![\"oscars](\"http:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/02\/oscars-2013-adele-paul-epworth.jpg\")
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While Paul Epworth, co-writer of the Skyfall<\/em> song boasts, “We got the first draft down in ten minutes”, Adele is quick to point out, “It was two studio sessions. It was a bit longer than that. We’re good but we’re not that good.”<\/p>\n As a rule, when it comes to their collaborative style, Adele will generally go to Paul with an idea and look to him in kind at which point, “[W]e just kind of throw them at each other, and if something happens, which is certainly what happened with Skyfall<\/em> and Rolling in the Deep<\/em>, we\u0081fre absolutely done well.” But there are those times when things might not “click” right away but take time to fall into place “like it does if I say sometimes, \u0081eIt’s a bit dry.\u0081f You just got to connect and just hope for the best.” A perfect example is Rolling in the Deep<\/em>. “I cried the first time when I told Paul about my ex. . . and then Rolling in the Deep<\/em> happened.<\/p>\n But Adele\u0081’s secret to success is very simple. ” I find [it best], really, to be really honest with whoever you’re working with or whoever you’re collaborating with, so that they get the idea.”<\/p>\n #<\/p>\n","protected":false},"excerpt":{"rendered":" By: debbie lynn elias While Adele may have the Midas touch when it comes to music, as she related backstage after her Oscar win for Skyfall, it does require a bit of work. While Paul Epworth, co-writer of the Skyfall song boasts, “We got the first draft down in ten minutes”, Adele is quick to […]<\/p>\n","protected":false},"author":2,"featured_media":2224,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[369],"class_list":["post-2222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-adele-adkins-paul-epworth-rolling-in-the-gold"],"yoast_head":"\n