{"id":2881,"date":"2014-02-13T15:17:19","date_gmt":"2014-02-13T23:17:19","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=2881"},"modified":"2014-10-15T15:21:26","modified_gmt":"2014-10-15T22:21:26","slug":"about-last-night-2014","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/about-last-night-2014\/","title":{"rendered":"ABOUT LAST NIGHT (2014)"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

With love and lust filling the air this Valentine\u2019s weekend, what better way to celebrate than with a fresh and funny romantic comedy that I like to describe as \u201craunchy likeable vulgarity<\/em><\/strong>.\u201d\u00a0 Without a doubt the funniest film of the year<\/em><\/strong>, Kevin Hart and Regina Hall make you laugh till you cry, or pee your pants, while Michael Ealy just steals your heart.\u00a0 ABOUT LAST NIGHT melds the hysterical outrageous comedy stylings of\u00a0 Hart and\u00a0 Hall with the warmth and tenderness of\u00a0 Ealy and Joy Bryant, all under an umbrella of love and reality written by the incomparable Leslye Headland and directed by the always impressive Steve Pink.\u00a0 It\u2019s not often when the stars align so perfectly but when they do, it\u2019s comedic magic bathed in a warm glow.\u00a0 And that\u2019s what happens with ABOUT LAST NIGHT.<\/p>\n

\"about<\/p>\n

Based on David Mamet\u2019s 1974 play, \u2018\u2018Sexual Perversity in Chicago,\u2019\u2019 which was then adapted for the big screen in 1986 as \u201cAbout Last Night\u201d starring Demi Moore and Rob Lowe as 20-somethings looking for love in Chicago, this 21st Century version now focuses on 30-something year old African-American singles in currently hip and historic Downtown Los Angeles.\u00a0\u00a0 As opined by producer Will Packer, \u201cThe original did a good job at taking a look at a slice of life – dating, singles, against that backdrop in that demographic, at that time.\u00a0 I think the timing was right to do that again from a contemporary perspective.\u00a0 What is it like today for young adults who are living and loving and having sex and doing all that they do in a contemporary setting against the backdrop of the internet and texting and sexting and Facebook and Twitter and the like?\u201d<\/p>\n

Director Pink expounds on the issue of a remake, noting, \u201cRather than being concerned with the exact plotting or the exact character arcs, the central question is, \u2018What are our relationships in this time and in this specific place?\u2019. . . The play was in the 70’s so the play itself was really discussing what it was like in the 70’s and they remade it into a movie in the 80’s.\u00a0 And while they could have made it a period piece, which they didn\u2019t, it was about relationships, contemporary life and young people meeting and falling in love, so they were very smart about it.\u00a0 We took that same approach.\u00a0 What is it like now?\u00a0 We took that question and tried to make it as unique and specific as possible.\u00a0 In that way, it\u2019s a completely faithful remake but at the same time, it\u2019s completely new.\u201d\u00a0\u00a0 And I have to say, I completely agree.<\/p>\n

\"about<\/p>\n

Danny and Debbie are the most unlikely of couples while on the surface appearing perfect for each other.\u00a0 Having been burned badly in the past with bad break-ups, each is now fearful of dating, let alone getting into a \u201crelationship\u201d and thus always seem to be the reluctant wingmen to their respective best friends, Bernie and Joan.\u00a0\u00a0 Bernie is rude, crude, riotous and raucous and always looking for that one night stand.\u00a0 Joan is cynical to beyond hilarity.\u00a0 After Bernie and Joan meet one night in a bar and decide to try a few dates together, they introduce Danny and Debbie to each other, hoping to give each of the reluctant daters a nudge.\u00a0\u00a0 Before the night is over, it looks like Cupid\u2019s arrow has struck as Danny and Debbie end up in bed, as do Bernie and Joan.<\/p>\n

It doesn\u2019t take long for each of the hook-ups to become couples, although Danny and Debbie are in denial of any relationship and insist they are merely \u201changing out\u201d – that is until Danny gives Debbie a dresser drawer and then a door key.\u00a0 In the meantime, Bernie and Joan are embracing life and each other going a mile a minute with a sex life that is unbelievable and fueled by loud offensive arguments that serves as their own brand of foreplay.<\/p>\n

As we watch foibles, fire, fury and frustration in work and at home take all four on the roller coaster ride of life, we are right there with them for every bit of heartache, heartbreak, happiness, hilarity, life change and yes, even a cute puppy.\u00a0 But can they master their emotions and find happiness and the meaning of life for each of them?<\/p>\n

\"about<\/p>\n

Words fail me when it comes to Kevin Hart\u2019s hilarious, over-the-top Bernie.\u00a0 His comedic timing, his rapid-fire, non-stop patter and exuberant dialogue delivery is made for Leslye Headland\u2019s scripting.\u00a0 He is rapier in his performance but never moreso than when sharing screen time with Regina Hall as each brings out the absolute top level comedic absurdity of every situation and antic, while still maintaining a playful air to edgy material.\u00a0 A stand-out performance among her already impressive body of work, as Joan, this is one of Hall\u2019s best.\u00a0 She is as sharp as a tack with her comedic timing and may well be his female counter-part.\u00a0\u00a0 And there\u2019s no holds barred with their on-screen antics.\u00a0 These two are going for their Masters in physical comedy. (Just wait till you see what they do having\u00a0 sex wearing chicken heads.)<\/p>\n

While Hart and Hall are the film\u2019s hilarious truth, Michael Ealy is its heart.\u00a0 Classy, classic, warm and tender, as Danny he makes you melt.\u00a0 You root for him.\u00a0 You want him to find happiness.\u00a0 Everything about the character shows his good heart.\u00a0 And when Danny\u2019s is breaking, thanks to the quietness that Ealy brings to the table, yours breaks, too.\u00a0 Particularly effective is the chemistry between Ealy and Chris MacDonald who plays bar owner Casey.\u00a0 A surrogate father to Danny after the death of Danny\u2019s father and Casey\u2019s best friend and business partner, MacDonald fuels the emotional core that is essential to the touchstone of hearth and home for Ealy\u2019s Danny.\u00a0 He is heaven sent, perfectly filling the bill as the grounding force for\u00a0 Danny and his development and arc.\u00a0 According to Ealy, it was really MacDonald who \u201cflushed out that relationship.\u201d\u00a0 Key to the film\u2019s structure is also the chemistry between Ealy and Kevin Hart as they are the yin to each other\u2019s yang, playing Ealy\u2019s calm against Hart\u2019s freneticism and vice versa.<\/p>\n

For Ealy, the most attractive feature of ABOUT LAST NIGHT and what led him to the project was that \u201cit was less like the \u201886 film and more of a current adaptation of the play.\u00a0 It was much more edgy, much more funny and less melodramatic than the movie.\u00a0 What really drew me to it was the in-depth nature with which we explored the finite details of a relationship.\u00a0 You didn\u2019t have this romanticized take. . . Anybody that\u2019s been in a relationship knows, sometimes it\u2019s not even your fault [if things fall apart].\u00a0 It\u2019s a serious of things.\u00a0 Sometimes it\u2019s just the way that they handle the adversity in their life.\u00a0 I thought was complex and compelling and honestly, one of the smartest things I\u2019ve read.\u201d<\/p>\n

\"about<\/p>\n

Although lacking any real heat with Michael Ealy, Joy Bryant easily supplies some specific traits of Debbie as the careful, cautious, planner happy, mother hen of the group.\u00a0 Bryant\u00a0 perfectly captures and embraces the mistrust in men and relationships while trying to balance business success and find a love life.\u00a0 Women will easily relate to the characterization and performance.\u00a0 But again, there is no real heat or passion between Ealy and Bryant leaving much of their interactions feeling forced.<\/p>\n

As comes as no surprise to me, Leslye Headland\u2019s script is rapid fire patter filled with truth with hilarity arising from that truth, capturing the honesty of people and relationships – plus the varied nature of the human condition and individuality.\u00a0 Nothing is cookie cutter with ABOUT LAST NIGHT.\u00a0 Tapping into human heart and funny bone, Headland elevates the script, taking initial structure from the Mamet play but then emblazoning it with her spin and that of the reality of dating and relationships in the 21st Century with dialogue being key.\u00a0\u00a0 As noted by producer Packer, Headland \u201cdid such a great job at writing dialogue for everybody.\u00a0 But the women\u2019s dialogue, and the way they talk when the guys aren\u2019t around, is really real, really authentic and really organic.\u00a0 But, the same with the guys.\u00a0 They way they talk, each couple when the other isn\u2019t around. . .I love the fact that there was a great female screenwriter out there who could nail this and it didn\u2019t feel soft, it didn\u2019t feel like just a \u2018chick flick\u2019.\u00a0 It felt real.\u201d<\/p>\n

As I mentioned, ABOUT LAST NIGHT is raunchy likeable vulgarity and there are few who could pull that off both with a script and then with the accompanying execution and tonal bandwidth of the film.\u00a0 Headland and director Steve Pink do so beautifully.\u00a0 As Pink notes, \u201cYou can\u2019t really have raunchiness and vulgarity unless it\u2019s really warm.\u00a0 Unless there\u2019s an emotional complexity to all the characters, then you don\u2019t want to watch it.\u201d\u00a0 Thanks to Headland\u2019s skill, \u201cBecause it\u2019s rooted in real, relatable, emotional stories of these characters, you get away with it.\u00a0 The more you fall in love with the characters, the more you see them as real and the more outrageous and crazy an raunchy they can be.\u00a0 But you really can\u2019t have one without the other and Leslye understood that as a writer, which is why sometimes things are incredibly raunchy and sometimes thinks are incredibly emotional and sweet and warm.\u00a0 There\u2019s a great warmth to her writing.\u201d<\/p>\n

\"about<\/p>\n

With a comedy of this nature, key to its success falls to pacing and editing.\u00a0 For Packer, \u201cthe pacing and the rhythm and the talking over each other and the repartee, the bad decisions, the good decisions, the passion, the cursing in-your-face language – all of that is the way that adults relate to each other\u201d and all of that had to be brought to life with the film.\u00a0 Kudos to Steve Pink and his editors Shelly Esterman and Tracey Wadmore-Smith who find that perfect rhythm that makes the film soar.\u00a0 One downfall, however, and while I understand it within the story construct, it nevertheless slows down the film and loses some of the pacing with some drawn out scenes of Danny when he is being consumed by the constraints of life with Debbie and then their ultimate break-up.<\/p>\n

I can\u2019t rave enough about production designer Jon Gary Steele and cinematographer Michael Barrett.\u00a0 Steele, who easily blended old world style and new world steel and glass in \u201cBurlesque\u201d, does so again here.\u00a0 Production design is stylized blending\u00a0 the comfort and warmth of home, hearth and heart through warm dark woods and brick of Casey\u2019s Bar and exterior architecture with the stunning hi-tech brick & chrome look of Danny’s loft.\u00a0 Adding to the tapestry is the shooting location of Downtown Los Angeles.\u00a0 Making the revitalized area as much a character as any of the actors, the filmmakers have really embraced classic, historic old architectural styling with that of the more hi-tech 21st century look, finding a perfect meld that metaphorically speaks to the depth and texture of relationships and its mirroring of the depth and texture of the city itself.\u00a0 Hand in hand is Barrett\u2019s cinematography which is polished, stylized and beautiful with lighting celebrating the warmth of old woods in Casey\u2019s while embracing the lightness of the lives of Joan and Bernie.\u00a0 Equally effective is the saturation of color within clubs, capturing shadows and metaphoric half-truths.\u00a0 Framing, while intimate, allows for the personalities of the characters and the scenes.\u00a0 Whereas Danny or Debbie are often more symmetrically framed, Bernie and Joan are often a skew, never balanced or with square edges.\u00a0 Wonderful design and execution.<\/p>\n

\"about<\/p>\n

For Will Packer, ABOUT LAST NIGHT was all about being \u201creal and edgy and not playing it safe.\u00a0 We didn\u2019t want to do some Hollywood sanitized typical rom-com.\u00a0 I think that some of the raunchiness or the vulgarity is the reality.\u00a0 These characters relate the way that real people relate.\u201d<\/p>\n

On this, one of the most relatable relationship weekends of the year, go out and relate to ABOUT LAST NIGHT.\u00a0 Hilarity and heart at their most brilliant!<\/p>\n

Directed by Steve Pink<\/p>\n

Written by Leslye Headland<\/p>\n

Cast:\u00a0\u00a0\u00a0 Kevin Hart, Michael Ealy, Regina Hall, Joy Bryant, Chris MacDonald<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias With love and lust filling the air this Valentine\u2019s weekend, what better way to celebrate than with a fresh and funny romantic comedy that I like to describe as \u201craunchy likeable vulgarity.\u201d\u00a0 Without a doubt the funniest film of the year, Kevin Hart and Regina Hall make you laugh till you […]<\/p>\n","protected":false},"author":2,"featured_media":2885,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[499,172],"class_list":["post-2881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-about-last-night-2014","tag-comedy"],"yoast_head":"\nABOUT LAST NIGHT (2014) - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/about-last-night-2014\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ABOUT LAST NIGHT (2014)\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/about-last-night-2014\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-02-13T23:17:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-15T22:21:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/02\/about-last-night-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"266\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/about-last-night-2014\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/about-last-night-2014\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"ABOUT LAST NIGHT (2014)\",\"datePublished\":\"2014-02-13T23:17:19+00:00\",\"dateModified\":\"2014-10-15T22:21:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/about-last-night-2014\\\/\"},\"wordCount\":2091,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/about-last-night-2014\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/02\\\/about-last-night-2.jpg\",\"keywords\":[\"ABOUT LAST NIGHT (2014)\",\"comedy\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/about-last-night-2014\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/about-last-night-2014\\\/\",\"name\":\"ABOUT LAST NIGHT (2014) - 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