{"id":28353,"date":"2020-05-21T21:18:57","date_gmt":"2020-05-22T04:18:57","guid":{"rendered":"http:\/\/behindthelensonline.net\/site\/?p=28353"},"modified":"2020-08-22T12:42:47","modified_gmt":"2020-08-22T19:42:47","slug":"btl5182020","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/miscellaneous\/behind-the-lens-podcast\/btl5182020\/","title":{"rendered":"Behind The Lens Radio Show – 05\/18\/2020 with special guests BRIAN LEVIN and TOMMY FAIRCLOTH"},"content":{"rendered":"

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With a theme of cinematic atmosphere and a meld of past and present, this week on BEHIND THE LENS we take a look at two films – A NUN’S CURSE<\/a><\/strong>\u00a0and\u00a0UNION BRIDGE<\/a><\/strong>\u00a0 – and two exciting filmmakers – TOMMY FAIRCLOTH<\/strong><\/a> and BRIAN LEVIN.<\/p>\n

First up, take a listen to our prerecorded exclusive interview with writer\/director\/editor\/cinematographer TOMMY FAIRCLOTH going in-depth with A NUN’S CURSE. Shot on location in a Civil War era prison, the story melds a present day road trip of four friends (one of whom is obsessed with all things nun-related, especially the legendary Sister Monday) with the prison’s history, and Sister Monday’s murderous legend, as the group is trapped inside the prison for the night. Stunning, rich visuals mesmerize while strong performances and story provide intrigue.\u00a0 Listen as Tommy digs deep into the production design and location, challenges and benefits of shooting within the walls of the prison itself, casting, cinematography and the use of light and focal length, and the film’s meticulous sound design.<\/span><\/p>\n