{"id":1606,"date":"2014-06-20T11:27:38","date_gmt":"2014-06-20T18:27:38","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1606"},"modified":"2014-10-12T11:30:19","modified_gmt":"2014-10-12T18:30:19","slug":"obvious-child","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/obvious-child\/","title":{"rendered":"OBVIOUS CHILD"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

Gillian Robespierre marks her feature film directorial debut with OBVIOUS CHILD.\u00a0 Based on a short film of the name which she wrote, directed and produced in 2009, Robespierre has expanded the world of protagonist Donna Stern and her adventures as a woe-is-me-my-life-sucks comedienne whose foul mouth and foul humor serve more to alienate the audience than entice, thus creating an uncomfortable and ill-suited dynamic within the film, and almost over-shadowing some of the light that does shine from within.<\/p>\n

\"obvious<\/p>\n

Self-deprecating, rude, crude comedienne by night and book store clerk by day, Donna Stern is mired in misery.\u00a0 She gets dumped by her boyfriend, finds out the bookstore where she works is closing, meets a cute preppy guy named Max in the club one night , has a one night stand with him and soon finds herself pregnant.\u00a0 How she deals with each of these travesties is the crux of the film.<\/p>\n

So let’s talk about Jenny Slate and her performance as Donna.\u00a0 I don’t know if it’s Slate or if it’s the way the character is written but this is one of the most unlikeable characters and performances I have ever seen.\u00a0 You don’t care about Donna at all.\u00a0 She is off-putting and the vulgarity of some of the “humor” would rival Eddie Murphy’s “RAW” days.\u00a0\u00a0 And it\u2019s not vulgarity that makes Jenny unlikeable; it\u2019s the mean-spirited nature of not only her comedy by the character in general.\u00a0 Given the circumstances created for Donna within the film, the self-pity angle works to a degree, but then it just consumes the film – \u201cOh, woe is me.\u00a0 I got dumped, I lost my job, I screwed a guy I just met, I’m a closet alcoholic, I don’t want a “real job”, I want to stay a little girl and be protected by daddy, I don’t want to own up to life.\u201d\u00a0 Enough is enough.\u00a0\u00a0\u00a0 You never like her.\u00a0 You never care about her.\u00a0 The two things that keep the film going and what are attractive are Jake Lacy as Max and Gaby Hoffman’s Nellie.<\/p>\n

Where has Jake Lacy been hiding?\u00a0 What a sweetheart!\u00a0 Likeable almost to a fault, the camera loves him and he exudes pure charm.\u00a0 He’s like Ryan Reynolds and Dane Cook rolled into one with a sweetness and boyish shyness that is a delight.\u00a0 As Max, he gives the film heart and warmth.\u00a0 However, because of Jenny Slate and her performance as Donna, I spent the film wondering why Max kept coming back trying to take Donna out.<\/p>\n

While Lacy adds warmth and heart, Gaby Hoffman grounds the film with some great “coming to Jesus” monologues that articulate situations perfectly.\u00a0\u00a0 Always love Hoffman and her work and here is no different.\u00a0\u00a0 As Nellie she is a supportive best friend yet looks at everything with black and white practicality.\u00a0\u00a0\u00a0 Also engaging is Gabe Liedman as Donna\u2019s fellow comic and gay BFF Joey.\u00a0 A nice touch and while Joey\u2019s stand-up routines are a sad sack routine, they work and he never alienates.\u00a0 Slate\u2019s Donna on the other hand just keeps alienating.<\/p>\n

Nice supporting turns by Richard Kind and Polly Draper as Donna\u2019s divorced parents.<\/p>\n

\"obvious<\/p>\n

Written and directed by Gillian Robespierre, where OBVIOUS CHILD excels is with the matter-of-fact approach to an unplanned\/unwanted pregnancy and the peripheral relationships in Donna\u2019s life.\u00a0 A tacit exploration about one woman\u2019s inability to face life, to commit to anything or have any idea what commitment is, Robespierre uses her supporting characters to demonstrate what\u2019s missing in Donna\u2019s life.\u00a0 It\u2019s an interesting tact, but it works and creates a raw energy that is palpable and welcoming (in contrast to Jenny Slate\u2019s Donna).<\/p>\n

Gotta give a hand to Chris Teague and his cinematography creating varied and distinct looks but which are cohesive in tone and texture.\u00a0 The warmth of dad’s home with golden glows, the stark whiteness of mom’s kitchen, the dimly it shadowed clutter of Donna’s apartment serving as metaphor to her shadowed life and misery, the vibrancy of the red brick and neon at the club screaming life, the claustrophobic stacks and shelves in the book store.\u00a0 All\u00a0 works well visually subtexturally telling us that the club is the only place where Donna feels alive.<\/p>\n

This is a film that would work much better had it remained a short and not been expanded into a full length feature or, in the alternative, a feature that starts with the film\u2019s third act, picking up on Valentine’s Day as Donna and Max head off for an abortion followed by a quiet little slice of life that has hope and kindness as opposed to the vitriole and misery of the prior two acts.\u00a0 There are, however, a few glimmers of hope for the film within the first two acts, i.e., a drunken post-dumping bedroom incessant phone call montage is effective and is something that every dumpee can relate to, but Robespierre doesn\u2019t edit herself and lets the ranting montage go on for too long and loses the inherent relatable comedy.\u00a0\u00a0 Other effective moments prove to be a father-daughter scene between Kind and Slate, and a mother-daughter scene between Draper and Slate, both of which serve to provide beautiful elements of production design and a showcase for cinematographer Teague.<\/p>\n

OBVIOUS CHILD has a lot of potential that obviously isn’t realized.<\/p>\n

Written and Directed by Gillian Robespierre<\/p>\n

Cast:\u00a0\u00a0\u00a0 Jenny Slate, Jake Lacy, Gaby Hoffman, Richard Kind, Polly Draper, Gabe Liedman<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Gillian Robespierre marks her feature film directorial debut with OBVIOUS CHILD.\u00a0 Based on a short film of the name which she wrote, directed and produced in 2009, Robespierre has expanded the world of protagonist Donna Stern and her adventures as a woe-is-me-my-life-sucks comedienne whose foul mouth and foul humor serve more […]<\/p>\n","protected":false},"author":2,"featured_media":1609,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,252],"class_list":["post-1606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-obvious-child"],"yoast_head":"\nOBVIOUS CHILD - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/obvious-child\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OBVIOUS CHILD\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/obvious-child\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-06-20T18:27:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-12T18:30:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/06\/obvious-child-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"253\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/obvious-child\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/obvious-child\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"OBVIOUS CHILD\",\"datePublished\":\"2014-06-20T18:27:38+00:00\",\"dateModified\":\"2014-10-12T18:30:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/obvious-child\\\/\"},\"wordCount\":936,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/obvious-child\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/06\\\/obvious-child-1.jpg\",\"keywords\":[\"drama\",\"OBVIOUS CHILD\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/obvious-child\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/obvious-child\\\/\",\"name\":\"OBVIOUS CHILD - 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