{"id":1703,"date":"2014-05-23T12:27:26","date_gmt":"2014-05-23T19:27:26","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1703"},"modified":"2014-10-12T12:32:46","modified_gmt":"2014-10-12T19:32:46","slug":"50-to-1","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/50-to-1\/","title":{"rendered":"50 TO 1"},"content":{"rendered":"

By: debbie lynn elias\"50<\/strong><\/p>\n

Who among us doesn\u2019t love a longshot; especially if you\u2019ve got the winning bet.\u00a0 One such winning bet paid off on 50 to 1 odds at the 2009 Kentucky Derby, not only for Chip Woolley and Mark Allen, owners of Derby winner Mine That Bird, but pays dividends again now with one of the truest feel good films of the summer, 50 TO 1.\u00a0 Written and directed by Jim Wilson, Oscar winning former producing partner with Kevin Costner, and co-written by Faith Conroy, 50 TO 1 is inspired by the true story of Mine That Bird and his owners, Woolley and Allen.\u00a0 Captivating us with the story of the little two-year old horse that could, and did, Wilson makes us all feel like winners.\u00a0\u00a0 Thanks to beauteous cinematography by Tim Suhrstedt, 40 scenic locations throughout America, including actual lensing at Churchill Downs, winning Mine That Bird jockey Calvin Borel playing himself and the film debut of a new equine star, Sunday Rest as Mine That Bird, my money is on 50 TO 1 to win a place in your heart.<\/p>\n

As the film opens we meet Chip Woolley and Mark Allen, two guys who just happen to be in the wrong bar at the wrong time and get into a knock down drag out Old West style brawl.\u00a0 While Allen would head up to Alaska and all the monetary potential of gold laden oil pipelines, Woolley and his brother end up as rather down on your luck horse trainers.\u00a0\u00a0 But as luck would have it, years later the two would reconnect in New Mexico with Allen having hit the mother lode and now a successful businessman and racehorse owner and Woolley with hat in hand seeking a job as a trainer for Allen\u2019s stable.<\/p>\n

A longshot in life once himself, Allen doesn\u2019t just give Woolley a chance, they two of them, together with Allen\u2019s partner and equine veterinarian Leonard \u201cDoc\u201d Blach, decide to give a little horse with a lot of heart a chance – Mine That Bird. A scrawny little thing, Bird has phenomenal speed but falls apart in the homestretch.\u00a0 Is it his training?\u00a0 The jockey?\u00a0 Against Doc\u2019s good judgment, Allen \u201chas a hunch\u201d that Woolley and Bird can deliver.\u00a0 And Woolley has undying faith in Bird.<\/p>\n

Facing obstacles at every turn, especially their boozing, brawling, womanizing selves, it takes a near death experience for Woolley to see the light of day and realize that his faith in Bird will be rewarded when he starts working with Bird and not expecting the horse to win races alone.\u00a0 Joining in the fray is Allen\u2019s female training jockey, Alex, a helluva rider who serves as a constant instigator and antagonist for Woolley.\u00a0 So imagine the everyone\u2019s surprise when Allen gets a call informing him that thanks to his Canadian winnings, Bird qualifies to run in the Kentucky Derby.<\/p>\n

Now, anyone that knows anything about the Derby knows it\u2019s all about the bluebloods, high society, royalty and money when it comes to horse racing at the Derby, certainly not a motley crew of rowdy New Mexico cowboys with a smaller than average two year old horse that can\u2019t pull out a win.<\/p>\n

\"50<\/p>\n

As Chip Woolley, Skeet Ulrich gives a determined performance, working the emotional and character arc that takes Chip from obnoxious buffoon to a dedicated trainer and man who wants to do better.\u00a0 Ulrich gets under your skin and makes you not only root for him but want to do so.\u00a0 He makes you believe.\u00a0 So intent on capturing the realism of this story, Ulrich subjected to himself to some extreme physical stunts and pratfalls which mirrored the real life events of Chip Woolley himself (including breaking a motel bed in half and landing on his ass).\u00a0 Notable is that Ulrich plays Woolley in leg cast and on crutches for much of the film as Woolley suffered extensive injuries in a motorcycle accident prior to the Derby.\u00a0 So severe were the injuries that Derby watchers may recall Woolley hobbling into the winner\u2019s circle on crutches in black hat and jacket with tears in his eyes and a catch in his throat.\u00a0 Ulrich is so immersed in the role that at that moment it\u2019s easy to forget this is a film and not a playback of the Derby.\u00a0 A testament to Ulrich\u2019s performance and Wilson\u2019s direction.<\/p>\n

I will watch Christian Kane from here to kingdom come.\u00a0 In 50 TO 1, he is clearly comfortable in the role of Mark Allen and slips into it like a well worn horseshoe, but while Kane looks good and is more than easy on the eyes, his acting leaves something to be desired as the performance – and the character – is strictly one-note.<\/p>\n

Perfectly cast is William Devane, adding some crotchety elder wisdom and a touch of country bumpkin cow-out-of-pasture humor as Doc while giving the film some grounding.\u00a0\u00a0\u00a0 I would be remiss not to mention the casting of extras and minor racing people who are physically spot on with their real life counterparts, and none better than Bruce Eckelman who captures legendary Bob Baffert to a tee.<\/p>\n

\"50<\/p>\n

But I have to say, the real winners here (and it\u2019s tough to call win, place or show with this trio) are Madelyn Deutch, Calvin Borel and Sunday Rest.\u00a0 With a rich pedigree as daughter of Lea Thompson and director Howard Deutch and sister to Zoey, Madelyn Deutch deftly gives Alex a feisty spirit that while matching the testosterone fueled “cowboy” that Ulrich and Kane bring to Woolley and Allen, not to mention the spirit within Mine that Bird, she shines and tempers the bar brawl attitude with some class.\u00a0 Works well in a liaising sort of way between cowboys and class at the Derby Ball.\u00a0 Adding to Deutch\u2019s performance are her own skills as a horsewoman which means it\u2019s Deutch you see on the track, it\u2019s Deutch you see on Sunday Rest.<\/p>\n

And then there\u2019s the legendary Calvin Borel.\u00a0 Borel is joy personified.\u00a0 And his casting as himself almost didn\u2019t happen.\u00a0 According to writer\/director\/producer Wilson, his initial thought was \u201cI don\u2019t even know if getting Calvin\u2019s a good idea. . .I\u2019ve got enough scenes and dialogue and interacts that I don\u2019t know how Calvin can necessarily pull this off.\u00a0 Its hard for anybody to play themselves.\u201d\u00a0 By the time Wilson went to Borel, he too, was reluctant.\u00a0 As Wilson relates, Borel had plenty of reasons to say no.\u00a0 \u201cHe said, \u2018I\u2019m still racing.\u00a0 I can\u2019t take these weeks off to shoot.\u00a0 I\u2019m in my career.\u00a0 I\u2019ve just gotten to the Hall of Fame.\u00a0 I\u2019m looking for my Derby horse.\u00a0 I can\u2019t really do it.\u2019\u00a0 It was nip and tuck for quite a while.\u00a0 Finally he said, \u2018You know what?\u00a0 Let\u2019s give it a shot.\u2019\u201d One of the smartest casting moves Wilson could have made.<\/p>\n

As Wilson talks about Calvin Borel, his respect and admiration is beyond evident.\u00a0 \u201cHe\u2019s very funny.\u00a0 Having Calvin was such a joy.\u00a0 He was a little nervous the beginning of the first day because it\u2019s cameras and action and he\u2019s working with Skeet [Ulrich] and Christian Kane and Bill Devane and people he knows.\u00a0 He was \u2018Oh God.\u00a0 You could tell I\u2019m kinda gulping a little bit that I\u2019m not gonna get through this.\u2019\u00a0 By noon after the first day, he was so comfortable.\u00a0 He said, \u2018You\u2019re in my house now.\u2019\u00a0 He realized he can play himself and was good at it.\u00a0 And to bring all that emotion to the film, too.\u00a0 He just let it out.\u00a0 The last third of this picture stars Calvin Borel.”<\/p>\n

\"50<\/p>\n

Calling on sense memory and steeped in authenticity and Wilson\u2019s recreation of that specific Derby day, Borel left nothing on the track with his performance.\u00a0 \u201cWhen he\u2019s doing those scenes, I\u2019m not having to direct him.\u00a0 I\u2019d call \u201caction\u201d, he\u2019d hop on that horse and you\u2019d throw the roses over him and he starts crying and hugging and screaming.\u00a0 It was like \u2018Wow!\u2019 . . .He let it all out.\u201d\u00a0 Described by Borel as \u201cfreakish\u201d, after filming him on Sunday Rest going full out on the track, he told Wilson, \u201cI felt like I\u2019m in a race.\u00a0 I felt like for that 20 seconds it was just like I was on Bird getting ready for my move and seeing if I had any left.\u201d\u00a0 A treat for Wilson, \u201c[Calvin] wore the same boots he wore at the Derby.\u00a0 He brought in the same silks.\u00a0 He sat at the stool he sits at in the jock\u2019s room.\u00a0 He went to his very locker.\u00a0 That was the photo of his mom and his dad.\u00a0 That\u2019s all his stuff.\u00a0 It wasn\u2019t Hollywood make believe.\u00a0 That was all Calvin.\u201d\u00a0 This is the stuff of which\u00a0 dreams – and emotional underdog sports films – are made.<\/p>\n

The real star, however, is Sunday Rest who steals the film, and our hearts, as Mine That Bird.\u00a0 Perhaps one of the most difficult castings because of Mine That Bird\u2019s small narrow stature, and wanting whatever horse was cast to look as much like Bird as possible, Wilson undertook almost Herculean efforts in his horse casting.\u00a0 \u201c We looked at nearly 400 head of horses.\u00a0 Each time my trainers were out there looking they\u2019d send photos over the internet.\u00a0 I\u2019d make them shoot all four sides and everything they could possibly do – height size, color, the whole thing.\u00a0 Finally we found a match, and a matching character to a good bit, because Bird really was a character.\u00a0 I didn\u2019t want just a look alike\u201d Eventually finding a three-year old thoroughbred in Calgary, Canada named Sunday Rest, what Wilson didn\u2019t realize was the depth of the talent that he bought.\u00a0 \u201cHe plays all of the big scenes.\u00a0 There aren\u2019t two horses.\u00a0 Normally in these movies there are 7, 8 or 9 horses that you switch in and out to do various things.\u00a0 But Sunday Rest did the whole movie.\u00a0 He starred in the whole darn thing.\u201d\u00a0\u00a0 It was thanks to Borel that the search to cast Bird was so arduous.\u00a0 \u201cCalvin always told me, \u2018If this horse was another 100 lbs which easily could have been 200 lbs bigger horse, I never would have gone through that hole.\u00a0 I never could have gone through there.\u00a0 Because this horse was so agile and so narrow, I said, \u2018Let\u2019s go Bird!\u00a0 I can make that hole.\u2019\u00a0 Most jockeys wouldn\u2019t have done what Calvin did anyway but the fact that he\u2019s scraping his boot on a little skinny horse is what allowed him to do that.\u00a0 You just don\u2019t do it with the bigger horses.\u201d<\/p>\n

\"50<\/p>\n

Given that 50 TO 1 is inspired by the true story of Woolley, Allen and Mine That Bird, the outcome is assured, leaving Jim Wilson to tell the backstory and engage us for the 75+ minutes leading up to the Derby race itself.\u00a0 Essentially two stories rolled into one,\u00a0 that of Mine That Bird and getting to the Derby and then not so much the story of Woolley and Allen\u2019s partnership but more Woolley\u2019s journey of self-redemption, that for Wilson is why you make a film and why he wanted to make 50 TO 1.\u00a0 \u201cI was at home watching television with the Derby that year and I saw a race I had never seen before. . . [Bird] destroyed that field.\u00a0 He toyed with them.\u00a0 And it\u2019s 50 to 1 – this wasn\u2019t the favorite that was supposed to do this.\u00a0 He wasn\u2019t on anyone\u2019s radar.\u00a0 That\u2019s what makes it great.\u00a0 I don\u2019t have to make believe with this story. [Woolley and Allen] did meet in a bar fight, all the major movements in this film are spot on.\u00a0 This wasn\u2019t Hollywood saying they nearly lost a horse on the travel or Chip shattered his leg in a motorcycle accident.\u00a0 He did.\u00a0 Everyone of those movements is real.\u201d\u00a0 And it\u2019s the blend of characters that had an appeal for Wilson, and it\u2019s that blend and the different traits that make for some wonderful undertones within the film.\u00a0 Reflecting on Derby day 2009, Wilson recalls, \u201cThese guys are so denied any press.\u00a0 You\u2019re there, you\u2019re at the Derby and they didn\u2019t get an interview.\u00a0 These guys didn\u2019t get into a party.\u00a0 It really was a nose up to you.\u00a0 They\u2019re an after thought at best.\u201d\u00a0 And then there\u2019s Chip Woolley.\u00a0 \u201cA guy who had never been to Kentucky, had never been to the Derby, wears all black, he is a cowboy, he wears his heart on his sleeve.\u00a0 You know what he\u2019s all about.\u00a0 He\u2019s not capable of a lie or a fib.\u00a0 It\u2019s not in his make-up.\u00a0 He\u2019s not wired that way.\u00a0 Those characters interested me.\u00a0 When you wander into the Derby and you\u2019re playing with big international monies and historically monies from generations passed down to raise horses and you come from the west, you are an outcast. . . I liked that and I liked that journey.\u00a0 That to me was interesting.\u201d<\/p>\n

But that\u2019s not to say there aren\u2019t some problems with the script and this meld of two stories as each, but for the climactic Derby race, feels like it\u2019s gotten the short shrift so that moments in the first and second act feel disjointed.\u00a0 And while establishing the key moment of the initial meeting between Allen and Woolley in a bar brawl is necessary, the scene is too long, wasting time that could have been devoted to creating a better meld or adding some clarity in the second act.\u00a0 While some may call it nitpicking, there are two off-handed dialogue references to the “huge heart” that Mine That Bird has, clearly a knock-off to the well seeded theme within Disney’s \u201cSecretariat\u201d where “huge heart” is a huge part of the Secretariat story.\u00a0 But with 50 TO 1, we never get any real foundation for any dialogue about a “huge heart” pushing Bird to the finish line.\u00a0 The two lines stick out like sore thumbs.\u00a0 Similarly, there’s much reference to Woolley not being a good trainer, but we have no real training sequences so the idea dangles like a bad participle.\u00a0 The lack of sufficient training sequences also leads to a lack of interaction between Bird and Woolley, although there is more of a connection and dynamic and Woolley and Alex. For a film called 50 TO 1, we need to see more of what made Bird a 50 TO 1 shot, not just that he’s owned by “cowboys”.<\/p>\n

\"50<\/p>\n

Exquisite is the only word to describe Tim Suhrstedt\u2019s cinematography.\u00a0 Scouting locations together, Suhrstedt was able to \u201cget inside\u201d Wilson\u2019s vision in terms of what he wanted and didn\u2019t want with the film.\u00a0 Being a race horse owner himself, Wilson already knew the horse world, but it\u2019s the vistas of America that give 50 TO 1 a wonderful palette and tonal bandwidth.\u00a0\u00a0 Proud of the fact that there\u2019s no CGI in play, Wilson \u201c wanted big spaces so when you first hit New Mexico and you see that little track that Skeet Ulrich is working . . . I\u00a0 said to Tim, \u2018Let\u2019s capture this – go as wide as we can.\u00a0 I like big wide vistas but I also want detail on the show so you\u2019ve got to do closeups of the horse.\u2019\u00a0 I didn\u2019t want it to be in the middle.\u00a0 I wanted to shoot some very wide big beautiful broad vistas.\u00a0 We talked a great deal about going from the west to the east and the colors of the west and the desert and the dirt and the grit and to feel that and as you made your way and transitioned across the country to more greens and flowers, a real change.\u00a0 He embraced every bit of it and then some.\u201d\u00a0 And then there\u2019s a wonderful inter-cutting with actual racing footage – particularly the Derby.\u00a0 The transition between art and reality is seamless.\u00a0 Dazzling are come overhead \u201cBusby Berekley” type shots that create some wonderful heart tugging moments.<\/p>\n

Completing the emotional palette is a nuanced score by William Ross that is equally emotive be it capturing the sweeping grandeur of the American southwest, the intimate moments between a trainer and his horse or the heart-stopping thrill of victory.<\/p>\n

50 TO 1 – and its new star Sunday Rest – wins your heart by a mile.<\/p>\n

Directed by Jim Wilson<\/p>\n

Written by Jim Wilson and Faith Conroy<\/p>\n

Cast:\u00a0\u00a0\u00a0 Skeet Ulrich, Christian Kane, William Devane, Madelyn Deutch, Calvin Borel, Sunday Rest<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Who among us doesn\u2019t love a longshot; especially if you\u2019ve got the winning bet.\u00a0 One such winning bet paid off on 50 to 1 odds at the 2009 Kentucky Derby, not only for Chip Woolley and Mark Allen, owners of Derby winner Mine That Bird, but pays dividends again now with […]<\/p>\n","protected":false},"author":2,"featured_media":1709,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[270,176],"class_list":["post-1703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-50-to-1","tag-drama"],"yoast_head":"\n50 TO 1 - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/50-to-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"50 TO 1\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/50-to-1\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-23T19:27:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-12T19:32:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/05\/50-to-1-5.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"225\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/50-to-1\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/50-to-1\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"50 TO 1\",\"datePublished\":\"2014-05-23T19:27:26+00:00\",\"dateModified\":\"2014-10-12T19:32:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/50-to-1\\\/\"},\"wordCount\":2795,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/50-to-1\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/50-to-1-5.jpg\",\"keywords\":[\"50 TO 1\",\"drama\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/50-to-1\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/50-to-1\\\/\",\"name\":\"50 TO 1 - 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