{"version":"1.0","provider_name":"Behind The Lens Online","provider_url":"https:\/\/behindthelensonline.net\/site","author_name":"debbie lynn elias","author_url":"https:\/\/behindthelensonline.net\/site\/author\/debbie-lynn-elias\/","title":"Scott Adkins Trades Precision for Gleeful Panic in Elliott Montello's RECKLESS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3SzDbtPeuU\"><a href=\"https:\/\/behindthelensonline.net\/site\/reviews\/movies\/reckless-movie-review\/\">Scott Adkins Trades Precision for Gleeful Panic in Elliott Montello&#8217;s RECKLESS<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/behindthelensonline.net\/site\/reviews\/movies\/reckless-movie-review\/embed\/#?secret=3SzDbtPeuU\" width=\"600\" height=\"338\" title=\"&#8220;Scott Adkins Trades Precision for Gleeful Panic in Elliott Montello&#8217;s RECKLESS&#8221; &#8212; Behind The Lens Online\" data-secret=\"3SzDbtPeuU\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/behindthelensonline.net\/site\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2026\/05\/reck-poster.png","thumbnail_width":429,"thumbnail_height":614,"description":"This wildly entertaining London crime caper gleefully dismantles Scott Adkins\u2019 polished screen image, replacing it with panic, impulsiveness, bad decisions, and an almost childlike optimism that somehow survives amid mounting chaos, bloodshed, and betrayal. And that\u2019s precisely why the film works so well."}