{"id":1851,"date":"2014-03-29T14:47:01","date_gmt":"2014-03-29T21:47:01","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1851"},"modified":"2014-10-12T15:51:34","modified_gmt":"2014-10-12T22:51:34","slug":"sabotage","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/sabotage\/","title":{"rendered":"SABOTAGE"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"sabotage<\/p>\n

Scorching the senses with exhilarating action, edge of your seat intrigue and riveting plot twists and turns, SABOTAGE is an action powerhouse that thrills not only with explosions, drug lords and covert operations, but immerses the audience in the lives of a dynamic ensemble of personalities and the psychological drama of the players.\u00a0 Who can you trust?\u00a0 Who do you trust?\u00a0 Treachery, blood shed and blood lust run amok!<\/p>\n

What stands out and sets SABOTAGE apart from being just another action movie or\u00a0 \u201cjust another Arnold Schwarzenegger movie\u201d is that instead of being an \u201cArnold movie\u201d, this is a movie that is truly an ensemble of which Schwarzenegger just happens to be a member with each primary cast member and character integral to the story as a whole.\u00a0 This is not reliant on just\u00a0 Schwarzenegger.\u00a0 Wonderful transition for him at this stage of his career and a refreshing take with the film as a whole.<\/p>\n

John “Breacher” Wharton is a legend in law enforcement and the DEA.\u00a0 He is also a very damaged and very complicated man.\u00a0 Something tragic in his past has affected him deeply and now affects his perception and manner of attack and it\u2019s something so heinous and the change in him so severe that even his team are concerned.\u00a0 Head of an elite task force comprised of some of the most violent, take no prisoners, undercover operatives to ever breach the door of a drug cartel operative, Breacher and his crew are the best in the biz.\u00a0 But they are also the most damaged.\u00a0 Each has suffered terrible personal losses, seen horrific sites that can never be unseen, faced the demons most only hear about in the news and even then it\u2019s a sanitized version.\u00a0 All are loners with only each other as companions in life.\u00a0 Misfits, angry, damaged psyches, no boundaries, the end justifies the means; each has no one outside of the task force.\u00a0 They are each other\u2019s family. Each has nothing to lose.<\/p>\n

With the opening frame of film we are immediately pulled into an explosive drug bust.\u00a0 Breacher and his team, in full SWAT regalia and armed to the hilt, are racing to the mansion of a local drug kingpin.\u00a0 Deep in the heart of Georgia, the area is one of the most prolific drug transport regions in the country.\u00a0\u00a0 Following the path of the Underground Railroad, Mexican cartels distribute their product up and down the east coast.\u00a0 This is their lifeline and Breacher wants to shut it down.<\/p>\n

\"sabotage<\/p>\n

With no holds barred, Breacher and team raid the mansion, and with Intel from Lizzy, his team member on the inside, not only takes out every person in the place, but finds a stash of over $200 million in a bunker-lie underground fortress.\u00a0 But wait a minute?\u00a0 Breacher\u2019s not responding to his superiors who are frantically radioing him.\u00a0 Why?\u00a0 The frenzy?\u00a0 The firefight?\u00a0 No.\u00a0 Breacher and team are stealing some of the money for themselves.\u00a0 And pretty clever theft, too.\u00a0 They drop wads of cash down the toilet drain into the main underground sewer pipe where they can retrieve it later.\u00a0 And then they blow up the bunker and the rest of the cast.<\/p>\n

This drug lord and company are dead and one arm of the cartel is crippled.\u00a0 But the Feds didn\u2019t get their money.\u00a0 And as Breacher soon finds out, the team doesn\u2019t get their stash either as on heading down into the sewer, they find their money is gone.\u00a0 A set-up.\u00a0\u00a0 But by whom?\u00a0\u00a0 That was $10 million dropped down the drain.\u00a0 You don\u2019t just pick it up floating down the stream.<\/p>\n

\"sabotage<\/p>\n

An investigation by Internal Affairs shuts down the team.\u00a0 Breacher is given a job pushing paper.\u00a0 The rest of the team juts stagnates by drinking, partying and behaving like the deviants they are. After six months with no evidence and no evidence of malfeasance by Breacher\u2019s crew, and apparently some calls from someone high in government, the investigation closes and the team is reassembled.\u00a0 But something is still amiss as members of the team start dropping like flies with each suffering a death more horrific than the last and with each bearing the trademarks of notorious cartel hitmen.<\/p>\n

As dead bodies start appearing and all manners of death as the causes (train hitting an RV in which one of the team lives, a dead body nailed to the ceiling with entrails hanging like a chandelier), local homicide detective Caroline Brentwood is called upon to handle the case.\u00a0 Out-manned and out-gunned, Brentwood is undeterred in her investigation and keeps pushing no matter what she is told about possible suspects and the cartels.\u00a0 Earning Breacher\u2019s ultimate respect, the two start working together to find the man, or men, responsible for killing his team.<\/p>\n

But as past secrets collide with the present, the whole thing blows and no one is safe from the effects of SABOTAGE.<\/p>\n

\"sabotage<\/p>\n

Arnold Schwarzenegger has accepted his “elder statesman” role in movies and fills the bill nicely here.\u00a0 Still strong on action and looking good, with Breacher he has embraced the age lines with a weathered comfort and serves as a paternal, wisdom dispensing guide to young hotheads; weathered wisdom of the world.\u00a0 This is a wonderfully written character that Arnold handles easily and is a welcome addition to his resume.\u00a0 And then toss Olivia Williams in the mix as Caroline Brentwood!\u00a0 Talk about heat! Best female pairing ever with Schwarzenegger!<\/p>\n

And speaking of Williams, going beyond her chemistry with Schwarzenegger, she just nails Brentwood.\u00a0 She finds that hard, no nonsense edge but laces it with weakness at the inhumanity of some of the torturous heinous acts that go one in the world.\u00a0 Williams gives Brentwood the edge of knowing when to flinch or gag at horror, making her the human element in the mix of hard core.\u00a0 But she and Arnold are dynamite together.\u00a0 Toe-to-toe.\u00a0 And great choreographing of their movement when entering unknown spaces.<\/p>\n

\"sabotage<\/p>\n

The diversity of the characters within Breacher\u2019s team is stellar with each character developed – and then performed – so as any of them could be sabotaging their collective careers and\/or murdering everyone.\u00a0 The one loose cannon that sticks out from the very beginning is the character of Lizzy.\u00a0 From the moment she doesn’t answer the radio call from Breacher in her earpiece while in bed with the cartel agent and Breacher dismisses her non-response as “she knows what she’s doing”, red flags go up that are brighter than her red hair and lipstick.\u00a0 You know she’s gonna play into something bad as the film progresses. As Lizzy, Mireille Enos is the embodiment of bad ass.\u00a0 Kudos to hair and make-up because as Lizzy, she looks untrustworthy, screwed-up and plays like a prostitute.\u00a0 Enos does, however, need to work on her large arm weapons handling though if she continues with action films like SABOTAGE.\u00a0 While all the guys were handling armament like pros even with basic carry, Enos always had the big guns kind of lagging in her hand.\u00a0 In speaking with the technical consultants, Mark Schlegal and Jamie Fitzsimons, although they would have preferred to just arm Enos with a pistol because of her diminutive frame and the shear weight of the armaments, they compromised with the filmmakers and had her handling an M40, which was still outsized for her.\u00a0 Stuck out like a sore thumb.<\/p>\n

Sam Worthington is mind-blowing.\u00a0 Completely unrecognizable as Monster, once you get past the shock of his appearance and realization that it\u2019s Worthington, you see the complexity and depth he brings to the role.\u00a0 A guy with a conscience.\u00a0 A basically decent guy as opposed to some of the others.\u00a0\u00a0\u00a0 You actually feel sorry for him being married to Lizzy.\u00a0 Monster deserves better.\u00a0 Wonderful performance by Worthington.<\/p>\n

Joe Manganiello is outstanding, breathing a ferocity all his own into Grinder and then upending the audience with a sincerity and heartbreaking confessory turn in scenes with Olivia Williams’ Brentwood.\u00a0 Manganiello has the brawn, the brains and the heart that makes Grinder a three dimensional character.<\/p>\n

\"sabotage<\/p>\n

Josh Holloway and Max Martini each put their own individual emotional stamp on the characters of\u00a0 Neck and Pyro.\u00a0\u00a0 Gotta give props to the casting folks as they really found a blend of guys that while cohesive, by their very natures add different emotional beats that create friction and fuel the mystery of who’s \u201csabotaging\u201d the group.<\/p>\n

An interesting character and casting choice is Terrence Howard’s Sugar.\u00a0 Howard keeps us on the edge.\u00a0 A character of few words, Howard’s non-verbal nuance keep us guessing as to what side of the fence he’s on.\u00a0 As Brentwood\u2019s law enforcement partner, Jackson, Harold Perrineau lightens the mood with wisecracks and one-liners, playing well off Williams and off specific situations and events.<\/p>\n

As a collective group, I can\u2019t say enough about their physicality and tactical military precision. With everyone going shoulder-to-shoulder through extensive SWAT training as well as learning DEA tactics and techniques, the authenticity is meticulous.\u00a0 Beyond two months of group training (in which Schwarzenegger also participated daily), Manganiello went above and beyond and did ride-alongs with LAPD in South Central LA as well as adding MMA training to his skill set.<\/p>\n

Written by David Ayer and Skip Woods and directed by Ayer, SABOTAGE is a well structured story with the film as a whole well constructed.\u00a0 The concept of crossing the line for personal revenge is a fascinating one that never gets old.\u00a0 The exploration into the emotional darkness of the human psyche is compelling.\u00a0 Ayer hits us over the head right out of the box, grabbing our full sensory attention with an onslaught of story, character introductions and action.\u00a0 The opening gunfight in the mansion is exquisitely done.\u00a0 Great little tricks like toilet removal and observational humor about toilet paper set a tone for the men of Breacher’s DEA unit.\u00a0 Those little details are very defining without wasting time on backstory or exposition.<\/p>\n

\"sabotage<\/p>\n

Where we have some holes, however, are with the whole investigation\/suspension and a missing $10 million.\u00a0 No one ever answers the question of how the Feds knew $10 million was missing when the money was blown up.\u00a0 That still nags at me.\u00a0 And there\u2019s a loose cannon employee in IA who we see briefly, but then he disappears.<\/p>\n

Great little hints and details scattered throughout the film, particularly with knives; rope down the sewer is cut, Breacher carries a knife and uses it once, but so does Grinder and then the Coroner is using a knife to cut sleeves to pull back gang tattoos on a corpse.<\/p>\n

No stranger to action lensing, and particularly second unit, cinematographer Bruce McCleery dazzles with lensing and lighting, skewing and dutching camera angles and then using light and saturation\/desaturation of\u00a0 color for emotional tone and tacit metaphor.\u00a0 A complimentary blend of traditional and experiential first person lensing, the experience is vivid, alive, in your face.\u00a0 Some really beautiful images come in Breacher’s home with an inky blue-black night as a backdrop cast through sliding glass doors and contrasted with a glaring sickly yellow and green on a laptop as Breacher watches videos from his past.\u00a0 Shadows play heavily throughout, particularly in climactic scenes in Mexico involving a confrontation with the police and cartel agents.\u00a0 Fantastic imagery on the whole.<\/p>\n

\"sabotage<\/p>\n

Superb is the lensing of blood-letting in SABOTAGE!\u00a0 Awesome shots of blood pumping up from bullet holes like a little fountain.\u00a0 And nice to see gradation in the color of blood! There are color differences from body location and between people.\u00a0 Again, nice attention to small but significant details.<\/p>\n

Dody Dorn\u2019s editing is well paced, allowing for moments within which to breathe after edge of your seat gun battles.<\/p>\n

And I gotta say it again – way cool with a body nailed to the ceiling.<\/p>\n

SABOTAGE.\u00a0 Unrelenting.\u00a0 Unapologetic.\u00a0 Unstoppable.<\/p>\n

Directed by David Ayer<\/p>\n

Written by David Ayer and Skip Woods<\/p>\n

Cast: Arnold Schwarzenegger, Joe Manganiello, Josh Holloway, Terrence Howard, Sam Worthington, Olivia Williams, Mireille Enos, Harold Perrineau, Max Martini<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Scorching the senses with exhilarating action, edge of your seat intrigue and riveting plot twists and turns, SABOTAGE is an action powerhouse that thrills not only with explosions, drug lords and covert operations, but immerses the audience in the lives of a dynamic ensemble of personalities and the psychological drama of […]<\/p>\n","protected":false},"author":2,"featured_media":1853,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[179,288],"class_list":["post-1851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-action","tag-sabotage"],"yoast_head":"\nSABOTAGE - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/sabotage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SABOTAGE\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/sabotage\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-29T21:47:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-12T22:51:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/03\/sabotage-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/sabotage\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/sabotage\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"SABOTAGE\",\"datePublished\":\"2014-03-29T21:47:01+00:00\",\"dateModified\":\"2014-10-12T22:51:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/sabotage\\\/\"},\"wordCount\":2022,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/sabotage\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/03\\\/sabotage-1.jpg\",\"keywords\":[\"action\",\"SABOTAGE\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/sabotage\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/sabotage\\\/\",\"name\":\"SABOTAGE - 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