{"id":1418,"date":"2013-10-21T18:26:28","date_gmt":"2013-10-22T01:26:28","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1418"},"modified":"2014-10-11T18:30:23","modified_gmt":"2014-10-12T01:30:23","slug":"daniel-radcliffe-dane-dehaan-and-michael-c-hall-find-the-beat-with-kill-your-darlings","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/interviews\/daniel-radcliffe-dane-dehaan-and-michael-c-hall-find-the-beat-with-kill-your-darlings\/","title":{"rendered":"Daniel Radcliffe, Dane DeHaan and Michael C. Hall find \u201cThe Beat\u201d with KILL YOUR DARLINGS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

For over 50 years, America, and the world, have had some sort of obsession with the \u201cBeat Generation\u201d.\u00a0\u00a0 Generation after generation has fallen under the spell of their words, their thoughts, their adventures. The faces and names of The Beats are, for the most part, well known – Jack Kerouac, Allen Ginsberg and William S. Burroughs.\u00a0 But it\u2019s the lesser known men, Lucien Carr and David Kammerer, whose actions may have been the most responsible for how lives would unfold, careers would play out and perceptions and philosophies of the world would change.<\/p>\n

\"darlings<\/p>\n

KILL YOUR DARLINGS is the \u201cuntold\u201d true story of the seeds that would make each man what he would one day become.\u00a0 The time is 1944.\u00a0 The boys are still boys, Benzedrine fueled and on the precipice of becoming men; for some, on the cusp of greatness; for others, self-imposed sequestration.\u00a0 Ginsberg, Burroughs and Carr are students at Columbia.\u00a0 Kerouac, a free spirit, is ready to ship out with Navy while Kammerer, well, Kammerer is in love with Carr, frustrated at being rebuked thanks to Carr\u2019s fascination with and seduction of an adolescent Ginsberg.\u00a0 As personalities and literary and sexual lust collide, Carr kills lover\/stalker David Kammerer, a killing which both pulled The Beats together while driving them apart.<\/p>\n

A story that has remained relatively dormant all these decades, writer\/director John Krokidas, together with co-writer Austin Bunn, now brings this chapter of history to life, something that the principal actors Daniel Radcliffe, Dane DeHaan and Michael C. Hall, as Ginsberg, Carr and Kammerer, respectively, were more than ready to tackle.\u00a0 However, the greatest challenge came from the fact that this is the first time any of them has played a real life person.<\/p>\n

DeHaan, admittedly not knowing \u201cthat this story actually happened\u201d, found the revelations about Carr \u201ca surprise.\u00a0 He has this charisma and this extroverted quality to him that I think is different from work I\u2019ve done in the past, but he\u2019s still a really complicated individual. He seemed like a hard person to wrap my mind around.\u201d\u00a0 Hall, on the other hand, \u201cwas aware of this story and went through my period of fascination with the Beats and was excited that it was being told, especially being told as well as it was in John and Austin\u2019s script. I was excited more specifically about the opportunity to humanize and sympathize this guy who is a footnote in a lot of the accounts of the formative years of the Beat Generation, and was, if anything, characterized as a bit of a two-dimensional villain\/stalker.\u201d<\/p>\n

\"darlings<\/p>\n

Portraying one of the more famous and notable of The Beats, Alan Ginsberg, Daniel Radcliffe steeped himself in \u201cAllen\u2019s diaries from when he was a teenager.\u201d\u00a0 By combining the words and emotion of the diaries \u201cwith the character I saw in the script, he was somebody I found to be very likeable immediately.\u00a0 He seemed by all accounts of people who\u2019d talked about him, to have been very kind and warm and very good company. But also, the diaries reveal him to be this really interesting mix of somebody who had immense confidence and intellect and a very rich inner life. But, that doesn\u2019t marry up with what he presented to the world at the time, because he was still quite reserved and shy as a young man. That\u2019s a really interesting split in a personality. That difference between that inner confidence and outer shyness was very interesting to me. He was definitely an interesting character, regardless of what else he went on to do in terms of being a poet.\u201d<\/p>\n

Presenting its own hurdles and challenges beyond portraying real people, was portraying them in a different era.\u00a0 While all the actors have done period work of some sort, the combination of real events in an historical era added another layer to the experience.<\/p>\n

\"darlings<\/p>\n

For DeHaan, playing an individual from an historical context is not a \u201ca terribly conscious effort, but I think they certainly spoke differently\u201d, a focal point that required him to emulate \u201cthe way people would talk in the \u201840s.\u201d\u00a0 Key to getting into the skin of the character also involved \u201chaving an awareness of what\u2019s going on around you and the politics of the time . . . These were people that if they expressed how they truly felt about some things, they would be criminalized and they would go to jail. So that obviously has a deep impact on how you act with those around you. Just having that awareness, I think, affects what you\u2019re doing.\u201d\u00a0 Without missing a beat, Radcliffe echoes the sentiment, recalling a specific scene between himself and DeHaan which is \u201c the moment before Dane and I kiss in the park. You have to have an awareness that not only is this a big moment because he wants to kiss him for the first time, but also he does have to check around to see if anyone is there. So I think [historical context] does inform choices and stuff like that, but yet it\u2019s not something you focus on too dogmatically.\u201d\u00a0 Hall, the elder statesman of the group credits the script for being \u201cso well-rendered\u201d that \u201cyou could just give over to living in a world that is contextualized in a totally different way and everybody has different things that are useful, whether it\u2019s listening to music or putting on the clothes or what have you.\u201d<\/p>\n

As opined by Hall, all three agree that in playing real people, \u201cIt\u2019s fun to have some real things to hold onto. It makes it, to some degree, a different exercise to play a real person.\u201d Expounding, Radcliffe notes that while \u201cyou do have a certain responsibility. . .[T]here\u2019s a lot more material for you to hang onto and go, \u2018He actually did that, this happened, and that is how he responded to that event.\u2019 So you get a real insight into somebody\u2019s character. . .[W]e were playing them as the people they were at this moment in their lives.\u201d<\/p>\n

KILL YOUR DARLINGS is in theatres now.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias For over 50 years, America, and the world, have had some sort of obsession with the \u201cBeat Generation\u201d.\u00a0\u00a0 Generation after generation has fallen under the spell of their words, their thoughts, their adventures. The faces and names of The Beats are, for the most part, well known – Jack Kerouac, Allen […]<\/p>\n","protected":false},"author":2,"featured_media":1419,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[227,226],"class_list":["post-1418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-dane-dehaan-and-michael-c-hall-find-the-beat-with-kill-your-darlings","tag-daniel-radcliffe"],"yoast_head":"\nDaniel Radcliffe, Dane DeHaan and Michael C. 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