{"id":1863,"date":"2014-03-29T12:54:07","date_gmt":"2014-03-29T19:54:07","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=1863"},"modified":"2014-10-12T16:00:53","modified_gmt":"2014-10-12T23:00:53","slug":"rob-the-mob","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/rob-the-mob\/","title":{"rendered":"ROB THE MOB"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"rob<\/p>\n

Thomas \u201cTommy\u201d Uva lived a life of crime.\u00a0 Petty stuff committed in Queens, New York during a time when the City was ruled by the Gambino and Bonanno crime families.\u00a0 And although small potatoes in comparison to the mafia, they were crimes nonetheless and crimes that garnered Tommy his fair share of time behind bars.\u00a0 His girlfriend and love of his life, Rosemarie \u201cRosie\u201d, also had a few brushes with the law thanks to drugs and alcohol.\u00a0 After Tommy\u2019s last prison release in May 1992, despite his best intentions to go straight and find a life of marital bliss with Rosie, the job market was bad – especially for an unskilled ex-con – and the couple needed money to live.\u00a0 And so at the ripe old age of 28, he hit upon a seemingly fail-safe plan – hold-up the mafia social clubs scattered throughout the boroughs of New York City, clubs owned by the Gambinos and Bonannos. Club members were primarily aging old guys playing cards and telling stories of days gone by.\u00a0\u00a0 The couple\u2019s MO was well documented by witnesses:\u00a0\u00a0 Rosie would take the wheel of the getaway car while Tommy, armed with an Uzi submachine gun, would strop the patrons and club employees of their money and jewelry while making the men strip down and drop their pants.\u00a0\u00a0 Guns were rarely found on the premises as these were \u201clegit\u201d clubs.\u00a0 And being mob-owned, if the clubs were robbed, what would they do?\u00a0 Call the cops?<\/p>\n

Tommy and Rosie embarked on a modern day crime spree a la Bonnie and Clyde, a crime spree that was splattered all over the national news for months as one of the more tongue-in-cheek lifestyle stories instead of making the crime beat.\u00a0 After all, it is rather amusing that someone could actually \u201cROB THE MOB\u201d.\u00a0 Unfortunately, the Gambinos and Bonannos didn\u2019t see the humor in the situation and put out an \u201copen contract\u201d on Tommy and Rosie.<\/p>\n

On Christmas Eve 1992, Tommy and Rosie were gunned down by a Gambino family capo.<\/p>\n

\"rob<\/p>\n

ROB THE MOB is their story.\u00a0 One of the most sensational stories to come from the underbelly of the mafia.\u00a0 One that took decades to be told until stumbled upon by screenwriter Jonathan Fernandez.\u00a0 \u201cI had heard the story in the early \u201890s, and then, over a decade later, there was a trial for the people who were convicted ultimately of the murder of Thomas and Rosemary.\u00a0 And so, like Michael Pitt\u2019s character [Tommy Uva], I really did go to the courthouse and I really did sit with the journalists, and there really were the Mafia families watching.\u00a0 I really did go to the Mafia social clubs.\u201d\u00a0 And that\u2019s when the lightbulb went on as Fernandez thought, \u201cWow, this is something different.\u00a0 We\u2019ve never seen the Mafia in decline.\u00a0 We\u2019ve never seen that.\u201d<\/p>\n

Myself always partial to true life mob and crime stories, ROB THE MOB is outstanding.\u00a0 While literary license is taken with some of the facts that came to light during the subsequent trial for the murder of the Uvas, the basic facts and people involved remain the same, with a few exceptions, namely that of mob patriarch \u201cBig Al\u201d.\u00a0 Recalling that he \u201cspitballed\u201d some ideas with screenwriter Fernandez and director Raymond DeFelitta, actor\/producer Andy Garcia is quick to give credit to the collaborative effort in creating his character, Big Al.\u00a0\u00a0 \u201cWe developed this concept with everybody\u2019s ideas of who this guy could be in the story.\u00a0 One of the things I remember suggesting was to change his name, because the real guy is the real guy and now we\u2019re creating a guy, so just let it be an inspiration on these guys.\u201d\u00a0 Beyond changing the name of the Don, DeFelitta \u201cwanted to do something that was a departure, and we were more interested in him as a cook and as a grandfather than we were as a mob boss.\u00a0 That was what he did, but how did he get there?\u00a0 I think the original character did have a food truck and that\u2019s how he started and he got involved in the mob.\u00a0 Jonathan did more research than I did because he was the original writer. . .We started building this arc for this character and that\u2019s always the beauty of the collaboration.\u201d\u00a0 The result is a grounded, kind, dignified\u00a0 performance in which the quiet nature Garcia brings to the character is more telling and compelling than if Big Al was a “go big or go home” over the top Edward G. Robinson kind of gangster.\u00a0 Focusing on food and family, scenes between Big Al as a grandfather with his grandson are pure love, guaranteed to resonate with all.\u00a0 And by the very nature of Garcia’s performance, when he explodes in a rage, we are taken aback in shock.<\/p>\n

\"rob<\/p>\n

Finding a new way to show not only Big Al, but the mob as a whole, proved challenging to DeFelitta.\u00a0 \u201cI don\u2019t think that it\u2019s a good idea for any director to decide to go make a mob movie.\u00a0 It\u2019s been done.\u00a0 You\u2019re not going to top Goodfellas.\u00a0 You\u2019re not going to top The Sopranos. . . You have to find some other wrinkle.\u00a0 So, when I read Jonathan\u2019s screenplay, I saw this is the mob as a bunch of victims.\u00a0 It\u2019s like they\u2019re these worn out guys and they don\u2019t know how to deal with this strange kid with an Uzi.\u00a0 Every choice we started to make from that point on was based on what have you not seen in a mob movie.\u00a0 What makes this different?\u00a0 And then, when we started talking with Andy about the role, it was, \u2018Who\u2019s the mob boss you haven\u2019t met?\u2019\u00a0 The idea that ultimately we got to was the foodie grandpa mob boss who actually makes a fatal error early on, letting the death of his own son affect his not ordering the hit on the two when he should.\u00a0 It made his story encompass all of the big things we wanted to do in the movie as well, which was just tell you a mob story that really wasn\u2019t one that hopefully you had seen before.\u201d<\/p>\n

For Garcia, the backstory was all important to the present day story and character of Big Al.\u00a0 \u201cIt was a tragic arc and it was beautiful because he got involved in it by chance.\u00a0 There\u2019s a courier and [Big Al] starts making money and he buys his boy a bike. . .Just because of who he is, he grows within the hierarchy of that organization, and it gets to a point where because he\u2019s such a powerful guy, and his son by his very nature gets sucked into it with him, he has to pay for it with the price of his own son, the death of his own son.\u00a0 He gets involved to protect and provide for his family. . .That choice was a very powerful thing and now he\u2019s left with his grandson.\u00a0 All he wants to do is spend time with his grandson and cook for him and not deal with the mob, but he\u2019s still the head of the mob.\u00a0 Those were all complications that we were trying to get to.\u201d<\/p>\n

 <\/p>\n

\"rob<\/p>\n

Michael Pitt blew me away with his portrayal of Tommy Uva.\u00a0 Chameleonic, immersive, driving, electrifying.\u00a0 He sizzles.\u00a0 He commands the screen as Tommy giving him an at times exuberant innocence that is driven by bravura and fear.\u00a0 Rapier balancing act of emotion. And feeding off Pitt but then creating her own dynamic electricity is Nina Arianda.\u00a0 If her performance as Rosie doesn’t put her on the map of every casting agent out there, nothing will.\u00a0 She leaps of the screen with life and vibrancy fueled by blind faith and love.<\/p>\n

Stacking the deck in his favor with some iconic casting, DeFelitta\u00a0 packed his cast with “mob” veteran character actors like Michael Rispoli (always one of my faves), Burt Young, Aida Turturro, John Tormey, Garry Pastore and, of course, Cathy Moriarity.\u00a0\u00a0 As DeFelitta notes, \u201cWhen we were conceiving the look of the movie, it\u2019s the look of the actors to me as well.\u00a0 It really became a little parlor game like, \u2018Who from what iconic Italian-American movie or Italian-American mob movie could we get for everything?\u00a0 The meta-film of it is you\u2019re looking at, \u2018Here\u2019s Burt Young.\u00a0 We\u2019re in Once Upon a Time in America <\/em>for a minute.\u00a0 Here\u2019s Cathy Moriarty.\u00a0 You\u2019re in Raging Bull<\/em> for a minute.\u00a0 Here\u2019s Andy and you\u2019re in everything for a minute.\u2019\u201d<\/p>\n

\"rob<\/p>\n

But then we have Ray Romano and Griffin Dunne.\u00a0 Dunne is a delicious dizzy delight as Dave Lovell, ex-con legitimate collection agency owner employer of Tommy and Rosie.\u00a0 Funny enough just as a boss, once Dave starts going to court with Tommy and Rosie to listen to a mafia trial, Dunne becomes an overly enthusiastic, smarmy and HYSTERICAL joy in the courtroom audience scenes.<\/p>\n

\"rob<\/p>\n

On the other hand, Ray Romano is beyond believable as newspaperman Cardoza.\u00a0 While it harkens to Romano’s character as a sportswriter in Everybody Loves Raymond, as Cardoza, Romano adds the grit of the crime beat of the era to the character, giving him a relatable and “lived in” sensibility as the man who tells the story of Tommy and Uva in his newspaper column, revealing the wide-eyed wonder of the couple, particularly Rosie, who are more like kids taking glee in deying their parents than realizing the ramifications of robbing the mob.\u00a0\u00a0 Serving as \u201cthe conscience of the movie and hopefully the audience\u2019s conscience\u201d, Cardoza is the vehicle in which the full story arc is revealed.\u00a0 It\u2019s through Cardoza that not only is Tommy and Rosie\u2019s story told but how it intersects with that of the mob and its players, and ultimately \u201cwhat really becomes of this\u201d, this ROB THE MOB story.\u00a0\u00a0 As Cardoza, Romano brings to light the age old issue of what journalists face on a day-to-day basis: \u201cAm I part of my story?\u00a0\u00a0 I\u2019m not supposed to be, but how can you not be sometimes and where\u2019s that line that you cross?\u201d\u00a0 Romano brings great gravitas to the role as well as resonating with our own curiosity as to how the story ends.<\/p>\n

\"rob<\/p>\n

Beautifully executed is the cinematography of\u00a0 Chris Norr and DeFelitta.\u00a0 There is effective use of streaming sunlight that captures the little “fuzzies” of a sunbeam through a window when lensing the up and coming robbers, Rosie and Tommy, delivering a metaphoric sense that Rosie was not only warming up to the idea of crime but Tommy was warming up to Rosie.\u00a0\u00a0 The dark woods and closed windows of the card clubs provide worn, weathered and shadowed textures thanks to some red tones through stained glass of just one window and then simple old school table lamps casting an incandescent glow on tables and bars.\u00a0 Big Al’s home is beautifully lit and lensed with not just a well apportioned and manicured home that showed taste and money but not too much money, but the transparency of image that Big Al was trying to reflect publicly as simple deli\/restaurant owner.\u00a0 Clean, clear and crisp.\u00a0 There is a nice tonal balance reflected throughout the film that uses light and shadow to their best storytelling advantage.<\/p>\n

The final scene of Tommy and Rosie getting married and their one idyllic day is a perfect stand alone sequence – slo-mo, saturated color, montage, tonal reds that explode at the perfect moment. Great contrast to the immediately preceding scene of a cold, grey steely day where the pallor of death hangs in the air as Cardoza tries to get them to take the tickets and money from him and leave.\u00a0 It’s not only visually memorable, but the emotional power of imagery and music with no dialogue fills the heart with palpable joy and sorrow.<\/p>\n

\"rob<\/p>\n

Fernandez’ script has an authenticity and history to it that not only embraces the true crime on which it’s based, but is rooted in family and the importance of family – be it the Mafia or be it Tommy and Rosie starting out as a family.\u00a0 Fernandez never strays from the core and DeFelitta keeps his eye on the ball and focus on the story as opposed to what could have been a bang bang shoot ’em up Mafia flick.\u00a0 They stay true to the humanity of the people and the situations.<\/p>\n

As opined by Andy Garcia, \u201cWe, as actors, are looking for those moments that become sublime experiences for us where you\u2019re in the character and the character is speaking for himself.\u201d\u00a0 Here, the actors and their performances eloquently speak for Tommy and Rosie Uva.<\/p>\n

Directed by Raymond DeFelitta<\/p>\n

Written by Jonathan Fernandez<\/p>\n

Cast:\u00a0\u00a0\u00a0\u00a0 Andy Garcia, Michael Pitt, Nina Arianda, Ray Romano<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Thomas \u201cTommy\u201d Uva lived a life of crime.\u00a0 Petty stuff committed in Queens, New York during a time when the City was ruled by the Gambino and Bonanno crime families.\u00a0 And although small potatoes in comparison to the mafia, they were crimes nonetheless and crimes that garnered Tommy his fair share […]<\/p>\n","protected":false},"author":2,"featured_media":1874,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,289],"class_list":["post-1863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-rob-the-mob"],"yoast_head":"\nROB THE MOB - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/rob-the-mob\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ROB THE MOB\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/rob-the-mob\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-29T19:54:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-12T23:00:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/03\/rob-the-mob-11.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"267\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rob-the-mob\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rob-the-mob\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"ROB THE MOB\",\"datePublished\":\"2014-03-29T19:54:07+00:00\",\"dateModified\":\"2014-10-12T23:00:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rob-the-mob\\\/\"},\"wordCount\":2166,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rob-the-mob\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/03\\\/rob-the-mob-11.jpg\",\"keywords\":[\"drama\",\"ROB THE MOB\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rob-the-mob\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rob-the-mob\\\/\",\"name\":\"ROB THE MOB - 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