Blood-Splattered, Kinetic Blast of Pure Cinema by BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/normal-movie-review/#comment-191</link>

		<dc:creator><![CDATA[BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 01:56:47 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41461#comment-191</guid>

					<description><![CDATA[[&#8230;] is nothing remotely “normal” about NORMAL—and that is precisely the [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] is nothing remotely “normal” about NORMAL—and that is precisely the [&#8230;]</p>
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		Comment on BTL Radio Show &#8211; 04/13/2026 with guests BEN WHEATLEY talking NORMAL and ANEIL KARIA discussing HAMLET by BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/miscellaneous/behind-the-lens-podcast/btlradioshow-4-13-2026-ben-wheatley-normal-movie-aneil-karia-hamlet/#comment-190</link>

		<dc:creator><![CDATA[BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 01:54:01 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41454#comment-190</guid>

					<description><![CDATA[[&#8230;] practical effects, precision camerawork, and a deadpan Bob Odenkirk at the center, in this exclusive interview, director BEN WHEATLEY discusses turning a neo-Western setup into something wildly original—and [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] practical effects, precision camerawork, and a deadpan Bob Odenkirk at the center, in this exclusive interview, director BEN WHEATLEY discusses turning a neo-Western setup into something wildly original—and [&#8230;]</p>
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		Comment on Growing Up on Screen: JOHN ASHER Finds Heart, Vulnerability, and Final Cut with A LOVE LIKE THIS &#8211; Exclusive Interview by A LOVE LIKE THIS Marks a Surprising and Sincere Turn for John Asher - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/john-asher-interview-a-love-like-this/#comment-189</link>

		<dc:creator><![CDATA[A LOVE LIKE THIS Marks a Surprising and Sincere Turn for John Asher - Behind The Lens Online]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 04:45:05 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41414#comment-189</guid>

					<description><![CDATA[[&#8230;] Emmanuelle Chriqui and Hayes MacArthur bring emotional volatility and real chemistry to a romantic drama elevated by striking Malibu visuals and an unexpected tonal maturity from director John Asher. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Emmanuelle Chriqui and Hayes MacArthur bring emotional volatility and real chemistry to a romantic drama elevated by striking Malibu visuals and an unexpected tonal maturity from director John Asher. [&#8230;]</p>
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		Comment on A bold, modern HAMLET that trades tradition for psychological intensity by Inside the Mind: Director ANEIL KARIA on Reimagining HAMLET from the Inside Out - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/hamlet-movie-review/#comment-188</link>

		<dc:creator><![CDATA[Inside the Mind: Director ANEIL KARIA on Reimagining HAMLET from the Inside Out - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 00:16:39 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41224#comment-188</guid>

					<description><![CDATA[[&#8230;] For a deeper dive into the performances, visual design, and Karia’s bold adaptation choices, see my full review of HAMLET here. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] For a deeper dive into the performances, visual design, and Karia’s bold adaptation choices, see my full review of HAMLET here. [&#8230;]</p>
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		Comment on “She is the real thing”: SCOTTIE THOMPSON Ignites HELLFIRE &#8211; Exclusive Interview by “Now I’m addicted”: SCOTTIE THOMPSON Steps Behind the Camera with SIENNA &#38; THE SIT - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/scottie-thompson-hellfire/#comment-187</link>

		<dc:creator><![CDATA[“Now I’m addicted”: SCOTTIE THOMPSON Steps Behind the Camera with SIENNA &#38; THE SIT - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Mon, 09 Mar 2026 07:55:25 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=40993#comment-187</guid>

					<description><![CDATA[[&#8230;] trading bullets and silences in Isaac Florentine’s HELLFIRE, SCOTTIE THOMPSON did something that surprised even herself: she wrote, directed, and starred in [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] trading bullets and silences in Isaac Florentine’s HELLFIRE, SCOTTIE THOMPSON did something that surprised even herself: she wrote, directed, and starred in [&#8230;]</p>
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		Comment on BTL Radio Show &#8211; 09/29/2025 with guests RENNY HARLIN talking THE STRANGERS: CHAPTER 2 and MATTHEW BISSONNETTE talking DEATH OF A LADIES&#8217; MAN by BTL Radio Show - 02/02/2026 with RENNY HARLIN talking THE STRANGERS: CHAPTER 3 and BRYAN FULLER discussing DUST BUNNY - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/miscellaneous/behind-the-lens-podcast/btlradioshow-09-29-2025-rennyharlin-matthewbissonnette/#comment-186</link>

		<dc:creator><![CDATA[BTL Radio Show - 02/02/2026 with RENNY HARLIN talking THE STRANGERS: CHAPTER 3 and BRYAN FULLER discussing DUST BUNNY - Behind The Lens Online]]></dc:creator>
		<pubDate>Mon, 02 Feb 2026 19:00:34 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=40189#comment-186</guid>

					<description><![CDATA[[&#8230;] up &#8211; RENNY HARLIN and THE STRANGERS: CHAPTER [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] up &#8211; RENNY HARLIN and THE STRANGERS: CHAPTER [&#8230;]</p>
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		Comment on JOSHUA TATE &#038; SALVATORE SCIORTINO make the leap with the cinematic thriller ROOF &#8211; Exclusive Interview by ROOF is a carefully calibrated escalation of fear and the dismantling of identity under that fear - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/joshua-tate-salvatore-sciortino-make-the-leap-with-the-cinematic-thriller-roof-exclusive-interview/#comment-185</link>

		<dc:creator><![CDATA[ROOF is a carefully calibrated escalation of fear and the dismantling of identity under that fear - Behind The Lens Online]]></dc:creator>
		<pubDate>Sun, 18 Jan 2026 17:17:49 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=40611#comment-185</guid>

					<description><![CDATA[[&#8230;] Directed by Salvatore Sciortino and written by Josh Tate, ROOF traps two strangers atop a downtown Los Angeles building during a catastrophic July 4th blackout. Dev (played by Asif Ali) is a fast-talking trader who has just lost his company millions, while Mary (played by Bella Heathcote) is pregnant, stranded, and far more grounded than her unfortunate companion. With no water, no exit, and no help coming, the rooftop becomes both a physical prison and an emotional pressure cooker. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Directed by Salvatore Sciortino and written by Josh Tate, ROOF traps two strangers atop a downtown Los Angeles building during a catastrophic July 4th blackout. Dev (played by Asif Ali) is a fast-talking trader who has just lost his company millions, while Mary (played by Bella Heathcote) is pregnant, stranded, and far more grounded than her unfortunate companion. With no water, no exit, and no help coming, the rooftop becomes both a physical prison and an emotional pressure cooker. [&#8230;]</p>
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		Comment on 2019 TCM Classic Film Festival Carpet Chat with PATTY McCORMACK by PATTY McCORMACK &#34;stops time&#34; as everything old is new again - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/festivals/tcm-classic-film-festival/2019-tcm-classic-film-festival-carpet-chat-with-patty-mccormack/#comment-184</link>

		<dc:creator><![CDATA[PATTY McCORMACK &#34;stops time&#34; as everything old is new again - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Sun, 18 Jan 2026 02:49:19 +0000</pubDate>
		<guid isPermaLink="false">http://behindthelensonline.net/site/?p=25132#comment-184</guid>

					<description><![CDATA[[&#8230;] interviewed Patty before at the TCM Film Festival in Los Angeles, reconnecting with her is always a joy—an opportunity to revisit an extraordinary career while [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] interviewed Patty before at the TCM Film Festival in Los Angeles, reconnecting with her is always a joy—an opportunity to revisit an extraordinary career while [&#8230;]</p>
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		Comment on 2017 LA Film Festival &#8211; Carpet Chat with RIC ROMAN WAUGH by RIC ROMAN WAUGH on Craft, Consequence, and the Evolution from Survival to Living in GREENLAND 2: MIGRATION - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/2017-la-film-festival-carpet-chat-with-ric-roman-waugh/#comment-183</link>

		<dc:creator><![CDATA[RIC ROMAN WAUGH on Craft, Consequence, and the Evolution from Survival to Living in GREENLAND 2: MIGRATION - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Fri, 09 Jan 2026 03:11:07 +0000</pubDate>
		<guid isPermaLink="false">http://behindthelensonline.net/site/?p=20343#comment-183</guid>

					<description><![CDATA[[&#8230;] Ric Roman Waugh always envisioned the GREENLAND films as a single narrative, told in chapters.  “I wanted the movies to be something you could watch in a four-hour run,” he says, “and feel like—yeah, they’re two chapters—but they’re the same story. You’re just seeing the final act.” [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Ric Roman Waugh always envisioned the GREENLAND films as a single narrative, told in chapters.  “I wanted the movies to be something you could watch in a four-hour run,” he says, “and feel like—yeah, they’re two chapters—but they’re the same story. You’re just seeing the final act.” [&#8230;]</p>
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