FAT KID RULES THE WORLD
By: debbie lynn elias All I can say is Applause, Applause, Applause for Matthew Lillard as a director and for the film FAT KID RULES
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By: debbie lynn elias All I can say is Applause, Applause, Applause for Matthew Lillard as a director and for the film FAT KID RULES
By: debbie lynn elias I love THE WORDS. I love the look. I love the feel. I love the intrigue of the narrative construction and
By: debbie lynn elias With John Hillcoat’s LAWLESS, the Oscar race gets a bit hotter with a too-die-for performance by Guy Pearce and a script
By: debbie lynn elias “Shame” which garnered an NC-17 rating. This year, it’s Matthew McConaughey in William Friedkin’s KILLER JOE, which the MPAA also saw
By: debbie lynn elias What initially strikes one about CRAZY EYES is, in fact, the eyes of its two stars, Lukas Haas and Madeline Zima
By: debbie lynn elias Capitalizing on Neil LaBute’s masterful gift for cynicism, creation of despicable characters and no-holds-barred stream of social consciousness, first time
By: debbie lynn elias SISTER, another Must See Festival Film in the International Showcase, comes to the 2012 Los Angeles Film Festival compliments of Switzerland
By: debbie lynn elias On the fringe of being an all around Must See Festival Film at the 2012 Los Angeles Film Festival is Joshua Sanchezf
By: debbie lynn elias Set in 1890 Paris, BEL AMI is based on Guy de Maupassant’s novel and the story of George Duroy. One time
By: debbie lynn elias After a successful premiere in Sundance, Armando Bo’s THE LAST ELVIS makes its Los Angeles debut as Argentina’s contribution to the
