<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments for Behind The Lens Online	</title>
	<atom:link href="https://behindthelensonline.net/site/comments/feed/" rel="self" type="application/rss+xml" />
	<link>https://behindthelensonline.net/site/</link>
	<description>a division of elias entertainment network</description>
	<lastBuildDate>Mon, 05 Oct 2026 03:13:14 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1.3</generator>
	<item>
		<title>
		Comment on 2026 TCM Classic Film Festival Carpet Chat with ETHAN PECK by This Handsome Actor Is the Grandson of One of Hollywood’s Greatest Leading Men — Meet Him and 5 Other Striking Grandchildren of Screen Legends &#8211; Mix Matheus		</title>
		<link>https://behindthelensonline.net/site/interviews/carpet-chat/2026-tcm-classic-film-festival-carpet-chat-with-ethan-peck/#comment-210</link>

		<dc:creator><![CDATA[This Handsome Actor Is the Grandson of One of Hollywood’s Greatest Leading Men — Meet Him and 5 Other Striking Grandchildren of Screen Legends &#8211; Mix Matheus]]></dc:creator>
		<pubDate>Mon, 05 Oct 2026 03:13:14 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41767#comment-210</guid>

					<description><![CDATA[[&#8230;] At the 2026 TCM Classic Film Festival, Ethan discussed his grandfather while celebrating classic movies and his own place within the Star Trek universe. Behind The Lens Online [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] At the 2026 TCM Classic Film Festival, Ethan discussed his grandfather while celebrating classic movies and his own place within the Star Trek universe. Behind The Lens Online [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on THE DEPUTY — Duke Nicholson Earns the Badge One Long Night at a Time by MATT SUKKAR Finds Character in the Darkness of THE DEPUTY - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/the-deputy-movie-review/#comment-209</link>

		<dc:creator><![CDATA[MATT SUKKAR Finds Character in the Darkness of THE DEPUTY - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 00:56:18 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43355#comment-209</guid>

					<description><![CDATA[[&#8230;] director Matt Sukkar first saw the title THE DEPUTY, he thought he knew what kind of movie his manager had sent him.  He wasn&#8217;t particularly [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] director Matt Sukkar first saw the title THE DEPUTY, he thought he knew what kind of movie his manager had sent him.  He wasn&#8217;t particularly [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on BTL Radio Show &#8211; 09/28/2026 with DELILAH NAPIER &#038; LUCY POWERS talking FLOATING CAROUSEL and CLAIRE SCANLON talking THE LOVE HYPOTHESIS by FLOATING CAROUSEL – The More Dating Changes, the More It Stays Exactly the Same - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/miscellaneous/behind-the-lens-podcast/btl-radio-show-09-28-2026-with-delilah-napier-lucy-powers-talking-floating-carousel-and-claire-scanlon-talking-the-love-hypothesis/#comment-208</link>

		<dc:creator><![CDATA[FLOATING CAROUSEL – The More Dating Changes, the More It Stays Exactly the Same - Behind The Lens Online]]></dc:creator>
		<pubDate>Sat, 03 Oct 2026 23:24:16 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43280#comment-208</guid>

					<description><![CDATA[[&#8230;] co-directed, co-edited and starring Delilah Napier and Lucy Powers, FLOATING CAROUSEL takes that eternal truth and sends it spinning through a decidedly contemporary [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] co-directed, co-edited and starring Delilah Napier and Lucy Powers, FLOATING CAROUSEL takes that eternal truth and sends it spinning through a decidedly contemporary [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on SPY INTERVENTION is one fresh and fun film! by SUNIL PERKASH &#38; DREW VAN ACKER: Finding The Language of ORION - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/spy-intervention-is-one-fresh-and-fun-film/#comment-207</link>

		<dc:creator><![CDATA[SUNIL PERKASH &#38; DREW VAN ACKER: Finding The Language of ORION - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 30 Sep 2026 00:31:46 +0000</pubDate>
		<guid isPermaLink="false">http://behindthelensonline.net/site/?p=27704#comment-207</guid>

					<description><![CDATA[[&#8230;] collaboration continued through SPY INTERVENTION and LAST SURVIVORS, eventually bringing them to ORION and the partnership they have [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] collaboration continued through SPY INTERVENTION and LAST SURVIVORS, eventually bringing them to ORION and the partnership they have [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on JAMES CULLEN BRESSACK HAS THE EVIDENCE: Going Analog with I HAVE PROOF &#8211; Exclusive Interview by I HAVE PROOF is riveting, unsettling and increasingly immersive - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/james-cullen-bressack-i-have-proof-interview/#comment-206</link>

		<dc:creator><![CDATA[I HAVE PROOF is riveting, unsettling and increasingly immersive - Behind The Lens Online]]></dc:creator>
		<pubDate>Tue, 22 Sep 2026 01:00:39 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43145#comment-206</guid>

					<description><![CDATA[[&#8230;] is a question scribbled among my notes while watching writer/director James Cullen Bressack’s I HAVE PROOF, and by the time the film ends, it is no longer merely a question about what [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] is a question scribbled among my notes while watching writer/director James Cullen Bressack’s I HAVE PROOF, and by the time the film ends, it is no longer merely a question about what [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on KNIGHTFALL: Intelligence Before Action Makes This Spy Thriller a Winning Move by BTL Radio Show - 09/21/2026 with special guest GEOFFREY MOORE talking KNIGHTFALL and &#34;The Old Man&#34; - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/knightfall-review/#comment-205</link>

		<dc:creator><![CDATA[BTL Radio Show - 09/21/2026 with special guest GEOFFREY MOORE talking KNIGHTFALL and &#34;The Old Man&#34; - Behind The Lens Online]]></dc:creator>
		<pubDate>Mon, 21 Sep 2026 18:01:08 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43021#comment-205</guid>

					<description><![CDATA[[&#8230;] it. And when asked whether he had any trepidation about stepping into the role of MI5 agent Hugh in KNIGHTFALL given that his father happened to be Sir Roger Moore, Geoffrey doesn&#8217;t hesitate.  “No. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] it. And when asked whether he had any trepidation about stepping into the role of MI5 agent Hugh in KNIGHTFALL given that his father happened to be Sir Roger Moore, Geoffrey doesn&#8217;t hesitate.  “No. [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on KNIGHTFALL: Intelligence Before Action Makes This Spy Thriller a Winning Move by Producer JONATHAN SOTHCOTT Talks The Art of Making What You Have Work For You with KNIGHTFALL - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/knightfall-review/#comment-204</link>

		<dc:creator><![CDATA[Producer JONATHAN SOTHCOTT Talks The Art of Making What You Have Work For You with KNIGHTFALL - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Sat, 12 Sep 2026 18:33:39 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43021#comment-204</guid>

					<description><![CDATA[[&#8230;] JONATHAN SOTHCOTT when, almost casually, he provides the key to understanding not only how he made KNIGHTFALL, but how he approaches filmmaking [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] JONATHAN SOTHCOTT when, almost casually, he provides the key to understanding not only how he made KNIGHTFALL, but how he approaches filmmaking [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on ACT OF VALOR by SCOTT WAUGH Hits His Stride with RUNNER with Action, Emotion, and Finding the Poetry in the Ride - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/act-of-valor/#comment-203</link>

		<dc:creator><![CDATA[SCOTT WAUGH Hits His Stride with RUNNER with Action, Emotion, and Finding the Poetry in the Ride - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 09 Sep 2026 07:14:29 +0000</pubDate>
		<guid isPermaLink="false">http://moviesharkdeblore.com/site/?p=4795#comment-203</guid>

					<description><![CDATA[[&#8230;] to filmmaker, following him through the visceral authenticity and emotional sacrifice of ACT OF VALOR, the roaring practical vehicular mayhem of NEED FOR SPEED, and the explosive action of EXPEND4BLES. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] to filmmaker, following him through the visceral authenticity and emotional sacrifice of ACT OF VALOR, the roaring practical vehicular mayhem of NEED FOR SPEED, and the explosive action of EXPEND4BLES. [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on BUDDY is a genuinely fresh concoction that breaks the comforting boundary between television and reality by It&#039;s BUDDY! And He&#039;s Here With A Special Labor Day Safety Message For You! - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/buddy-movie-review/#comment-202</link>

		<dc:creator><![CDATA[It&#039;s BUDDY! And He&#039;s Here With A Special Labor Day Safety Message For You! - Behind The Lens Online]]></dc:creator>
		<pubDate>Sun, 06 Sep 2026 18:45:46 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42828#comment-202</guid>

					<description><![CDATA[[&#8230;] BUDDY, the star of his self-titled breakout hit, continues to slay at the box office in its second week. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] BUDDY, the star of his self-titled breakout hit, continues to slay at the box office in its second week. [&#8230;]</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on THE LAST PLACE ON EARTH is a testament to the power of human determination in the face of seemingly overwhelming odds by DAVID BOOTH GARDNER on Finding the Story Between the Beginning and the End of THE LAST PLACE ON EARTH - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/the-last-place-on-earth-movie-review/#comment-201</link>

		<dc:creator><![CDATA[DAVID BOOTH GARDNER on Finding the Story Between the Beginning and the End of THE LAST PLACE ON EARTH - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 03:39:50 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42549#comment-201</guid>

					<description><![CDATA[[&#8230;] Gardner and McGrath knew they did not want a dry policy-driven documentary about deforestation. THE LAST PLACE ON EARTH would be character-driven, rooted in the men and women confronting the destruction of Leuser every [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Gardner and McGrath knew they did not want a dry policy-driven documentary about deforestation. THE LAST PLACE ON EARTH would be character-driven, rooted in the men and women confronting the destruction of Leuser every [&#8230;]</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
