{"id":10746,"date":"2015-01-30T13:18:41","date_gmt":"2015-01-30T21:18:41","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=10746"},"modified":"2015-01-30T13:27:21","modified_gmt":"2015-01-30T21:27:21","slug":"wild-card","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/wild-card\/","title":{"rendered":"WILD CARD"},"content":{"rendered":"

Anyone who knows me or who has read any of my reviews or interviews over the past few decades knows of my admiration and affection for action films, stunt work, Jason Statham and director Simon West.\u00a0 Put all of those ingredients together, and toss in a screenplay by William Goldman, and I\u2019m in.\u00a0 Needless to say, you can imagine my excitement for WILD CARD as it not only blends all of these elements in this slick, as-to-be-expected reflective and brooding crime drama, but minimizes the action, allowing us to focus on character and the introspective nature of Statham\u2019s Nick Wild.<\/p>\n

\"wild<\/a><\/p>\n

Adapted by Goldman from his best-selling crime thriller “Heat”, WILD CARD is not the typical Jason Statham-Simon West action movie (now their fourth teaming).\u00a0 While there are still more than sufficient displays of Statham\u2019s patented martial arts stylings to satisfy the most die-hard Statham fan, not to mention some slick maneuvers with credit cards and teaspoons, West, Goldman and Statham allow us to sit back and enjoy the psychological gamesmanship of Nick Wild and a wacky cast of characters who represent every patented Las Vegas element imagined centered around a Mafioso-hinged plotline.\u00a0 In short, I\u2019m wild about WILD CARD.<\/p>\n

Nick Wild, a for-hire security\/bodyguard, dreams of hitting a $500K score at the blackjack tables so he can live out his life in peace on a boat in the calm waters off Corsica.\u00a0 But that\u2019s what makes Vegas, Vegas.\u00a0 It\u2019s all about dreams, dreams that one keeps chasing, and Nick has been chasing his for years.\u00a0 Always there for a friend in need, whether they can pay for his services or not, you get the sense that Nick will never hit paydirt and Corsica will always be just a dream.<\/p>\n

\"Wild<\/a><\/p>\n

When Nick gets a call for help from old girlfriend Holly who has been viciously beaten and dumped at an emergency room door, despite thinking better of it, Nick hunts down the mobster who is sequestered away at the Golden Nugget.\u00a0 Danny DeMarco is a vicious, brutal thug who is more into looking the mobsters of 70’s Hollywood films with the gold and the girls and the guns than playing smart like the \u201cboss\u201d he thinks he is.\u00a0 Makes him and his boys an easy target for Nick who just wants to \u201cwarn\u201d DeMarco to play nice, but as we quickly see, a vengeful Holly has a more personal payback in mind.<\/p>\n

Enter the young Cyrus Kinnick. A wimpy looking whiz kid from Boston seemingly on his own for the first time in his life, Cyrus believes he requires Nick\u2019s services as a bodyguard during his brief stay in Vegas.\u00a0 But it quickly becomes evident that not only is Cyrus not who or what he seems, but the question becomes, who\u2019s protecting whom?<\/p>\n

As Nick faces his own vodka demons and penchant for pushing his luck, we make the rounds with him and meet a delicious array of characters, from the kindest – a dealer named Cassandra, to an hilarious set up involving a nebbish named Osgood and a doll named DD, to Nugget owner \u201cBaby\u201d, local attorney Pinky and, of course, Roxy the waitress with her ear to the ground and pulse on the city.<\/p>\n

\"wild<\/a><\/p>\n

As Nick Wild, Jason Statham is perfection.\u00a0 Quiet, brooding, introspective but with a wild streak, no one can build tension with silence, stillness and just a stare like Statham.\u00a0 And he does just that in WILD CARD making one extended gambling scene more riveting than all the action of three key scenes put together.<\/p>\n

An interesting performance comes courtesy of Michael Angarano as Cyrus.\u00a0 Over the years we seen Angarano be timid, or over confident, but as Cyrus he delivers a \u201cNervous Nelly\u201d complete with lovely little nuances with his posture, his walk, his hands.\u00a0 But then in a climactic scene in Roxy\u2019s diner, turns the tables with a surprising uber-confidence that zings.\u00a0 But it\u2019s the engaging play and chemistry between Angarano and Statham that has you doubling down with interest.<\/p>\n

\"wild<\/a><\/p>\n

Nice cameo turns by Jason Alexander and Anne Heche as Pinky and Roxy, respectively.\u00a0 As Osgood, Max Casella is scene-stealing scream, particularly when it comes to his interplay with Sofia Vergara\u2019s DD and plot twist with Statham that will have you in stitches.\u00a0 And I\u2019ve gotta hand it to Goldman and West adding some great tongue-in-cheek double entendres to not only Statham\u2019s dialogue but a Pepsi placement nod with its spokesperson Vergara.\u00a0 Hope Davis adds some warmth and grounding as Cassie, not to mention serve as a conscience for Nick at times.\u00a0 Some real growth in her talents as an actress can be seen with Dominik Garcia-Lorido and her performance as Holly.\u00a0 Pushing the envelope and adding some texture to her emotional skill set is a nice touch for the character and film as a whole.<\/p>\n

But nothing is cooler – or funnier – than the scene of the year involving Stanley Tucci, Statham and Milo Ventimiglia as Ventimiglia\u2019s DeMarco tries to wiggle his way out of a situation with Tucci\u2019s casino owning Baby.\u00a0\u00a0 It\u2019s a deadpan throw down between Statham and Tucci that is uproarious! Hilarious!\u00a0 Everything about the scene is perfection as Nick and Baby insist DeMarco drop his pants, comment on his \u201cmanhood\u201d (or lack thereof) and make the most of an earlier event involving that \u201cmanhood\u201d and a pair of sharp gardening clippers.<\/p>\n

\"wild<\/a><\/p>\n

West and Statham have taken a different tact with WILD CARD in that while having less action than usual for Statham, the film is lensed with action and edited by Thomas Nordberg and Padraic McKinley in a frame by frame manner to make it more rapid fire, more surreal, more heightened and more intense!\u00a0 Cinematographer Shelly Johnson nails it with a mix of slo-mo, extreme close-ups and, something that is becoming more frequent in hand-to-hand action sequences, fast-mo. WOW WOW WOW WOW WOW!\u00a0 Slice and dice moves come out of nowhere on multiple occasions and each time is shockingly cool.\u00a0 Editing itself is paced extremely well, giving us time to breathe in between the frenetic battles.\u00a0 And a key $500,000 “all in\/let it ride” gambling scene….so tense, so taut, my palms were sweating.\u00a0 We are immersed in every moment of this film.<\/p>\n

Keeping us on our toes, Goldman structures the story so that we\u2019re well into the second act, salivating in anticipation, before Simon West and company kick into high gear with the first major action sequence. One of Statham\u2019s stalwarts, stunt\/fight choreographer Corey Yuen puts together some dynamic scenes which are showcased and enhanced by Shelly Johnson\u2019s lens.\u00a0 Watching Johnson\u2019s work over the years starting with his first film, \u201cMaid to Order\u201d and moving into films like \u201cThe Last Castle\u201d creating an intimate canvas employing both crane work and claustrophobic, and into high octane action with \u201cCaptain America\u201d and \u201cExpendables 2″, Johnson delivers some interesting camera angles, using not only a\u00a0 lot of dutching but a lot of mid-shots interspersed with dutched close-ups that fuel the Vegas energy and vibe.\u00a0 Color saturation just lends to the heightened surrealism that is Vegas.<\/p>\n

\"wild<\/a><\/p>\n

While set in present day, scribe William Goldman peppers WILD CARD with the requisite stereotypical Vegas-mob elements we have so loved for decades while tailoring specifics to Statham\u2019s brand of performance.\u00a0 It\u2019s a lovely meld of old and new.\u00a0 The poignancy and raw visceral nature of the story and the characters, particularly that of Nick Wild, can resonate with each off us with just the slightest look at our own lives.\u00a0 Characters are fun, and thanks to some great story structure and dialogue in tandem with West’s direction, we only need one scene with some of these characters to know who they are and why they are in Nick’s life.\u00a0 I would have liked to see the character of Cyrus fleshed out a bit more as he proves quite interesting in the hands of Angarano, yet given the \u201cships that pass in the night\u201d idea of Vegas, the minimal depth works.\u00a0 Multi-textural and layered and as with all of Goldman’s works, deeper and more engaging than what’s as on the surface.<\/p>\n

As for the score – luscious.\u00a0 Dario Marianelli does it again.\u00a0 Interesting choice for this film.\u00a0 Although WILD CARD is an action film and Marianelli isn’t known for scoring action films, it’s the emotion of the human condition and characters that he captures so wonderfully, enhancing the depth of the story while complementing the action elements.<\/p>\n

\"wild<\/a><\/p>\n

WILD CARD is a wild ride I want to ride again!<\/p>\n

Director: Simon West
\nWritten by William Goldman based on Goldman\u2019s novel \u201cHeat\u201d
\nCast:\u00a0\u00a0\u00a0\u00a0 Jason Statham, Michael Angarano, Stanley Tucci, Milo Ventimiglia, Anne Heche, Hope Davis, Dominik Garcia-Lorido, Max Casella, Jason Alexander, Sofia Vergara<\/p>\n","protected":false},"excerpt":{"rendered":"

Anyone who knows me or who has read any of my reviews or interviews over the past few decades knows of my admiration and affection for action films, stunt work, Jason Statham and director Simon West.\u00a0 Put all of those ingredients together, and toss in a screenplay by William Goldman, and I\u2019m in.\u00a0 Needless to […]<\/p>\n","protected":false},"author":2,"featured_media":10751,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1894,1893,2107,1898,2106,1897,1900,1896,1891,1892,1889,1895,1899,1888,1890],"class_list":["post-10746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-anne-heche","tag-dominik-garcia-lorido","tag-heat","tag-hope-davis","tag-jasaon-statham","tag-jason-alexander","tag-las-vegas","tag-max-casella","tag-michael-angarano","tag-milo-ventimiglia","tag-simon-west","tag-sofia-vergara","tag-stanley-tucci","tag-wild-card","tag-william-goldman"],"yoast_head":"\nWILD CARD - 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