{"id":1746,"date":"2014-05-09T11:53:54","date_gmt":"2014-05-09T18:53:54","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1746"},"modified":"2014-10-12T12:57:44","modified_gmt":"2014-10-12T19:57:44","slug":"the-immigrant","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/the-immigrant\/","title":{"rendered":"THE IMMIGRANT"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"immigrant<\/p>\n

Directed by James Gray<\/a> and co-written with Ric Menello, THE IMMIGRANT is a film that is not to be missed and is, quite honestly, the best work of Gray\u2019s career thus far and will be difficult to top.\u00a0 Steeped in the rich immigration history of America in the early 20th Century, THE IMMIGRANT is set in 1921 New York where it revolves around the story of a young Polish Catholic immigrant named Ewa Cybulski, as she tries to navigate the treacherous American waters filled with corrupt officials, hustlers and hookers, social taboos, cultural differences, over-crowded tenements and everyone trying to make a buck to stay alive in this \u201cland of opportunity.\u201d\u00a0 As part of Ewa\u2019s tale, we meet Bruno, a vicious wolf in not so lily white sheep\u2019s clothing, a charming and kind magician named Orlando, plus a cast of characters who make up this melting pot she desperately wants to call \u201chome.\u201d<\/p>\n

Incorporating his own genealogy and stories of his grandparents that served as the basis for the film, Gray then melds that foundation with the fruits of extensive research and historical fact (including a 1915 \u201cHooker\u2019s Handbook\u201d) in order to pay respectful homage to history and to the millions of souls\u00a0 that passed through the halls of Ellis Island looking for hope, opportunity and love.\u00a0 The result is a rich tapestried portrait of 1920’s New York through the eye of a young Polish immigrant.<\/p>\n

\"immigrant<\/p>\n

Written specifically for Marion Cotillard, the character of Ewa is the heart of THE IMMIGRANT.\u00a0 Cotillard is at her emotionally enigmatic best, using physical and emotional performance to create a dichotomous Ewa. We see her grow, learn to survive in an\u00a0 emotional dance of survival squaring off against Joaquin Phoenix’s Bruno while watching Cotillard and Jeremy Renner\u2019s Orlando is pure magic.\u00a0 Cotillard\u2019s entire performance is one that is both masterful and magical.<\/p>\n

Together Renner and Cotillard are sweet, charming and tender.\u00a0 There is a soft tender beauty that unfolds between them that is even more captivating with the nuanced facial expressions, a gentle touch of a hand on a cheek, an innocent come hither upward glance.\u00a0 I could watch the two of them forever.\u00a0 On his own as Orlando, Renner delivers a light, comedic touch that is fun and engaging, almost a breath of fresh air in an oppressive situation.<\/p>\n

\"immigrant<\/p>\n

From start to finish you dislike the character of Bruno.\u00a0 From the very first moments that Joaquin Phoenix appears on screen, he embodies Bruno.\u00a0 There is an unsavoriness that emanates from him that although suiting the character, is unsettling, disturbing.\u00a0 As my grandmother would say, one look at Bruno and you just know he\u2019s a shyster an not to be trusted. Phoenix imbues Bruno with an untrustworthy, almost vile, darkness that is beyond unlikeable.\u00a0 Just watching him with Cotillard makes me cringe as if Bruno is tainting Ewa by his mere presence.\u00a0 Powerful.<\/p>\n

Supporting cast is beyond effective, notably Ewa’s uncle who drives the harsh puritanical stake of reality deep into the soul.<\/p>\n

Story itself is compelling, engrossing even, and although fictionalized, is rooted in the truth of history and countless tales of people like Ewa, Bruno and Orlando.\u00a0 Corruption, greed, prohibition, decay of morals due to a need to survive – the themes are telling and speak volumes of our immigrant history.\u00a0 A stunning slice of life in the history of the melting pot that is America. Gray opens a window into the past that is poignant and personal, giving us more than the printed pages of a history book as a link to the past. Thanks to well crafted, full bodied characters, textured and tapestried historical story, and a depth of emotion within each performance, we feel we know these people, their struggles, their hopes and their hearts as their stories touch ours.<\/p>\n

\"immigrant<\/p>\n

Together with his cinematographer Darius Khondji, Gray\u2019s visual palette and tone is pure brilliance.\u00a0 We are immediately transported in time, immersed within, with that immersion being completed thanks to meticulous perfection of costume and production design.\u00a0 Further fueling the historical experience is the accuracy of the time and events portrayed.\u00a0 I have long been an admirer of Khondji and his work here just deepens my respect for him. Going beyond an at times sepia toned palette that evokes a sense of the world being dipped in a teabag of naturalism, inspired by Gray\u2019s research into the era, thanks to the amount of coal and wood that was burned at that time, \u201cthe air was incredibly dirty and dense with particulate and you realize when you read that that the sun didn\u2019t really make its appearance\u201d, thus heavier greys and charcoal tinged sequences.\u00a0 The use of light and shadows showcased with mid and close-up shots creates not only an intimacy, but a claustrophobic feel, particularly for Ewa.\u00a0 Camera widens slightly when Ewa and Emil are together metaphorically giving Ewa breathing room.\u00a0 Beautifully designed.\u00a0\u00a0 The very sight of Ellis Island and Lady Liberty inspires, sending concurrent chills of pride and horror at the hope and sorrow that both bode.\u00a0\u00a0 Editing and pacing breathes with a natural organic flow.<\/p>\n

\"immigrant<\/p>\n

Notable is that \u201cWe tried to make up nothing.\u00a0 We tried to base it all on something.\u201d\u00a0\u00a0\u00a0 Scenes on Ellis Island are shot within the Beaux Arts Building in the room now called The Registry Hall.\u00a0 The guastavino tiling and architecture is original from 1897.\u00a0 To Gray\u2019s knowledge, no film has been permitted to shoot there until now.\u00a0 The cell in which Ewa is kept on the Island was built as a duplicate of those on display on the Island but which are behind glass for preservation.\u00a0 The theatre where Bruno\u2019s girls perform, \u201cthat\u2019s based on a real theatre called The Hay Market.\u00a0 What would happen is the women would come out and they would sort of parade around in their costumes into the audience.\u00a0 It was a pretty small venue with these ridiculous shows where you would fantasize. \u201d\u00a0\u00a0 Bruno\u2019s apartment is an actual reproduction of a tenement from the day, built on a sound stage from specifications of rooms on display within the \u201cTenement Museum\u201d on Orchard Street on New York.\u00a0 The attention to detail within the 8×10 foot room is so exacting, right down to the placement of what were called \u201ctuberculosis windows\u201d.\u00a0 THE IMMIGRANT as a whole is rich with history.<\/p>\n

Incorporating Puccini and Wagner as core elements, Chris Spelman\u2019s musical score has an ethereal tone of hope that serves as a wonderful uplifting contrast to the hardship of the times.<\/p>\n

There is a haunting mournful beauty to THE IMMIGRANT that breathes life into the ghosts of the past, at times romanticizing, at times brutalizing, but always living.<\/p>\n

Directed by James Gray<\/p>\n

Written by James Gray and Ric Menello<\/p>\n

Cast:\u00a0\u00a0\u00a0 Marion Cotillard, Joaquin Phoenix, Jeremy Renner<\/p>\n

\"immigrant<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Directed by James Gray and co-written with Ric Menello, THE IMMIGRANT is a film that is not to be missed and is, quite honestly, the best work of Gray\u2019s career thus far and will be difficult to top.\u00a0 Steeped in the rich immigration history of America in the early 20th Century, […]<\/p>\n","protected":false},"author":2,"featured_media":819,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,273],"class_list":["post-1746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-the-immigrant"],"yoast_head":"\nTHE IMMIGRANT - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/the-immigrant\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE IMMIGRANT\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/the-immigrant\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-09T18:53:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-12T19:57:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/05\/immigrant-7.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-immigrant\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-immigrant\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"THE IMMIGRANT\",\"datePublished\":\"2014-05-09T18:53:54+00:00\",\"dateModified\":\"2014-10-12T19:57:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-immigrant\\\/\"},\"wordCount\":1146,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-immigrant\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/immigrant-7.jpeg\",\"keywords\":[\"drama\",\"THE IMMIGRANT\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-immigrant\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-immigrant\\\/\",\"name\":\"THE IMMIGRANT - 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