{"id":12209,"date":"2015-06-20T09:17:39","date_gmt":"2015-06-20T16:17:39","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=12209"},"modified":"2015-06-20T09:52:32","modified_gmt":"2015-06-20T16:52:32","slug":"inside-out-im-feeling-oscar-gold","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/inside-out-im-feeling-oscar-gold\/","title":{"rendered":"INSIDE OUT – I’m “Feeling” Oscar Gold!"},"content":{"rendered":"

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Pixar Animation Studios has done it again.\u00a0 Not only have they delivered what should prove to be the indisputable Academy Award winner for Best Animated Feature come February 28, 2016, but a hot contender as an overall Best Picture nominee with ‘Inside Out’.\u00a0 Breaking new ground with storytelling and technology, while retaining the hallmarks of what makes Pixar great, director Pete Docter and the Pixar team boldly go where no one has gone before – inside the mind of an 11-year old girl.\u00a0 To say that ‘Inside Out’ will turn you upside down and inside out with utter and complete \u201cjoy\u201d and wonder is an understatement.\u00a0 One look and it fills you with all the happiness of the colors of the rainbow, sprinkled with stardust from above, welcoming you into the emotion-filled world of Riley.<\/p>\nhttp:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/06\/Bill-Hader.wav<\/a><\/audio>\n

LISTEN NOW:\u00a0 Bill Hader explains what makes INSIDE OUT an “Essential” <\/strong><\/p>\n

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\"inside<\/a><\/p>\n

We first meet Riley on the day she is born.\u00a0 Filled with joy and gleeful baby happiness (at least that\u2019s what her primary emotion Joy tells us), we watch Riley grow with joy and happiness.\u00a0 Yes.\u00a0 Joy.\u00a0 In the world of\u00a0 ‘Inside Out’ there are five main emotions with Joy being the alpha group leader – Joy, Sadness, Fear, Anger and Disgust – and Joy serves as a tour guide, so to speak.\u00a0 She helms the neurological command center in Riley\u2019s brain.\u00a0 Each plays an integral part to our development.\u00a0 Joy makes us happy.\u00a0 Fear keeps us safe.\u00a0 Anger helps with social skills and attention getting.\u00a0 Disgust keeps us away from icky things like broccoli and brussel sprouts.\u00a0 And Sadness, well, where there is Joy, there has to be Sadness as Sadness leads to so many other wonderful things in life.\u00a0 Each spends their days pulling levers and pressing buttons on the HQ control panel guiding Riley through her day (of course, Joy is always the one who wins out with command). You\u2019ll see.\u00a0 We see wonderful core memories of happiness being made and thanks to Joy and company, learn the inner workings of the mind and how memories are stored, recalled or discarded.\u00a0 Pretty intricate stuff going on in there; even moreso with an 11-year old girl. (Don’t feel slighted Mom and Dad!\u00a0 We get to see your HQ workings as well!)<\/p>\n

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But then the emotions suffer a jarring experience.\u00a0 Riley is forced to move from her home in Minnesota to San Francisco, saying goodbye to her room, her ice hockey team, her friends, open spaces, all the good memories of her life.\u00a0 And from the start (like with broccoli pizza), San Francisco goes from bad to worse with Joy working overtime trying to get \u201cour girl\u201d back on track in the happiness department, only to be thwarted at every turn by all the other emotions.\u00a0 Riley argues with her parents at the dinner table, gives Dad an attitude, cries at school, has a disastrous ice hockey tryout.\u00a0 And all this AFTER the moving van is over a week late with all those little treasures that might make Riley feel more at home. Seems like Sadness reigns supreme right about now.\u00a0 And it does; much to Joy\u2019s chagrin.<\/p>\n

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Believing Sadness to be the cause of Riley\u2019s sudden change of disposition, Joy orders Sadness to not touch any of the bright yellow glowing balls that represent the happy core memories; you know, those memories that always make you smile inside and out, the ones you think of when you need a pick me up.\u00a0 But something weird is happening.\u00a0 Everytime Sadness touches a core memory, it turns it blue, taking it from a happy memory to a sad memory.\u00a0 Oh, what\u2019s that?\u00a0 The core memory glowy balls?\u00a0 Each is a memory that is color correspondent to the emotion Riley felt at the moment the memory is made.\u00a0 Then, thanks to the elaborate storage system within the mind, memories are shuffled, filed, stored or even discarded in a glorious array of pinball pinging delights.\u00a0 It\u2019s important to note that the core memories, the purest of pure memories which comprise what are known as \u201cemotional islands\u201d, make up who each of us is.\u00a0 In Riley\u2019s case – Fun Island, Hockey Island, Family Island, Honesty Island and Friendship Island – and we need a balance of memories to keep each island going.<\/p>\n

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\nBut then disaster strikes!\u00a0 Trying to save the core happy memories which Sadness has inadvertently let loose all over HQ, Joy and Sadness are sucked up into the vacuum that whisks memories to their respective places at the end of the day!!\u00a0 (You didn\u2019t think just because the day ends and Riley\u2019s eyes closed for sleep that the work ended in HQ!\u00a0 Oh no!\u00a0 There\u2019s much going on when the lights are out.)\u00a0 But with Joy and Sadness gone from HQ, that means Fear, Anger and Disgust are left in charge and the only memories that Riley can have or make.\u00a0 Uh, oh.<\/p>\n

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In what is one of the most endearing \u201cbuddy comedy\u201d pairings ever, Joy and Sadness try to make their way back to HQ, while Fear, Disgust and Anger run amok.\u00a0 The result is that we are treated to the most imaginative inner workings of the mind ever seen, as abstract concepts and consciousness are explored with eye-popping animation.\u00a0 We reconnect with our own imaginary friends as the purity and joy of childhood bubble forth, we learn phobias aren\u2019t so fearful and dreams can be the coolest things ever.\u00a0 But will Riley ever reconnect with hers, especially after her emotional islands crumble.<\/p>\n

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\nDirected by Pete Docter and written by Docter together with Meg LeFauve and Josh Cooley, based on an original story inspired by Docter watching his own daughter grow up, the writing is intelligent and clever, filled with witticisms and tongue-in-cheek double entendres.\u00a0 Most impressive is the research conducted by Docter, delving deep into neurologic and psychologic studies and treatises with experts in the fields to learn about emotions and intricate brain patterning.\u00a0 It is from this research that the emotions and the various compartments and neuron networks of the brain are based, all of which are then designed with jaw-dropping, imaginative animation.\u00a0 Combining story and visuals, there are more than enough elements of wackiness to keep a perpetual smile on your face while at the same time really serving as elementary explanation of how the mind works.\u00a0 The individual emotions are extremely well crafted and identifiable, thanks not only to the depth of the characters but the animation and voice casting.<\/p>\nhttp:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/06\/Jonas-Clip-Two.wav<\/a><\/audio>\n

EXCLUSIVE:\u00a0 Producer Jonas Rivera on the “equitability of emotions”<\/strong><\/p>\n

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Amy Poehler brings her patented upbeat \u201ccan do\u201d attitude to Joy, while Phyllis Smith embodies the \u201cwoe is me\u201d of Sadness.\u00a0 Bill Hader makes timid hysteria more frenetic than ever with his take on Fear while Mindy Kaling is perfection as Disgust.\u00a0 (That\u2019s \u201cDisgust\u201d.\u00a0 Not \u201cDisgusted\u201d.)\u00a0 The real gem, however, is found with the perfect casting of Lewis Black who is the very embodiment of Anger. No one could play Anger but for Black.\u00a0 But the character and voicing that steals the heart and opens the tear-filled flood gates of the audience\u2019s emotion is Richard Kind as Riley\u2019s imaginary friend, Bing Bong.\u00a0 Now is the time to add a best voice casting Academy Award because it definitely would go to Kind.\u00a0 A poignantly touching turning point in the film and for Riley, Bing Bong will steal your heart and bring a tear (okay, a flood) to your eyes.<\/p>\n

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Notable is the equitability of emotions.\u00a0 Everybody, each emotion, is essentially on equal playing fields in terms of the time allotment within the film.\u00a0 They may not always be front and center visually, but then they are worked into the dialogue.\u00a0 All the emotions are getting their fair share here.\u00a0 According to producer Jonas Rivera, \u201cOur editor Kevin Nolting deserves a lot of credit because he really made sure that the film was load balanced, not only narratively, but in terms of the entertainment value and who said what. . .They\u2019re all on one level, one note and funny, but we hope on another level they\u2019re all in service of Riley.\u00a0 And if you care about Riley, you care about them doing a good job, because they do.\u201d<\/p>\nhttp:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/06\/Jonas-Clip-Three.wav<\/a><\/audio>\n

EXCLUSIVE:\u00a0 Producer Jonas Rivera talks editing emotional levels<\/strong><\/p>\n

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Animation is king with ‘Inside Out’, particularly the use of color and the creation of the individual emotions.\u00a0 With a glittering etherealness to each of the emotions, there is a velour texture to the characters with an almost fairy dust, glistening or bubbling off like little champagne bubbles that is stunning.\u00a0 And color is everything .\u00a0 For Docter, \u201c[W]e knew we wanted it to be a broad, comedic caricatured world inside HQ\u2019s head.\u00a0 So we designed the characters very stylized and pushed, and then we chose primary colors really opposite each other so that everybody occupies their own space in the color spectrum.\u00a0 Some of them were obvious – Anger obviously red is kind of iconic.\u00a0 Purple for Fear was a little more like, \u2018Well, we haven\u2019t used that color, so that\u2019ll be purples.\u2019\u201d<\/p>\nhttp:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/06\/Pete-Docter-Clip-One.wav<\/a><\/audio>\n

LISTEN NOW:\u00a0 Pete Docter and Jonas Rivera talk about color and technical design of INSIDE OUT<\/strong><\/p>\n

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\nBut then there are the particles and the sparkling. Wanting the emotions to look the way they feel, Docter \u201cknew we didn\u2019t want them to look like flesh or cloth or whatever.\u00a0 We wanted it to be something unique and different. . .The animators worked with a solid character the way we usually do and then that\u2019s replaced by a fog and in with the fog are all these frontward facing dots that just kind of roil and move so no matter where the camera goes, they orient to face the camera because they\u2019re flat discs.\u00a0 Between those things, plus a bit of glow and quite a bit of jiggery pokery to get the glowing, especially on Joy, to work, [we have the emotions].\u201d<\/p>\n

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A real technical advancement is with the lighting and having a character that is a light source, as Joy is.\u00a0 As Docter points out, \u201c[T]here\u2019s only two shots in the film that she has a shadow.\u00a0 All the rest – because you put a light on the table and it wouldn\u2019t cast a shadow, it would cast a light onto the surface – we reversed that out.\u201d\u00a0 Enabling this unique lighting is a process called Geometry Light Technology and Globe Illumination.\u00a0 While Globe Illumination has been used in less advanced stages by Pixar artisans in earlier films, Geometry Light is a new and exciting technology that could garner some science and technical Oscar attention.\u00a0 Expounding on the process, Rivera notes, \u201cIt sort of allows light to behave like light in the real world.\u00a0 It knows where practical lights are and it casts shadows and does a lot of the work for you, which is great, until you come up with a movie where you\u2019re completely asking your technical team to break the rules about how light behaves.\u00a0 There\u2019s no shadows. . . I think [the technical team] were really excited about the challenge of having something very literal.\u00a0 Pete would come and say, \u2018I want it to feel this way or it should look like emotions feel.\u2019\u00a0 It\u2019s this very interpretive thing and very technical which we thought was cool and came up with something that looks unique and different.\u201d\u00a0 Personally, Rivera\u2019s hope is \u201cI want the audience to do is go, \u2018Oh My Gosh!\u00a0 This looks unlike anything I\u2019ve ever seen.\u00a0 It doesn\u2019t look like anything that they\u2019ve done.\u2019\u201d Trust me.\u00a0 It doesn\u2019t and the result is jaw-droppingly lush and beautiful.<\/p>\nhttp:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/06\/Jonas-Clip-One.wav<\/a><\/audio>\n

EXCLUSIVE:\u00a0 Producer Jonas Rivera talks “Geometry Light Technology”<\/strong><\/p>\n

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Hand in hand with the technical achievements and animation is the production design of Ralph Eggleston who readily admits he was influenced by the greats from the Golden Age of Hollywood and the elements of Technicolor.\u00a0 Filling the mind\u2019s eye with everything imaginable from movie studios to trains to clowns to pinball machines to quiet whistful images and hilarious imaginative Daliesque sequences, Eggleston\u2019s own imagination worked overtime here.\u00a0 One of Eggleston’s showcases is “Dream Productions” which pays loving homage to that Golden Age and the movie machines of MGM, Paramount and more.\u00a0 Look for an Oscar nomination to come Eggleston\u2019s way for his work here.<\/p>\n

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The icing on the cake is Michael Giacchino\u2019s score which captures all the emotions of the rainbow, and never moreso than in a powerful and emotional sequence involving Joy and Bing Bong.\u00a0 The music is as touching and poignant as the unfolding scene.<\/p>\n

Perhaps Bill Hader sums up the true essence and spirit of “Inside Out” the best.\u00a0 \u201cI think what\u2019s so great about this movie is that they chose to make a film about a time in your life that we all have to go through.\u00a0 When you\u2019re young, you\u2019re good to go. Then you\u2019re an adolescent and things start to change and it\u2019s hard for you.\u00a0 And a lot of movies about normal people don\u2019t talk about that. . .You look for answers and you think you\u2019re the only one going through this thing and this film – they did it in such a beautiful, fantastical way.\u00a0 That\u2019s why you have to see it.\u201d<\/p>\n

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A pure delight that captures the purity of heart and emotion for every age.\u00a0 “Inside Out” is without a doubt, the best picture of the year.\u00a0 I’m “feeling” Oscar Gold!<\/p>\n

Directed by Pete Docter
\nWritten by Docter, Meg LeFauve and Josh Cooley, based on an original story by Pete Docter and Ronnie del Carmen<\/p>\n

Voice Cast:\u00a0 Amy Poehler (Joy), Phyllis Smith (Sadness), Richard Kind (Bing Bong), Bill Hader (Fear), Lewis Black (Anger), Mindy Kaling (Disgust), Kaitlyn Dias (Riley), Diane Lane (Mom), Kyle MacLachlan (Dad)<\/p>\n","protected":false},"excerpt":{"rendered":"

Pixar Animation Studios has done it again.\u00a0 Not only have they delivered what should prove to be the indisputable Academy Award winner for Best Animated Feature come February 28, 2016, but a hot contender as an overall Best Picture nominee with ‘Inside Out’.\u00a0 Breaking new ground with storytelling and technology, while retaining the hallmarks of […]<\/p>\n","protected":false},"author":2,"featured_media":12228,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[2383,2382,2989,2990,2991,1827,2981,2454,2452,2384,2453,1566,2988],"class_list":["post-12209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-amy-poehler","tag-bill-hader","tag-bing-bong","tag-geometry-light-technology","tag-globe-illumination","tag-inside-out","tag-jonas-rivera","tag-lewis-black","tag-mindy-kaling","tag-pete-docter","tag-phyllis-smith","tag-pixar","tag-richard-kind"],"yoast_head":"\nINSIDE OUT - I'm "Feeling" Oscar Gold! 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