{"id":2717,"date":"2011-07-24T10:40:45","date_gmt":"2011-07-24T17:40:45","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=2717"},"modified":"2014-10-15T10:43:20","modified_gmt":"2014-10-15T17:43:20","slug":"marti-noxon-re-vamps-fright-night-exclusive-11","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/interviews\/marti-noxon-re-vamps-fright-night-exclusive-11\/","title":{"rendered":"Marti Noxon Re-“Vamps” FRIGHT NIGHT – Exclusive 1:1"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

One of the classic “vamp” cult films of all time is easily Tom Holland’s 1985 “Fright Night”. With a very young William Ragsdale starring as vampire fighter Charley Brewster, teaming up with venerable Roddy McDowall as Peter Vincent, the two waged war against the forces of darkness – a vampire named Jerry.\u00a0 But, as with all good things, remakes, reboots, reinvigoration is seemingly inevitable and FRIGHT NIGHT is no different…with a few exceptions, starting with screenwriter Marti Noxon.\u00a0 Probably best known for her work\u00a0on Joss Whedon’s long running “Buffy the Vampire Slayer”, and then its spin-off “Angel”, Noxon is no novice when it comes to vampires and slayage.\u00a0 So it seems only natural that Noxon would be the one to tap to revamp FRIGHT NIGHT for the 21st century.\u00a0 And revamp she does because FRIGHT NIGHT 2011 is killer!\u00a0 Calling on Colin Farrell to bare his charm and his fangs, David Tennant as magician cum vampire debunker Peter Vincent, and Anton Yelchin as your average boy next door vampire slayer, Noxon gives new meaning to vampyrically delicious.<\/p>\n

Always one of my favorite interview subjects, I had a chance to talk with Marti today about FRIGHT NIGHT…and of all things, Las Vegas.<\/p>\n

First of all, I have to congratulate you on what you have done with FRIGHT NIGHT. I went into this with a lot of trepidation as I was very familiar with the original and actually on set. So, to see what somebody would do with that was, well…..But I thought it was in good hands with you.<\/p>\n

Thank you!<\/strong><\/p>\n

Very good hands.<\/p>\n

[Laughing]<\/strong><\/p>\n

\"frightnight-poster-farrell\"How did you go about retooling a beloved classic that\u2019s become such a cult classic?<\/p>\n

Sometimes remakes are somewhat cynical in that someone gets a title and they think, well this is not a money maker. But this is not the case for FRIGHT NIGHT. The reason we remade the movie, why Dreamworks wanted to, and why I wanted to and why Craig wanted to, was because we had such great affection for the original. It was really a labor of love as opposed to “Let\u2019s cash in on a great old title that no one\u2019s reinvigorated.” As such, I had a lot of stuff that already existed and that I also wanted to explore in the relationships that already existed, so that made it a challenge but also one that I was really excited to take on.<\/strong><\/p>\n

Personally, I think nobody knows the vampire world better than you. And they certainly don\u2019t know the teenaged vampire world better than you.<\/p>\n

[Laughing] That\u2019s true. There is one good thing about being a perpetual… my arrested development – mentally I\u2019m still about 14…<\/strong><\/p>\n

I did and do appreciate all the great Sunnydale references that you have, Scooby Gang and everything else you have going on. I was at the very first press screening, and everybody burst out loud laughing. Everybody got it.<\/p>\n

Oh that\u2019s great! A little shout out!<\/strong><\/p>\n

One thing that you did do, that nobody else is doing in the vampire world right now, is that you really brought back the sense of the demonic vampire, the evilness, the rip them to bits; none of this glow in the dark, shiny, sparkly skin stuff.<\/p>\n

Right.<\/strong><\/p>\n

You harken back, and even incorporate a lot of the actual mythology of Count Vlad with the sirens slowly sucking the blood and whatnot.<\/p>\n

It\u2019s true. I am a fan of the romantic vampire tradition. I am a “sucker” for doomed romance. Angel and Buffy certainly fell into that category. But I also loved Spike at his most evil – when his soul is gone and there was no “there” there except the charm and the way he could attract his victims. And I did feel like it was time for just a great old fashioned muscular American-style predator. They said to me early on, “We envision this guy like the shark in “Jaws”.” I was already on the same page. I had already hoped that they were thinking that way. So that\u2019s one thing that is obviously different from the original because in the original, Jerry does have kind of a romantic attachment to Amy and in this one it\u2019s a much darker character.<\/strong><\/p>\n

And it works so much better.<\/p>\n

I think so. And I think Colin just has such fun with it and really embraced that part of it; the predatory nature of the character, the carnality and the enjoyment of playing with his food basically. He likes to have fun but he has no attachment to the humans in the movie. Period.<\/strong><\/p>\n

One thing that you do so well and you do it brilliantly again here, and you have actors that can follow through on your words, is the fine line where the comedy is treated as being serious and they continue to walk the line and hit the comedy notes while maintaining the darker edge but never turning into a parody.<\/p>\n

Thank you. I have to give so much credit to Craig [Gillespie] because I often feel that when I write something that it can go either way. It so depends on execution. And somebody who tries to treat the comedy as a comedy in something like this and land jokes, it doesn\u2019t work. It has to be treated like “these just happen to be people with a sense of humor in a terrible situation.” And it has to have a kind of grounded feeling where you might think, “I might say that or do that in the situation.” But you\u2019re not building something just to be funny on its own. It has to come from character and it also has to be delivered sort of on the fly. You shouldn\u2019t try to stop to land a joke and Craig understands that so well. I owe him so much because if you get that wrong, it can make the difference between the very same scene on the page working or feeling really silly and campy.<\/strong><\/p>\n

That\u2019s one thing I have to give Craig kudos for. He didn\u2019t over rehearse the actors because that easily could have come through and it would have destroyed the really delicate wording that you have poised on the page.<\/p>\n

It really was such a joy because, no disrespect to other things I\u2019ve worked on, but I sometimes feel like it\u2019s just so frustrating because you know how you meant something and then it doesn\u2019t pan out that way. Every step of the way with this one, I would arrive on set and see the set decorations and it would be exactly as I hoped or better. And then they have actors that are so above and beyond my wildest dreams. David Tennant and Colin Farrell and Anton [Yelchin] and Toni [Collette]\u00a0and Imogen [Poots] and Chris [Plasse], they\u2019re all such interesting nuanced performers. They really classed the joint up on this one.<\/strong><\/p>\n

One thing that really classed it up is your total rewrite of the Peter Vincent character.<\/p>\n

[Laughing] Oh, thank you very much.<\/strong><\/p>\n

\"frightnight-poster-tennant\"<\/p>\n

You take the dowdy Roddy McDowall as a priest and you turn him into larger than life David Tennant as Peter Vincent.<\/p>\n

And boy did he have fun with it! It\u2019s funny because there\u2019s a little bit of a rumor out on the interweb universe that he\u2019s not very much in the movie or that something went wrong. It\u2019s so opposite of that. Many people feel like it\u2019s a real fight with the characters who walks away with the movie. And David Tennant is so delicious, from the moment he appears you can\u2019t wait for him to come back.<\/strong><\/p>\n

I have to say, he is my favorite character in this film.<\/p>\n

I don\u2019t disbelieve that! I really do understand.<\/strong><\/p>\n

What went into creating this new Peter Vincent?<\/p>\n

It was a little reverse engineered in that I came in with the idea of setting the movie this time in Vegas. That came out of the time I spent there during the presidential campaign. I was doing some canvassing for Obama. I was in Clark County in the suburban area surrounding the strip. It\u2019s such a haunted place because there was so much development that then went into foreclosure, so many families that moved there, that then couldn\u2019t afford to stay and left. So it felt like what great stomping grounds for a monster, a vampire in particular, because it\u2019s a city that lives at night and sleeps during the day. So I was already thinking Vegas and then, I kind of love Vegas. I\u2019m not a gambler or a drinker, but I love the over the top quality of the place and I had seen that there was a stage show called “Bite” which was all sexy vampire girls. I\u2019ve always anted to go, but I\u2019ve never made it. I hope it\u2019s still playing cause I already was in love with that world and somebody reminded me that Penn of Penn & Teller has a huge museum of occult objects. He\u2019s a debunker, he collects all this stuff. So imagining a magician on the strip, immersed in this goth number who is also a collector and aficionado of the world, it all kind of fell into place. There was some debate about whether that was the right way to go, but I\u2019m so glad we did it.<\/strong><\/p>\n

And I know they\u2019re going to kick me off here in a minute because you\u2019re on such a tight schedule, but one last question, what did you personally take away from this experience?<\/p>\n

I have to say, from beginning to end, this has been the most positive experience I\u2019ve had since working on “Buffy” just in that everybody was on the same page; everybody was pulling for the same movie; everybody saw the same movie. So, I guess, hope is alive. It really made me glad to be a writer in this business again. It\u2019s so much fun when it works and God willing, it did.<\/strong><\/p>\n

Trust me. It did! It worked tenfold, Marti. You did a great job with this. Are we going to see a sequel.<\/p>\n

From your mouth to God\u2019s ears! I would love to write Peter Vincent and Charlie Brewster again. I really would.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias One of the classic “vamp” cult films of all time is easily Tom Holland’s 1985 “Fright Night”. With a very young William Ragsdale starring as vampire fighter Charley Brewster, teaming up with venerable Roddy McDowall as Peter Vincent, the two waged war against the forces of darkness – a vampire named […]<\/p>\n","protected":false},"author":2,"featured_media":2720,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[470],"class_list":["post-2717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-marti-noxon-re-vamps-fright-night-exclusive-11"],"yoast_head":"\nMarti Noxon Re-"Vamps" FRIGHT NIGHT - Exclusive 1:1 - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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