{"id":12410,"date":"2015-07-11T11:42:56","date_gmt":"2015-07-11T18:42:56","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=12410"},"modified":"2015-07-11T11:42:56","modified_gmt":"2015-07-11T18:42:56","slug":"the-gallows","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/the-gallows\/","title":{"rendered":"THE GALLOWS"},"content":{"rendered":"

Summer 2015 could be called the Summer of Blumhouse.\u00a0 With \u201cInsidious: Chapter 3″ already taking us ever deeper into the horror genre this summer, this week we are greeted by THE GALLOWS with \u201cThe Gift\u201d and \u201cSinister 2″ following in August.\u00a0 When I spoke with Jason Blum several weeks ago about \u201cInsidious\u201d, he mentioned THE GALLOWS to me stating, \u201cI know you\u2019re not a fan of found footage films, but just wait until you see THE GALLOWS.\u00a0 I think you\u2019re gonna love it.\u201d\u00a0 Well, Jason, I am here to say, you were right.\u00a0 THE GALLOWS left me hanging by my fingernails, wanting even more.<\/p>\n

\"the<\/a><\/p>\n

Not your typical found footage film, first time filmmakers Travis Cluff and Chris Lofing up the ante for all found footage films with technical levels of excellence including the elimination of the shaky-cam while still embracing and enhancing the hand-held found footage visual style.\u00a0 Co-writing, co-directing, working on special effects jointly and with Lofing also serving as editor, this is truly a lo budget\/no budget film of the highest caliber.\u00a0 Although not a perfect film and with room for improvement and growth with storytelling, THE GALLOWS nevertheless showcases the considerable ability and talents of cast and crew, making me anxious to see what the future holds for all.\u00a0 According to Lofing, he looked to his childhood slasher movies for inspiration in creating THE GALLOWS.\u00a0 \u201cI grew up on John Carpenter stuff and Wes Craven. I loved the old classic slasher movies.\u201d\u00a0 But one must then ask, why horror as your filmmaking entre?\u00a0 \u201c We didn\u2019t have a lot of money and we knew horror is a great genre to get your foot in the door and just get your experience.\u00a0 Again, we had no resources.\u00a0 We were like, \u2018What can we do with no stars, no money, and a simple idea?\u2019.\u201d<\/p>\n

Set on the idea of making a horror film, Lofing and Cluff craft THE GALLOWS around stories and legends Lofing grew up with in the small town of Beatrice, Nebraska, population 12000.\u00a0 \u201cI grew up with this story about a kid who died on stage. My dad told me about it. And then, when we thought about where the movie should take place, we thought it\u2019d be cool to have it set in this small town that no one knows about and it feels almost creepier that way. . .[T]here\u2019s just something eerie about an old school in a small town and that this story can just disappear. I think that\u2019s why we stuck with it throughout the whole time.\u201d\u00a0 Expounding, Cluff is quick to note, \u201cIt\u2019s weird because there have been several events even since production and throughout; in Beatrice specifically, as well as just around the world, other accidental hangings and other things that are a little bit too eerie for us, but if you look up hangings and things that have to do with Beatrice\u2026\u201d\u00a0 You get the picture.\u00a0 The eerie happenings are \u201cunusually high\u201d in Beatrice.\u00a0 Attractive to producer Dean Schnider was that THE GALLOWS was set in a school.\u00a0 \u201cYou see many haunted house movies, but this is a haunted house movie in a school. If you go online, there are many people who have their own stories at their own schools that have apparitions.\u201d<\/p>\n

 <\/p>\n

\"the<\/a><\/p>\n

With the meld of high school and horror, our story opens in 1993 Beatrice, Nebraska to a high school drama production of THE GALLOWS, a take off on \u201cThe Crucible\u201d or \u201cThe Scarlet Letter\u201d.\u00a0 Unfortunately, as the play\u2019s star Charlie Grimille is all set for the climactic moment of his hanging, something goes awry and Charlie is actually hanged.\u00a0 A shock to the cast and the audience, the reaction is visceral on multiple levels.\u00a0 (Cluff proudly admits that \u201cWe ultimately tricked [the audience and the cast] by dropping Charlie a little bit sooner than even they anticipated. So, every reaction that we saw on camera or experienced on stage was genuinely like, \u2018What just happened? Something must have gone wrong. That wasn\u2019t when they told us it was going to happen.\u2019 . . .We really did give that sense of dread and terror.\u201d)<\/p>\n

Time passes and it\u2019s now 20 years later and a young uber-excited obsessive drama student, Pfeifer, is anxious to pay homage to the 1993 production of THE GALLOWS and perform it as this year\u2019s annual play.\u00a0 Despite a trepidatious community, the school allows the production to go forward.\u00a0 Interestingly, Pfeifer is hot to have football star Reese as her co-star in the role in which Charlie perished.\u00a0 Not an actor and tongue tied at every turn, yet having unspoken hots for Pfeifer, Reese agrees to perform but not without ridicule and torment from his best friend Ryan.<\/p>\n

\"the<\/a><\/p>\n

Ryan, a man with a smart mouth and ever present camera in his hand, is the obnoxious arrogant bully at school that we all knew, all hated, all feared, but also all envied.\u00a0 He knew everybody and everything but never ever shut his mouth. Ryan\u2019s senior project is to document the production of THE GALLOWS, but despite the limited assignment, his camera is omnipresent 24\/7 and in everyone\u2019s face, including that of his cheerleading (and equally obnoxious) girlfriend Cassidy.<\/p>\n

Thanks to teen angst and torment, Ryan and Cassidy convince Reese to break in to the school at night to destroy the set so the play can\u2019t go forward and Reese won\u2019t have to perform.\u00a0 Needless to say, Pfeifer shows up at the school the same night as the break-in which leads to hurried cover-ups of the destruction by Ryan, Cassidy and Reese.\u00a0 But its not just Pfeifer who shows up.\u00a0 Someone or something else is in the school with them and one by one, each of our four principals starts to disappear.\u00a0 But be on the lookout for some terrific twists and turns within the story itself, not to mention big reveals guaranteed to shock and surprise.<\/p>\n

\"the<\/a><\/p>\n

Not only are the filmmakers newcomers, but so are the cast members.\u00a0 Reese Mishler (a dead ringer in looks and attitude to a young Tom Cruise), Cassidy Gifford (yes, daughter of Kathie Lee and Frank), Ryan Shoos and Pfeifer Brown play their respective characters using their real names, a decision made by Lofing and Cluff in an effort to imbue the experience with even more authenticity and believability.\u00a0 Each of the cast more than proves their mettle and show real promise for future works.<\/p>\n

Filmed four years ago, each of our cast had just graduated from high school, making them age appropriate for their respective roles.\u00a0 Shoos laughingly acknowledges \u201cI was much more immature then\u201d and finds that helped him get into character.\u00a0 \u201cIt was so easy because as soon as you tuned into being that kind of jerky jock making fun of people, it was so easy. And if you\u2019re surrounded by all these people, immediately you have material here and there. So, I just fed off that. . .\u201d\u00a0 Gifford sincerely hopes she\u2019s \u201cnot anything like [Cassidy] at all.\u201d\u00a0\u00a0 Describing Cassidy as \u201cthe girl that we all knew in high school and didn\u2019t necessarily like\u201d, the one similarity between Gifford and her character is that \u201cfear is fear when it comes to human nature. For all of us, even though we all started out as completely different characters, ultimately we\u2019re all faced with the same things and that\u2019s what brings us together. It\u2019s just human nature to be terrified and that doesn\u2019t necessarily manifest itself in completely different ways.\u201d<\/p>\n

\"the<\/a><\/p>\n

Pfeifer Brown and Reese Mishler seem to be the two actors most akin to their characters.\u00a0 As described by Brown, \u201cMy character was head of the drama department and I can relate to that. I was never a head of the drama department, but I was always very artistic and singing and on the dance team and in school plays. So, I was able to feed off of that relationship.\u201d\u00a0 Brown quickly admits, however, \u201cMy character was a complete perfectionist and always on time and organized, and I\u2019m not those things in real life. I\u2019m so horrible at being on time. Organization is not one of my strong suits.\u201d\u00a0 Mishler in real life is perhaps the closest to his on-screen persona, something that elevates his performance above the other cast members.\u00a0 \u201cI played football for a while, and I ended up breaking my pelvis so I couldn\u2019t play anymore after that. When I started acting, I was actually very shy as a kid. I got held back in school because I didn\u2019t speak. So, playing somebody who was extremely nervous and had this incredible stage fright I understood. That made total sense to me. I remember when I started doing theater in high school, I was the exact same guy. I was scared to even walk out on stage. . . I can totally relate to being this scared kid who has to grow up and learn to face his fears so he can become a real adult, a man.\u201d<\/p>\n

\"the<\/a><\/p>\n

With well established horror tropes and plot contrivances interspersed throughout the plotline, Lofing and Cluff rely on veteran cinematographer Edd Lukas to create a visual tonal bandwidth that is exemplary.\u00a0 Utilizing multiple cameras, including the Red, Canon C300, Panasonic Lumix GH2 and a Sony, visuals are engaging, interesting and realistic, complemented by Lukas\u2019 creative use of lighting.\u00a0\u00a0 Shooting night for night adds to the ambient nature of the film.\u00a0 Also key is the location of the Veteran\u2019s Memorial Auditorium in Fresno.\u00a0 The crowded backrooms, attic planks and other assorted horror tropes are not set dressing but the physical state of the facility.\u00a0 It just fuels the fear.\u00a0 Lofing\u2019s editing then meshes everything into a visual design that guarantees jump out of your seat scares.\u00a0 But where THE GALLOWS really gets high marks is with the sound design.\u00a0 Brandon Jones amazes with auditory nuance that brings its own level of chills to the proceedings.<\/p>\n

\"the<\/a><\/p>\n

Adding further authenticity and fear to the proceedings is the work of production designers and costumers in the look and design of Charlie and THE GALLOWS mise-en-scene itself.\u00a0 According to Lofing, \u201cI was looking online at what do executioners typically look like. We wanted something along those lines but unique as well and something cheap because we had no money. So, we were like, \u2018Let\u2019s just throw a sack on his head and see what that does.\u2019 But this costumer designer we had added this stitching and added these little details. And in post, I would enhance certain things to make it even more dramatic and stark. That was just the look we ended up with.\u00a0 Expounding, Cluff notes their desire for \u201csomething unique and different\u201d, especially when it came to the noose and the hanging.\u00a0 \u201cWe had early sketches and then [the costumer]\u00a0 helped us tie in the ultimate look and the noose. . .We\u2019re wholesome guys not terribly into gore and that kind of stuff. So, we thought about the rope. We could just make a noose so eerie. We ultimately wanted to try to do that and that\u2019s how our version of Charlie was created.\u201d<\/p>\n

With no gore, no nudity, no drugs and no violence, fear is the key with THE GALLOWS.<\/p>\n

Written and Directed by Chris Lofing and Travis Cluff.
\nCast: Reese Mishler, Cassidy Gifford, Pfeifer Brown and Ryan Shoos<\/p>\n","protected":false},"excerpt":{"rendered":"

Summer 2015 could be called the Summer of Blumhouse.\u00a0 With \u201cInsidious: Chapter 3″ already taking us ever deeper into the horror genre this summer, this week we are greeted by THE GALLOWS with \u201cThe Gift\u201d and \u201cSinister 2″ following in August.\u00a0 When I spoke with Jason Blum several weeks ago about \u201cInsidious\u201d, he mentioned THE […]<\/p>\n","protected":false},"author":2,"featured_media":12415,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1500,3077,3075,3082,3074,741,146,3078,3080,3079,3081,3073,3076],"class_list":["post-12410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-blumhouse","tag-cassidy-gifford","tag-chris-lofing","tag-edd-lukas","tag-hanging","tag-high-school","tag-horror","tag-kathie-lee-gifford","tag-pfeifer-brown","tag-reese-mishler","tag-ryan-shoos","tag-the-gallows","tag-travis-cluff"],"yoast_head":"\nTHE GALLOWS - 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