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		Comment on Cinematographer JAMES KNIEST dives into THE DEVIL’S MOUTH &#8211; Exclusive Interview by BTL Radio Show - 07/27/2026 with director JESSE V. JOHNSON diving into ABOVE &#38; BELOW - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/james-kniest-the-devils-mouth/#comment-196</link>

		<dc:creator><![CDATA[BTL Radio Show - 07/27/2026 with director JESSE V. JOHNSON diving into ABOVE &#38; BELOW - Behind The Lens Online]]></dc:creator>
		<pubDate>Mon, 27 Jul 2026 18:01:09 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42621#comment-196</guid>

					<description><![CDATA[[&#8230;] releases on Prime Video this week on the 29th.  And check out my interview with cinematographer James Kniest who discusses the challenges he faced with THE DEVIL&#8217;S MOUTH.  And for some campy B-movie [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] releases on Prime Video this week on the 29th.  And check out my interview with cinematographer James Kniest who discusses the challenges he faced with THE DEVIL&#8217;S MOUTH.  And for some campy B-movie [&#8230;]</p>
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		Comment on 47 METERS DOWN by From Dancing Hippos to Deadly Predators: Writer/Director JAMES NUNN Reinvigorates the Creature Feature with HUNGRY - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/47-meters-down/#comment-195</link>

		<dc:creator><![CDATA[From Dancing Hippos to Deadly Predators: Writer/Director JAMES NUNN Reinvigorates the Creature Feature with HUNGRY - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 17:03:15 +0000</pubDate>
		<guid isPermaLink="false">http://behindthelensonline.net/site/?p=20046#comment-195</guid>

					<description><![CDATA[[&#8230;] seeds of HUNGRY were planted years ago after Nunn worked on 47 Meters Down with director Johannes [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] seeds of HUNGRY were planted years ago after Nunn worked on 47 Meters Down with director Johannes [&#8230;]</p>
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		Comment on DIRTY HANDS is a Brotherhood Forged in Blood, Bruises, and Blue Light by KEVIN INTERDONATO gets his hands dirty with brotherhood, blood, blue light, and bare-knuckle filmmaking with DIRTY HANDS - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/dirty-hands-is-a-brotherhood-forged-in-blood-bruises-and-blue-light/#comment-194</link>

		<dc:creator><![CDATA[KEVIN INTERDONATO gets his hands dirty with brotherhood, blood, blue light, and bare-knuckle filmmaking with DIRTY HANDS - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 16:38:42 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41654#comment-194</guid>

					<description><![CDATA[[&#8230;] nothing clean about DIRTY HANDS.  And that is exactly the [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] nothing clean about DIRTY HANDS.  And that is exactly the [&#8230;]</p>
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		Comment on Blood, Brutality, Suspicion and Duct Tape: ANTON SIGURDSSON on the Craft of REFUGE &#8211; Exclusive Interview by Grief, Guilt and Gallons of Duct Tape: REFUGE Is a Brutal Psychological Pressure Cooker - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/anton-sigurdsson-refuge-interview/#comment-192</link>

		<dc:creator><![CDATA[Grief, Guilt and Gallons of Duct Tape: REFUGE Is a Brutal Psychological Pressure Cooker - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 07:33:08 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41480#comment-192</guid>

					<description><![CDATA[[&#8230;] nowhere to run in REFUGE. No escape hatch. No relief valve. Just four men, one remote cabin, and a past that refuses to stay [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] nowhere to run in REFUGE. No escape hatch. No relief valve. Just four men, one remote cabin, and a past that refuses to stay [&#8230;]</p>
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		Comment on NORMAL Is Anything But: A Blood-Splattered, Kinetic Blast of Pure Cinema by BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/normal-movie-review/#comment-191</link>

		<dc:creator><![CDATA[BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 01:56:47 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41461#comment-191</guid>

					<description><![CDATA[[&#8230;] is nothing remotely “normal” about NORMAL—and that is precisely the [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] is nothing remotely “normal” about NORMAL—and that is precisely the [&#8230;]</p>
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		Comment on BTL Radio Show &#8211; 04/13/2026 with guests BEN WHEATLEY talking NORMAL and ANEIL KARIA discussing HAMLET by BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/miscellaneous/behind-the-lens-podcast/btlradioshow-4-13-2026-ben-wheatley-normal-movie-aneil-karia-hamlet/#comment-190</link>

		<dc:creator><![CDATA[BEN WHEATLEY Unleashes Delicious Kinetic Mayhem with the Neo-Western NORMAL - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 01:54:01 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41454#comment-190</guid>

					<description><![CDATA[[&#8230;] practical effects, precision camerawork, and a deadpan Bob Odenkirk at the center, in this exclusive interview, director BEN WHEATLEY discusses turning a neo-Western setup into something wildly original—and [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] practical effects, precision camerawork, and a deadpan Bob Odenkirk at the center, in this exclusive interview, director BEN WHEATLEY discusses turning a neo-Western setup into something wildly original—and [&#8230;]</p>
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		Comment on Growing Up on Screen: JOHN ASHER Finds Heart, Vulnerability, and Final Cut with A LOVE LIKE THIS &#8211; Exclusive Interview by A LOVE LIKE THIS Marks a Surprising and Sincere Turn for John Asher - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/john-asher-interview-a-love-like-this/#comment-189</link>

		<dc:creator><![CDATA[A LOVE LIKE THIS Marks a Surprising and Sincere Turn for John Asher - Behind The Lens Online]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 04:45:05 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41414#comment-189</guid>

					<description><![CDATA[[&#8230;] Emmanuelle Chriqui and Hayes MacArthur bring emotional volatility and real chemistry to a romantic drama elevated by striking Malibu visuals and an unexpected tonal maturity from director John Asher. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Emmanuelle Chriqui and Hayes MacArthur bring emotional volatility and real chemistry to a romantic drama elevated by striking Malibu visuals and an unexpected tonal maturity from director John Asher. [&#8230;]</p>
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		Comment on A bold, modern HAMLET that trades tradition for psychological intensity by Inside the Mind: Director ANEIL KARIA on Reimagining HAMLET from the Inside Out - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/reviews/movies/hamlet-movie-review/#comment-188</link>

		<dc:creator><![CDATA[Inside the Mind: Director ANEIL KARIA on Reimagining HAMLET from the Inside Out - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 00:16:39 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41224#comment-188</guid>

					<description><![CDATA[[&#8230;] For a deeper dive into the performances, visual design, and Karia’s bold adaptation choices, see my full review of HAMLET here. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] For a deeper dive into the performances, visual design, and Karia’s bold adaptation choices, see my full review of HAMLET here. [&#8230;]</p>
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		Comment on “She is the real thing”: SCOTTIE THOMPSON Ignites HELLFIRE &#8211; Exclusive Interview by “Now I’m addicted”: SCOTTIE THOMPSON Steps Behind the Camera with SIENNA &#38; THE SIT - Exclusive Interview - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/scottie-thompson-hellfire/#comment-187</link>

		<dc:creator><![CDATA[“Now I’m addicted”: SCOTTIE THOMPSON Steps Behind the Camera with SIENNA &#38; THE SIT - Exclusive Interview - Behind The Lens Online]]></dc:creator>
		<pubDate>Mon, 09 Mar 2026 07:55:25 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=40993#comment-187</guid>

					<description><![CDATA[[&#8230;] trading bullets and silences in Isaac Florentine’s HELLFIRE, SCOTTIE THOMPSON did something that surprised even herself: she wrote, directed, and starred in [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] trading bullets and silences in Isaac Florentine’s HELLFIRE, SCOTTIE THOMPSON did something that surprised even herself: she wrote, directed, and starred in [&#8230;]</p>
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		Comment on BTL Radio Show &#8211; 09/29/2025 with guests RENNY HARLIN talking THE STRANGERS: CHAPTER 2 and MATTHEW BISSONNETTE talking DEATH OF A LADIES&#8217; MAN by BTL Radio Show - 02/02/2026 with RENNY HARLIN talking THE STRANGERS: CHAPTER 3 and BRYAN FULLER discussing DUST BUNNY - Behind The Lens Online		</title>
		<link>https://behindthelensonline.net/site/miscellaneous/behind-the-lens-podcast/btlradioshow-09-29-2025-rennyharlin-matthewbissonnette/#comment-186</link>

		<dc:creator><![CDATA[BTL Radio Show - 02/02/2026 with RENNY HARLIN talking THE STRANGERS: CHAPTER 3 and BRYAN FULLER discussing DUST BUNNY - Behind The Lens Online]]></dc:creator>
		<pubDate>Mon, 02 Feb 2026 19:00:34 +0000</pubDate>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=40189#comment-186</guid>

					<description><![CDATA[[&#8230;] up &#8211; RENNY HARLIN and THE STRANGERS: CHAPTER [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] up &#8211; RENNY HARLIN and THE STRANGERS: CHAPTER [&#8230;]</p>
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