{"id":3031,"date":"2013-12-13T14:53:45","date_gmt":"2013-12-13T22:53:45","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=3031"},"modified":"2014-10-15T16:59:00","modified_gmt":"2014-10-15T23:59:00","slug":"hours","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/hours\/","title":{"rendered":"HOURS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

Written and directed by Eric Heisserer, who here makes his directorial debut, HOURS is one of the final films of Paul Walker<\/a> and the one of which he was most proud.\u00a0 Close to Walker\u2019s heart, his passion and dedication to the story results in a tour de force <\/em>performance that makes his recent passing all the more poignant, as with HOURS we see the emotional depth and gravitas <\/strong>he could bring to a character and a film beyond the “fast and furious” physicality we\u2019d come to know and love over the years.\u00a0\u00a0 This IS Walker\u2019s film.<\/strong>\u00a0 On screen in every frame, he is commanding, tugging at your heart strings as you watch a father\u2019s fight for survival for himself and his newborn daughter at the height of Hurricane Katrina.\u00a0 As intensely riveting as the film was on viewing before Walker\u2019s passing, it is now hauntingly unforgettable.\u00a0 <\/strong><\/p>\n

\"hours-01\"<\/p>\n

HOURS is the story of Nolan Hayes, a man trapped in an evacuated and now abandoned New Orleans hospital with his newborn daughter at the height of Hurricane Katrina.\u00a0 Born prematurely, the infant is put on a ventilator with 24\/7 monitoring in a NIC unit.\u00a0 The first 48 hours are the most critical and will determine her fate.\u00a0\u00a0 Initially consumed with grief and shock over the passing of his wife Abigail during childbirth, Nolan\u2019s first reaction towards his daughter is \u201cI don\u2019t know this person.\u201d\u00a0\u00a0 He is seemingly indifferent and disinterested, more in disbelief that his beloved Abigail is dead.\u00a0 So grief-stricken, Nolan leaves his daughter and searches the hospital to find Abigail\u2019s body as if seeing her will make him believe the hand\u00a0 Fate has dealt.\u00a0 On finding her, lying cold on a floor outside the hospital morgue, he can\u2019t even bring himself to lift the sheet covering her stillness.\u00a0 As if in a trance, Nolan makes his way back to the NIC unit only to be met with a mad rush of patients and hospital staff being evacuated because of the storm.\u00a0 Assured someone will be back for him and his daughter, Nolan begins his vigil by the baby\u2019s incubator.\u00a0 But when Katrina strikes with her full force, power is lost and the hospital is completely evacuated but for Nolan and his daughter, his paternal instincts kick in.\u00a0 No one is coming back for them.\u00a0 He is the only thing, the only person, that stands between his daughter and death.\u00a0 With only his wits, his memories and his heart to guide him, we count down the HOURS with Nolan as he fights to save not only his daughter, but himself.<\/p>\n

\"hours<\/p>\n

Paul Walker <\/strong><\/a>is mesmerizing as Nolan<\/strong>.\u00a0 Reflecting on the film, Walker opined, \u201cIt speaks to me in just a very pure and truthful level, but I didn\u2019t realize [the immediate connection].\u00a0 I was\u00a0 like, \u2018This is my freaking life!\u00a0 This is all of our lives.\u2019\u201d\u00a0 Surpassing the depth of any of his prior performances, in Nolan we see a fervent, cogent, determined performance and character arc that is believable, resonating within.\u00a0\u00a0 Walker embraces the character and the situation at hand.\u00a0<\/strong> Walking an emotional tightrope balancing the grief for Abigail\u2019s death with the fight for survival of a newborn daughter, Walker fuels the performance with adrenalin and intelligence that believably kick in when a crisis develops\u00a0 and Nolan just keeps moving forward. Walker’s performance is strong enough that we feel the bond growing between Nolan and his daughter whom he has named Abigail.\u00a0 As the emotional intensity grows, Walker’s movements become\u00a0 more intimate – he leans more onto the ventilator unit, looks more directly at the baby, even his voice gets softer with each story that he tells much like a child’s bedtime story.\u00a0 Very touching.\u00a0 Thanks to a subconscious time clock tied in to the NIC unit battery being defective, initially requiring manual cranking every 3 minutes and then every 105 seconds as the HOURS pass and the battery becomes less effective, we have the adrenalin fueled aspect of Nolan as he runs through the hospital, up and down stairs, trying to grab supplies, call for help, etc., all within a 105 second time window.\u00a0 So intense is Walker at being \u201cin the moment\u201d and so well done is Heisserer\u2019s direction and work of cinematographer Jaron Presant that the breathless race against time becomes palpable to the audience.\u00a0 As Walker noted, \u201cI had a good balance \u2013 the physicality and the emotional component.\u201d<\/p>\n

Not exactly the first person one would think of to cast as Nolan, even Heisserer admits that when Walker\u2019s name was suggested his first thought was\u00a0 \u201cThis guy?\u00a0 Really? . . .[But] after 20 minutes I was blown away.\u00a0 He shared with me stories that he had a daughter and there were complications during birth and to see him go back to that allowed me a real clue as to how I could direct him.\u00a0 Knowing that a lot of the acting you see from him in this movie is such an honest space for him and it\u2019s so true to who he is, it made it easier for him to reach those moments.<\/strong>\u201d<\/p>\n

Although with limited screen time, key to the creation of Nolan is the relationship between Nolan and wife Abigail.\u00a0 In\u00a0 Genesis Rodriguez, Heisserer found an uplifting energy that buoyed Walker\u2019s performance.\u00a0 For Walker, there was no one better than Rodriguez to play opposite.\u00a0 \u201cI felt some things.\u00a0 I was connected with Genesis.\u00a0 I love that girl, working opposite her.\u00a0 I fell in love with her. . . It was reinvigorating.\u201d<\/p>\n

\"hours<\/p>\n

Adding an important element to the story is a rescue dog named Sherlock.\u00a0 \u201cA cool dog\u201d according to Walker, the storyline of Sherlock is based on a true story to come out of Katrina.\u00a0 Here, Sherlock is played by 7-year old Balco and serves as not only a sounding board for Nolan but plays an integral part in the character\u2019s sanity and survival.<\/p>\n

Known best for his horror screenplays (\u201cThe Nightmare on Elm Street\u201d 2010 reboot and \u201cFinal Destination 5″, among them), HOURS is not only a departure from the tried and true but marks his directorial debut.\u00a0\u00a0\u00a0 Described by Heisserer as \u201cA very personal, intimate story for me on the creative front<\/strong>\u201d, his decision to also direct was directly related to this personal connection.\u00a0 \u201cI have a lot of fears, irrational or otherwise, about parenthood and that came out in this movie.\u00a0 I felt that I knew what I wanted to protect and one of the more controversial elements of this was Nolan\u2019s first line to his daughter is \u2018I don\u2019t know you\u2019 and the last line is \u2018I know you.\u2019\u00a0 That arc was something that I wanted to preserve, something that I worried another director might not be so protective of.\u201d<\/p>\n

More than impressive debut as a first time director, Heisserer defines the time and locks us in through our shared consciousness of Katrina then puts an individual, internal, microcosmic spin on it; personalizing it. The result is a testament to the human spirit<\/strong>, and in even the tiniest human.\u00a0\u00a0 By tapping into well known treatments for coma patients of constantly talking to them, structuring Nolan\u2019s growing connection to his daughter using that concept is palpable and telling – particularly after his early line of “I don’t know this person.”\u00a0 The infant Abigail gives him a purpose and keeps him going as much as he keeps her going.\u00a0 Very powerful dynamic.<\/strong><\/p>\n

\"hours-02\"<\/p>\n

Shooting not only in New Orleans, but in United Methodist Hospital which was evacuated during Katrina and which is abandoned to this day, just adds to the emotional power.\u00a0\u00a0 According to Heisserer, every crew member \u201chad a Katrina story and survived it one way or the other and they kept me honest because of that\u201d and working every day inside United Methodist just added to the honesty.\u00a0 A perfect time capsule, calendars hanging on the walls of nurses stations seen in the film are the actual calendars that were hanging on the walls when the hospital was evacuated, still showing the fateful day of August 29, 2005, when Katrina struck.\u00a0 Clocks stopped at 10:35 when the back-up generators died. Charts, notes, computer equipment, gurneys, IV poles – even an MRI machine – are all still sitting where they were abandoned, and\u00a0 became part of the reality in HOURS.<\/p>\n

Thanks to growing up with a dad who was a contractor, and spending summers working for him and his buddies, Paul Walker<\/a> was well familiar with the construction and destruction of a building.\u00a0 \u201c[A] lot of the buildings surrounding the hospital, you could just see the water line because they hadn\u2019t repainted yet.\u00a0 On the inside, if you see a water line, you know darn well they took all the sheet-rock off the walls because they have to make sure there isn\u2019t any mold.\u00a0 Black mold is nasty. . .So the base of this hospital, same thing. The water level came up almost 12 feet.\u00a0 So, the bottom level, when you go into work everyday, the reminder is the skeleton of the building.\u00a0 It\u2019s reduced to just the aluminum and the steel. That\u2019s the first floor. . . But every morning getting there, it\u2019s like, \u2018Wow look at this.\u2019\u00a0 It\u2019s really bad.\u00a0 It puts it in perspective.\u00a0 It\u2019s a reminder every day.\u201d<\/p>\n

\"hours<\/p>\n

Technically, the lighting contrasts and the ever present golden glow of a single light in Abigail’s room and the ventilator add a very \u201clight at the end of the tunnel\u201d aspect.\u00a0 Metaphorically signifies warmth, love, home, hearth – actually very womb-like.<\/strong>\u00a0 Sharp contrast with the icy and often eerie cyan and green denatured tones of the darkened hospital or even minimally lit hallways thanks to exterior sunlight casting a ghostly pallor through scant windows, propels the visual tone.\u00a0 Given his prior work in films like Carrie<\/em> and Don Jon<\/em>, cinematographer Jaron Presant was a good choice for HOURS, especially when considering his use of Dutch angles when it comes to furthering the storytelling and establishing POV, more than capably melds emotion with visual synergy<\/strong>.\u00a0\u00a0 The visual design that moves us throughout the hospital is key as it not only builds tension in the race against time to get back to the baby to charge the battery, but keeps the visuals “fresh” and engaging as opposed to stagnating like the flood waters.\u00a0 An important consideration for Heisserer and Presant and that they were very cognizant of\u00a0 was not wanting the film to \u201cfeel claustrophobic except at very certain times.\u00a0 This should be a very epic place.\u00a0 If you\u2019ve ever been in a large building, in an institutional building, alone at night, you know how lonely you feel.\u201d\u00a0 Heisserer talked to Presant about \u201chow there are plenty of times I want to see Nolan as small in a very big space versus having him cramped in that room all the time.\u201d\u00a0 It was important to be able to direct Walker in the NIC room \u201cso that he feels like it\u2019s a bigger space.<\/p>\n

Sam Bauer\u2019s editing is key to keeping the audience cognizant of the passage of time<\/strong> thanks to the cuts to actual CNN reports of the day.\u00a0 With every image, one vividly remembers where they were, what they were doing when they saw tv images of the levee break, when the storm hit, when the Superdome roof blew away.\u00a0 It keeps the audience tuned in to the world around them and around Nolan and Abigail.<\/p>\n

As strong as the emotional tone of HOURS is, and as palpably tense as the visuals are, there are some notable oversights and holes within the details of the film, starting with a severe cut that Nolan suffers.\u00a0 Covering the wound with a piece of\u00a0 dirty torn sheeting, one is plunged into disbelief given that there are bandages lying all over the place and Nolan never uses one for his hand – even after plunging into contaminated water.\u00a0 In line with the contaminated water is infection.\u00a0 With that hand cut and Nolan flailing in muck, within 48 hours that hand would have been swollen up and him raging with fever and sepsis.\u00a0 Only one baby diaper change?\u00a0 And don\u2019t hospitals have battery operated radios or communication for emergencies?<\/p>\n

Minor flaws aside, HOURS showcases the talents of writer\/director Eric Heisserer, proving him to be a force to watch in the future<\/strong>.\u00a0 And in a cruel twist of Fate, serves as a testament to\u00a0 the actor that Paul Walker was and what he would have become<\/strong>.\u00a0 Having had a chance to see the final cut of HOURS before his passing, Walker was his own harshest critic.\u00a0 \u201c[W]hen I watch myself, I just have bullshit meter on the whole time.\u00a0 I can tell when I\u2019m telling the truth and when I\u2019m in the moment and when I\u2019m not. . .[T]he second that I don\u2019t believe myself,\u00a0 I hate it.\u00a0 This one, honestly, I sat down, I was like, \u2018I told the truth\u2019.\u201d<\/p>\n

HOURS – raw, honest, truth that grabs your heart and doesn\u2019t let go<\/strong>.<\/p>\n

Written and Directed by Eric Heisserer<\/p>\n

Cast:\u00a0\u00a0 Paul Walker, Genesis Rodriguez<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Written and directed by Eric Heisserer, who here makes his directorial debut, HOURS is one of the final films of Paul Walker and the one of which he was most proud.\u00a0 Close to Walker\u2019s heart, his passion and dedication to the story results in a tour de force performance that makes […]<\/p>\n","protected":false},"author":2,"featured_media":3034,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,517],"class_list":["post-3031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-hours"],"yoast_head":"\nHOURS - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/hours\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HOURS\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/hours\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2013-12-13T22:53:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-15T23:59:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/12\/hours-01.png\" \/>\n\t<meta property=\"og:image:width\" content=\"834\" \/>\n\t<meta property=\"og:image:height\" content=\"362\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/hours\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/hours\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"HOURS\",\"datePublished\":\"2013-12-13T22:53:45+00:00\",\"dateModified\":\"2014-10-15T23:59:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/hours\\\/\"},\"wordCount\":2193,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/hours\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/12\\\/hours-01.png\",\"keywords\":[\"drama\",\"HOURS\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/hours\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/hours\\\/\",\"name\":\"HOURS - 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