{"id":2913,"date":"2014-01-31T15:32:29","date_gmt":"2014-01-31T23:32:29","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=2913"},"modified":"2014-10-15T15:36:31","modified_gmt":"2014-10-15T22:36:31","slug":"at-middleton","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/at-middleton\/","title":{"rendered":"AT MIDDLETON"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"at<\/p>\n

Take one look at the purity of a magically light, bright and ethereal fountain scene in AT MIDDLETON and you immediately know how love feels, or should feel; how bliss and joy feel, or should feel.\u00a0 Take one look at Andy Garcia\u2019s face in the car or hear the sweet sadness in his voice as his character George and son Conrad \u201ctake the long way home\u201d so the beauty of a day can linger a bit longer and that also tells you not only how love and bliss feel, but also heartbreak.\u00a0 One look at the wisp of the hair of Vera Farmiga\u2019s Edith falling softly on her face after laughing at the stoic propriety of Garcia\u2019s bow-tied George try and ride a bicycle, and you know what love is.\u00a0 But what you also know is how life is.\u00a0\u00a0 AT MIDDLETON is a love story for the mature audience and a life lesson for everyone.<\/p>\n

Cardiac surgeon George Hartman has been planning this day for 18 years – the day when he takes his son to look at a college campus.\u00a0 Buttoned-up and straight-laced, George is the picture of Brooks Brothers, old money, propriety in his khaki pants, navy blazer and ever present bow tie (tied, mind you; not clip on).\u00a0 His posture is perfect, his questions and manners flawless.\u00a0 His son Conrad on the other hand, has about as much interest in checking out small town, remote, Middleton College as George has in going to a heavy metal concert.<\/p>\n

Edith Martin is a free-spirited will-o-the-wisp who only wants her daughter Audrey to experience life and not be so serious.\u00a0 Audrey is hell bent and determined to go to Middleton as not only is Middleton the only school for her, it has the best linguistics professor in the country, someone she plans to dazzle with her smarts and stubbornness and force him to take her on as his student even though she would only be a freshman.\u00a0 Audrey is gung-ho, single-minded and focused, oblivious to the world and all its possibilities.<\/p>\n

As parents and students from all walks of life arrive at Middleton for the obligatory parent-child tour, one thing seems clear – did Audrey and Conrad get switched at birth as each clearly belongs with the other parent.\u00a0 No, they did not, but they couldn\u2019t be any more different than their respective parents if they tried.\u00a0 The one commonality that the kids share, however, is the obligatory embarrassment by their parents who each ask bizarre questions and make inappropriate remarks to the tour guide.\u00a0 And the more embarrassing each parent is, the more it annoys the other and the more the electricity sparks between them.<\/p>\n

\"at<\/p>\n

It doesn\u2019t take long before George and Edith ditch the tour and head out on their own – of course, at the urging and insistence of Edith to be spontaneous and free.\u00a0 What happens, however, is pure magic as each starts to remember what it means to be young, alive, unencumbered, with the future at your feet and the world as your oyster.\u00a0 But that also brings a sobering tinge of melancholy when the facade of each of their lives is broken and they must admit the failures and flaws of themselves and the lives for which they settled.\u00a0 As they say, however, the truth will set you free and it\u2019s with that new freedom that we see love blossom and opposites attract as George and Edith \u201cmeet at middleton\u201d where they can just \u201cbe\u201d with each other.\u00a0 But, what happens when the day ends and they must reunite with their kids and head back to their lives?<\/p>\n

And while George and Edith are out finding themselves and growing up, Conrad and Audrey are doing the same thanks to the sage wisdom college radio station DJ, Boneyard Slim, and the idol of Audrey\u2019s eyes, Professor Emerson.\u00a0 Is the partying life of a big town and big school really what Conrad wants?\u00a0 Can Audrey even survive under the pressure of her extreme Type A personality before imploding?\u00a0 College, you see, is a place where education and learning never ends.\u00a0 No matter what your age or station in life.<\/p>\n

Vera Farmiga positively glows with a free-spirited lightness that, while honest and pure as Edith\u2019s relationship with George grows and intensifies, also masks the pain and hurt of a life that she \u201csettled for\u201d.\u00a0 Farmiga finds a wonderful balance between truth and pain, resulting in a performance screams honesty with every breathe, every smile, every glance.\u00a0\u00a0 As Edith, Farmiga is the perfect yin to Andy Garcia\u2019s yang.\u00a0 Their chemistry is nothing short of magic.<\/p>\n

Andy Garcia is a delight as stuffed shirt George.\u00a0 With the Brooks Brothers preppie look and that bow tie, you can\u2019t help but grin and snicker, especially with the straight-arrow, old monied propriety that Garcia brings to George.\u00a0 The bicycle scene is hysterical as is his hunched over climb up the bell tower the first time.\u00a0 While we know Garcia can be funny, we can now add physical comedy to one of the tools in his toolbox.\u00a0 He blossoms and grows, loosens his tie and explodes with a freeing demeanor that is refreshing and light, a perfect contrast to the staid and stoic George we first meet.\u00a0 By film\u2019s end, Garcia is beyond irresistible.<\/p>\n

\"at<\/p>\n

What is most telling with the performances of Farmiga and Garcia is the pure, raw emotion they lay on the table.\u00a0 They let us into the heads and hearts of each character.\u00a0 They let us feel what they are feeling, when they are feeling it. We are never pushed away or treated as outsiders or lookee-loos.\u00a0 It\u2019s a very delicate dance that not many actors can achieve, let alone this effectively.\u00a0 And it is the very differences of the characters and the adeptness of Farmiga and Garcia that nonchalantly and effortlessly, organically fuel inherently funny moments of life.<\/p>\n

Tom Skerritt and Peter Riegert may have limited screen time but the roles as Professor Emerson and Boneyard Slim, respectively, are crucial to the story as they prove to be seminal moments of learning and discovery for Conrad and Audrey who have taken a backseat to the storyline of their parents.\u00a0 Actors like Riegert and Skerritt are essential to play these roles as just their appearance on screen, with the depth and breadth of their work serving as touchstones to us all, immediately sets the tone of the character – teacher, mentor, life lesson.<\/p>\n

As Audrey, Taissa Farmiga soars with rigidity and ultimately a questioning of self.\u00a0 Wonderful emotional transformation of character that Taissa also imbues through her physical presence.\u00a0\u00a0 And it\u2019s this Type A rigidity that helps fuel the comedic beats.\u00a0 Beyond believability is the mother-daughter relationship between Edith and Audrey and that is due completely to the real life big sister-little sister dynamic of Vera and Taissa.\u00a0 With 21 years between them, Vera has always played a mothering role in Taissa\u2019s life, which is perfect for AT MIDDLETON.<\/p>\n

\"at<\/p>\n

Relative newcomer Spencer Lofrancro is a welcome surprise and handily fills the shoes of Conrad.\u00a0 Making AT MIDDLETON a true family affair, however, is Garcia\u2019s daughter Daniella Garcia who, as cinema student Daphne, aids in the education of George and Edith, albeit getting high smoking a bong in her dorm room together with Daphne\u2019s roommate Travis, played by Stephen Borrello, Garcia\u2019s real life boyfriend.\u00a0\u00a0 The blend of generational casting is absolutely superb.\u00a0 And I have to say, real life father and daughter even acting in a drug-sharing moment was something I had to ask Andy and Daniella about.\u00a0 While to an outsider, it might seem uncomfortable or weird, according to Daniella, there was no trepidation at all with that scene.\u00a0 \u201cWe leave our personal relationship at the door. This is part of the work.\u201d<\/p>\n

From story to casting to lensing and everything in between, AT MIDDLETON belies this being Adam Rodgers\u2019 first feature debut as a director.\u00a0\u00a0\u00a0 There is a lightness and openness to the film that is welcoming, never weighing on you, as the hidden sorrows of life weigh on Edith and George or as the pressures of impending college weigh on Conrad and Audrey.\u00a0 An effective contrast that only helps make the film even more engaging.<\/p>\n

\"at<\/p>\n

The script by Rodgers and Glenn German is a delight.\u00a0 While tackling some of the tough questions in life, and never providing easy answers, the story wafts over you like a summer breeze.\u00a0 You just want to throw your head back, close your eyes and let it bathe you with a blissful glow.\u00a0 As veterans\u00a0 Farmiga and Garcia unequivocally state, the beauty of AT MIDDLETON, the strength of the characters, \u201cis all on the page.\u201d\u00a0\u00a0 The characters are true to themselves and true to life.\u00a0 And everyone is a mentor or teacher to everyone else.\u00a0 It\u2019s a delightful dance that couldn\u2019t be more appropriately set than a place of learning.\u00a0 Everybody learns something about themselves by film\u2019s end…..which is the purpose in going to college – to grow, spread your wings and fly.\u00a0 And this includes the adults.<\/p>\n

While the \u201copposites attract\u201d, fire & ice theme, is a standard narrative trope, what takes it away from being \u201crun of the mill\u201d are the wacky, teen-aged-like pranks that Edith and George pull.\u00a0 (Stealing bicycles, sneaking into the campus bell tower, playful antics in the theater props department, etc.)\u00a0 For those of us in the Edith and George age bracket, it immediately fills you with a warmth and golden glow of days gone by and reminds us that we too, can still be young at heart.<\/p>\n

Appreciative with the story construct is that while Conrad and Audrey may be backseat drivers, they reach their destinations along with the parents.\u00a0 Life plays out for everyone in the course of this day with resolution to the immediate problems, leaving everyone with the promise of hope and what is yet to come.<\/p>\n

A real surprise is that the film isn\u2019t wrapped up with a happily ever after bow.\u00a0 The ending is sweet poignance that is true to life.\u00a0 And yes, ladies, bring tissues.\u00a0 At film\u2019s end, Andy Garcia will have you weeping.<\/p>\n

Cinematographer Emmanuel Kadosh dazzles with lightness and metaphoric play with his light and lensing.\u00a0\u00a0 His use of sun flares is stunning, magical and beautiful, dazzling us with metaphor.\u00a0 Similarly, the first hike up the bell tower by Edith and George, camera angle POV dutching upward is a marvelous metaphor for the long climb through life, the struggle to reach the top , but also, concurrently reflects the idea of one\u2019s head in the cloud, a dreamer, always looking up.\u00a0 That one scene is the visual statement for Edith and George.\u00a0\u00a0 And I have to say, the celebration of the spaciousness of the green-treed rambling campus(es) (lensed on both Gonzaga and Washington State and melded together as \u201cMiddleton\u201d) and beauty of the red brick and truly collegial atmosphere should make everyone sigh and want to matriculate.\u00a0\u00a0 Notable is that Kadosh generally frames wide (akin to big wide world out there) or with mid shots, and with the mid-shots, when it comes to Andy and Vera, you can see the camera incrementally close in tighter on them as the film progresses, creating an intimacy to mirror what\u2019s happening with George and Edith.\u00a0\u00a0 Excellent technique and design by Kadosh and Rodgers.<\/p>\n

But then there\u2019s that fountain sequence.\u00a0 Light, fresh, crystal clear.\u00a0 Dissolves and slo-mo are almost ethereal.\u00a0 The joy of Edith and George is palpable without words.\u00a0 The money shots of the film are that fountain sequence.<\/p>\n

\"at<\/p>\n

The icing on the cake is Grammy and Emmy award winning composer Arturo Sandoval\u2019s score – wistfully melancholy at the end but filled with lilting notes and thematic emotional tone throughout the film.\u00a0 This is truly a beautiful composition that has a lyricism and flow that buoys the film, it travels hand in hand, never leading, never following, but gracefully moving in tandem.\u00a0 Sandoval is masterful with the scoring, developing thematic notes for not only each character, but each emotion, and then using specific instrumentation as a keynote for each.\u00a0 The result is transportive.\u00a0 It makes you feel.\u00a0 This is a score that I could listen to for days on end and never tire of.<\/p>\n

Much like the Linkater\/Delpy\/Hawke \u201cBefore Sunrise\/Sunset\/Midnight\u201d trilogy, Edith and George are characters you don\u2019t want to see end.\u00a0 You don\u2019t want to see the story end.\u00a0 Now that they\u2019ve found each other, you don\u2019t want to see them disappear.\u00a0\u00a0 You want to revisit them, you want to see and know what happens to them and their lives after this day AT MIDDLETON. Kudos to Rodgers and German and the powerful performances of Farmiga and Garcia for making us care about these people and invest our own emotions in their journey, their hearts.<\/p>\n

Now that we\u2019ve matriculated and \u201cgraduated\u201d AT MIDDLETON, let\u2019s go back for our Masters.<\/p>\n

Directed by Adam Rodgers<\/p>\n

Written by Rodgers and Glenn German<\/p>\n

Cast:\u00a0\u00a0\u00a0 Andy Garcia, Vera Farmiga, Taissa Farmiga, Peter Riegert, Tom Skerritt<\/p>\n

Now in theatres, On Demand and iTunes.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Take one look at the purity of a magically light, bright and ethereal fountain scene in AT MIDDLETON and you immediately know how love feels, or should feel; how bliss and joy feel, or should feel.\u00a0 Take one look at Andy Garcia\u2019s face in the car or hear the sweet sadness […]<\/p>\n","protected":false},"author":2,"featured_media":2921,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[503,50],"class_list":["post-2913","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-at-middleton","tag-romantic-comedy"],"yoast_head":"\nAT MIDDLETON - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/at-middleton\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AT MIDDLETON\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/at-middleton\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-01-31T23:32:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-15T22:36:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/01\/at-middleton-vera-andy.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"266\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/at-middleton\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/at-middleton\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"AT MIDDLETON\",\"datePublished\":\"2014-01-31T23:32:29+00:00\",\"dateModified\":\"2014-10-15T22:36:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/at-middleton\\\/\"},\"wordCount\":2208,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/at-middleton\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/01\\\/at-middleton-vera-andy.jpg\",\"keywords\":[\"AT MIDDLETON\",\"romantic comedy\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/at-middleton\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/at-middleton\\\/\",\"name\":\"AT MIDDLETON - 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