{"id":30529,"date":"2020-12-20T12:16:36","date_gmt":"2020-12-20T20:16:36","guid":{"rendered":"http:\/\/behindthelensonline.net\/site\/?p=30529"},"modified":"2020-12-30T15:51:45","modified_gmt":"2020-12-30T23:51:45","slug":"btl12142020","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/miscellaneous\/behind-the-lens-podcast\/btl12142020\/","title":{"rendered":"Behind The Lens Radio Show – 12\/14\/2020 with special guest BRIAN CAVALLARO plus our exclusive interview with JULIA HART"},"content":{"rendered":"

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It’s all about the women on film this week on #BTLRadioShow thanks to writer\/director BRIAN CAVALLARO and his latest film 32 WEEKS, and our prerecorded exclusive interview with writer\/director JULIA HART talking I’M YOUR WOMAN.<\/p>\n

We open the show with our prerecorded exclusive interview with writer\/director JULIA HART talking about her latest film, I’M YOUR WOMAN.\u00a0 (Hart is also the force behind Disney’s Stargirl\u00a0<\/em>which you can watch on Disney+.)\u00a0 We’ve all seen mafia crime thrillers before and with rare exceptions, all are told from the male perspective with the wives, girlfriends, and children relegated to background window dressing.\u00a0 Stepping outside of the box, together with co-writer Jordan Horowitz, Hart gives us the story of Jean with Rachel Brosnahan delivering one of the best performances of her career in the role, along with Marsha Stephanie Blake, Arinze Kene, Frankie Faison, and Bill Heck.\u00a0 A mob wife with no skills and no street smarts, Jean is oblivious to what her husband Eddie does for a living.\u00a0 She lives in an upscale suburban neighborhood, is perfectly coiffed, has impeccably manicured nails, and wears the trendiest fashion the 1970’s has to offer, but she can’t cook, doesn’t clean, and is in fact so inept she doesn’t even know how to cut tags out of clothing.\u00a0 Just imagine what happens when Eddie arrives home “from work” one day holding out a baby like it’s the latest edition headline of the National Enquirer and saying “He’s yours.”\u00a0 But then take it a step further and have Cal, one of Eddie’s enforcers, show up at the house in the dead of night to whisk Jean and the baby to safety only to then have to leave her on her own.\u00a0 And this is just the beginning of Jean’s story.\u00a0 Take a listen as Julia and I go deep into her creating a perfect apportioned 1970’s world with all the colors of the period both in production design and costume, color palette, choreographing and shooting action sequences, the themes tackled within the film, casting and chemistry, Jean’s journey and arc of the characters, and, of course, working with a baby.<\/p>\n