{"id":1413,"date":"2013-10-22T18:20:50","date_gmt":"2013-10-23T01:20:50","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1413"},"modified":"2014-10-11T18:25:51","modified_gmt":"2014-10-12T01:25:51","slug":"julian-richards-sends-shivers-down-your-spine-with-shiver-exclusive-11","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/interviews\/julian-richards-sends-shivers-down-your-spine-with-shiver-exclusive-11\/","title":{"rendered":"JULIAN RICHARDS Sends “Shivers” Down Your Spine with SHIVER – Exclusive 1:1"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

With The Last Horror Movie<\/em>, director Julian Richards took us deep into the mind of a killer, establishing himself as a leader in the realm of\u00a0 psychological horror.\u00a0 In his latest feature, SHIVER, written by Robert Weinbach and based on the novel by Brian Harper, Richards continues that psychological exploration as we watch the mental declination and depravity of one, Francis Rood aka The Gryphon, as he stalks young women, kills them and beheads them; that is, all but one, the one who fought back, the one who got away – Wendy Alden.\u00a0 What was once a game of death fueled by hate and cruelty as opposed to graphic violence, turns into an obsessive love parlayed with a cat and mouse race against time by law enforcement (and the audience) as they try to out-think, out-guess and stay one step ahead in order to catch The Gryphon.<\/p>\n

Brimming with notables of the genre, Richards provides a rich palette of performances thanks to leads, Danielle Harris as Wendy Alden and John Jarratt as killer Francis Rood.\u00a0 Layering emotional and ambient texture are\u00a0 Rae Dawn Chong and Casper Van Dien as Detectives Burdine and Delgado, respectively, plus an over-the-top guilt-inflicting-complaining Jewish mother compliments of Valerie Harper.<\/p>\n

I had a chance to speak with Julian Richards in this exclusive interview where we talk about SHIVER, horror icons Danielle Harris and John Jarratt, and the awe of Valerie Harper.<\/p>\n

\"Shiver<\/p>\n

I have to commend you on this delightful horror film.\u00a0 I love horror films but what I love most are the ones that are not gratuitous but are a \u201cthinking film.\u201d\u00a0 SHIVER is a thinking movie as you put the audience in the shoes of law enforcement and one knowing victim, trying to anticipate what Francis Rood is going to do.<\/strong><\/p>\n

Thank you.\u00a0 That\u2019s exactly right.<\/p>\n

How did this story come to you and what made this a good story for you to tell?<\/strong><\/p>\n

It came to me through an actor who I previously worked with, Kevin Howarth.\u00a0 He played the villain in two of my previous films, The Last Horror Movie<\/em> and Summer Scars<\/em>.\u00a0 He was being considered for one of the parts in SHIVER by the producer, Robert Weinbach.\u00a0 Robert was also looking for a director and Kevin suggested that Robert should contact me because Kevin just thought it was the right kind of material for me.\u00a0 I met Robert on Skype and sent him my films and a week later he offered me the job.\u00a0 When I got the screenplay, I just thought it was a real page turner; not a dull moment from page 1 to page 90.\u00a0 It made me think very much of Alfred Hitchcock, sort of crime thrillers in a way, more than horror films, that are driven by suspense<\/em><\/strong>.\u00a0 In many respects, with a strong female lead played by Danielle Harris this was very much a case of a tourtiere heroine, which was one of Hitchcock\u2019s favorite mottos.<\/p>\n

Danielle really steps a little bit out of her comfort zone, even though she\u2019s known for this type of genre, with the way her character of Wendy is created and the way she develops.\u00a0 In many of her roles, Danielle gets a one-note female role, but here we see her develop and progress emotionally.\u00a0 Also, through your costuming and use of color, she goes from wearing muddy dark browns trying to be invisible and by film\u2019s end she\u2019s got pops of purple and is wearing a mauve colored lipstick.\u00a0 Add to that the resonating emotion and the phone conversations that Wendy has with her mother played by Valerie Harper, all is very defining in creating Wendy.<\/strong><\/p>\n

This was a leading role for Danielle.\u00a0 She\u2019s been in a lot of horror films but she often gets supportive roles.\u00a0 This was the kind of leading role that a lot of actresses would dream about because she\u2019s in almost every scene.\u00a0 It\u2019s her story.\u00a0 As you say, there\u2019s a very specific character arc, a journey that that character [Wendy] goes on.\u00a0 It is very much a rites of passage story for <\/em><\/strong>her.<\/p>\n

\"shiver<\/p>\n

Hand-in-hand with Danielle is Valerie Harper.\u00a0 The timing of having this film come out now on DVD with Valerie so in the news not only for health issues but after just coming off of Dancing with The Stars, it\u2019s very fortuitous for you!\u00a0<\/strong><\/p>\n

[laughing] I\u2019m glad you told me because I\u2019m over in the UK and I had no idea that Valerie was on Dancing with the Stars so I\u2019m going to bring that into my conversations! [laughing]<\/p>\n

She made it through 4 weeks and even though she got voted off this past week, she is still America\u2019s darling for having the guts and the courage with her brain cancer battle to come on and dance and remember the routines and the footwork all these weeks.\u00a0 And if the show runs it\u2019s usual course, she will be back for the finale.<\/strong><\/p>\n

That is interesting.\u00a0 I\u2019m wondering if the producer, Robert Weinbach, knows that because we should definitely make that part of our marketing!\u00a0 I grew up with Valerie on tv playing Rhoda.\u00a0 It was a real surprise to me when she came up for casting in SHIVER.\u00a0 I think the first thing I recognized was the voice.\u00a0 Then I thought, \u201cOh my God!\u00a0 It\u2019s Valerie Harper from Rhoda!\u201d<\/em><\/strong>\u00a0 The whole cast of SHIVER were for me icons from certain parts of my childhood and my adolescence.\u00a0 Working with Rae Down Chong, Casper Van Dien and John Jarratt was fabulous.<\/p>\n

I saw your cast and was very excited.\u00a0 Your casting put me in heaven with the possibility of seeing what they could do.<\/strong><\/p>\n

[laughing] Well, I think Robert Weinbach has a lot to say for that.\u00a0 He\u2019s very good at putting projects together and getting interesting people attached.<\/p>\n

How did approach working with John Jarratt to develop the character of Francis Rood?\u00a0 There are moments when he comes across as a mentally challenged child and then other moments as a very polite, well read man quoting Poe.\u00a0 It\u2019s a very interesting dichotomy to see this man with his politeness but then contrasted with the very innocent juvenile behavior and then snap on the turn of a dime.<\/strong><\/p>\n

Yes.\u00a0 This material was there in the novel and very much there in the screenplay, too<\/em><\/strong>.\u00a0 When John came to the table to play Rood he sort of brought to it some additional elements <\/em><\/strong>which, at first, took me by surprise.\u00a0 I suppose that in the novel and in the screenplay there was much more of him being the mild-mannered, sort of intelligent, serial killer.\u00a0 But John added the eccentricities and the immaturity and those more vulnerable elements.<\/em><\/strong>\u00a0 John was cast in the film before I got involved with the project.\u00a0\u00a0 When I had read the screenplay, I thought of John.\u00a0 I thought, \u201cJohn\u2019s great in Wolf Creek<\/em>, but how\u2019s he gonna play this part because it\u2019s so opposite to his nature?\u201d\u00a0 He\u2019s a big Australian, sort of redneck kind of character.\u00a0 I was really sort of curious to see what he was going to do.\u00a0 When I saw him in the rehearsals I was also quite surprised because it wasn\u2019t necessarily what I had envisioned<\/em><\/strong>.\u00a0 I\u2019m a director who listens and thinks my way through the process.\u00a0 I give room for contributors to bring their ideas in, and then it\u2019s about managing it.\u00a0<\/em><\/strong> So with John, we did probably three or four takes of each shot that we did.\u00a0 The first take I would let John do what he wanted to do.\u00a0 Then every subsequent take I would refine the performance.\u00a0 What that gave me was a bracket, a latitude, in post-production and the edit to make sure that we struck the right tone with his performance<\/em><\/strong>.\u00a0 There\u2019s always a danger in something like that, that it goes over the top and becomes too comical.\u00a0 This was important.\u00a0 It was a risky thing to do and it was either gonna fall flat on its face or it was going to work.\u00a0 Luckily for us all, it worked.<\/p>\n

\"shiver<\/p>\n

In choosing Zoran Popovic, your cinematographer who did so beautifully with the imagery on War, Inc. for John Cusack, what were your considerations in designing this visual palette.\u00a0 You make the best\u00a0 out of using of water, night, light.\u00a0 There\u2019s some beautiful imagery with colored lights that delivers a beautiful visual result.\u00a0<\/strong><\/p>\n

With this kind of material I usually go for very desaturated colors and concentrated blacks as sort of an old thematic \u201cbleach bypass\u201d kind of feel.<\/em><\/strong>\u00a0 In addition to that, for some reason I\u2019ve worked with a lot of Serbian cinematographers in the past.\u00a0 Zoran is the third Serbian cinematographer that I\u2019ve worked with on a feature film.\u00a0 I think they have a certain school of cinematography that involves a lot of color, too.\u00a0 I went through a lot of images and paintings with Zoran before we shot the film and we decided on the color schemes and degrees of light and shade that we wanted to achieve<\/em><\/strong>.<\/p>\n

Thank you so much, Julian.\u00a0 It\u2019s a wonderful piece that steps away from the slash and hack horror film, making you think and appreciate the characters within the construct.<\/strong><\/p>\n

That was a key thing with the whole approach to the film.\u00a0 The killer in the film is the first character you meet.\u00a0 He\u2019s not a shadowy shape that\u2019s revealed at the end<\/em><\/strong>.<\/p>\n

#<\/p>\n

10\/8\/2013<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias With The Last Horror Movie, director Julian Richards took us deep into the mind of a killer, establishing himself as a leader in the realm of\u00a0 psychological horror.\u00a0 In his latest feature, SHIVER, written by Robert Weinbach and based on the novel by Brian Harper, Richards continues that psychological exploration as […]<\/p>\n","protected":false},"author":2,"featured_media":1414,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[225],"class_list":["post-1413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-julian-richards-sends-shivers-down-your-spine-with-shiver-exclusive-11"],"yoast_head":"\nJULIAN RICHARDS Sends "Shivers" Down Your Spine with SHIVER - Exclusive 1:1 - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, 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