{"id":3080,"date":"2013-11-22T17:23:26","date_gmt":"2013-11-23T01:23:26","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=3080"},"modified":"2014-10-15T17:25:52","modified_gmt":"2014-10-16T00:25:52","slug":"philomena","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/philomena\/","title":{"rendered":"PHILOMENA"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

What happens when you take a true, touching, heart-wrenching story more than 50 years in the making, have Steve Coogan and Jeff Pope adapt it into script form and then cast Judi Dench as the title character?\u00a0 You get PHILOMENA.\u00a0 A story that touches the heart with love, laughter and humanity.<\/p>\n

\"philomena<\/p>\n

Based on the 2009 book by former BBC correspondent, Martin Sixsmith, \u201cThe Lost Child of Philomena Lee\u201d, PHILOMENA is a sympathetic and often humorous telling of Philomena Lee and her 50 year search for her son Anthony who was born out of wedlock to Lee in 1952.\u00a0 A young Irish Catholic girl, when Lee became pregnant (\u201cWe didn\u2019t have sex education in those days.\u00a0 I only knew he was a good looking boy who I liked and who liked me.\u201d), as was done in the day her family disowned her and shipped her off to a convent school in Roscrea, Ireland here she gave birth to her son.\u00a0 She was thereafter forced to either provide indentured servitude for a minimum of three years or pay 100 GBP in exchange for the \u201clove and care\u201d provided to herself and her child by the convent.\u00a0\u00a0 During her time at Roscrea, Lee and others like her, were only permitted one hour a day with their children.\u00a0 But during her time at Roscrea, that one hour a day would prove to fuel a fire within both Lee and Anthony that would last a lifetime.<\/p>\n

The nuns weren\u2019t all that altruistic in their care for the girls and their children and as was later learned, sold the children to American families wanting to adopt.\u00a0 One of those children sold was Anthony.\u00a0 Lee\u2019s last image of him was looking through a top floor window down at his little face peering out of the back window of a car.\u00a0 He didn\u2019t know what was happening and neither did Lee.<\/p>\n

Keeping her peace for 50 years, it was on what would have been Anthony\u2019s 50th birthday, that Lee broke her silence, telling her daughter Jane that she had a brother somewhere in the world.\u00a0 Although the film takes literary license on the search to find Anthony and credits Sixsmith with discovering the information, it was in actuality Jane who put the wheels in motion and did a lot of digging, learning of Anthony\u2019s \u201csale\/adoption\u201d to an American doctor and his wife, and further, that Anthony himself had been looking for his birth mother, with efforts thwarted at every turn, much as Jane and Philomena were deterred and given false information by the nuns at Roscrea.\u00a0\u00a0 Jane also learned that his name had been changed to Michael.\u00a0 (The one character and aspect of the story with which no literary license was taken is that of Sister Hildegarde who, according to Lee herself, is \u201cas mean as in the movie.\u00a0 She viewed taking the babies as penance for our sins at getting pregnant.\u201d)\u00a0 It is this journey to find Anthony and Philomena\u2019s story that ultimately led them to correspondent Martin Sixsmith.\u00a0 PHILOMENA is the story of part of that journey.<\/p>\n

\"philomena<\/p>\n

 <\/p>\n

As PHILOMENA and Martin Sixsmith, respectively, Dench and Steve Coogan are perfection.\u00a0 Their chemistry goes through the roof.\u00a0 We see a warm, yet funny, mother-son relationship develop as they worry and fuss over each other, while delving ever deeper into the past and the mysteries it holds.\u00a0 The transformation of Coogan as Martin is a very empathetic and sympathetic character arc to watch develop.\u00a0 His coldness and cynicism slowly melt like a glacier as he becomes more invested in Philomena’s story.\u00a0\u00a0 A credit to Coogan as screenwriter are the tonal shifts that occur as the mystery unravels and they dig deeper.\u00a0 With each discovery of something that has been covered up, lied about or [SPOILER ALERT] the death of Anthony, not only is the story well structured and editing well paced, but Coogan adds nuance to his own emotional levels of performance, intensifying his personal resolve and raising his ire.\u00a0 As Philomena starts to fracture and cave, Martin gets emotionally stronger.\u00a0 It’s a wonderful emotional dance watching Dench and Coogan in this yin and yang.<\/p>\n

With every tear that Dench sheds, she draws you closer to Philomena’s aching heart. You can’t help but feel as if you are on the journey with her, wanting to ease some of the pain.\u00a0 The dialogue is a delight.\u00a0 As with so many old people considered to be dottering fools, Philomena calls it like she sees it with unflappable innocence.\u00a0 Nothing shocks her.\u00a0 She addresses things with a nonchalant tone that is refreshing, indicative of her age and the wisdom life’s experience has brought her.\u00a0 Dench captures that perfunctory frank perkiness succinctly and effectively.<\/p>\n

Capturing the very essence of both Dench and the real life Philomena (whom I had the great privilege to meet and interview) is Sophie Kennedy Clark as young Philomena.\u00a0 Kennedy Clark delivers a powerhouse performance fraught with emotion as a young single mother that ranges from giving birth to watching her son wrenched from her life.\u00a0 Two of the most emotionally difficult days of shooting involved the birthing scene and the scene in which Philomena watches little Anthony being driven away; and as I learned in speaking with the real Philomena Lee, there is not a day that she herself doesn\u2019t still feel the ache of that final day, and see her little boy\u2019s face peering out the rear window of a car while she was high up in the \u201cconvent\u201d crying through a window.\u00a0 Surprisingly, for Kennedy Clark, having Lee herself on set for that filming \u201cgave me the strength\u201d to give it her all.<\/p>\n

While there is subtextual commentary on religion and the church, its secrets, its greed and its hypocrisy, at the core of PHILOMENA is a story and film borne out of a mother’s undying love.\u00a0 Coogan and Pope are unapologetic in the script\u2019s structure, retaining the edginess of an investigative journalist while allowing sympathy and empathy to organically flow, giving rise to thought-provoking discussion long after the final credits roll.<\/p>\n

\"philomena<\/p>\n

Director Stephen Frears maintains a visual intimacy throughout the film that keeps one invested and engaged.\u00a0 Sticking with close-up and mid-shots but for a very powerful metaphor of the wide shot at the Lincoln Memorial.\u00a0 Cinematographer Robbie Ryan\u2019s lensing is crisp, clear.\u00a0 Powerful is the lensing at the convent with grey and cloudy skies.\u00a0 It’s as if you can feel the tears of the children and young mothers as you watch events unfold.\u00a0 A layer of snow in and of itself is so telling – icy, like the hearts of the nuns; but blanketing hidden grave markers as if Mother Nature is bundling a child, while the purity of the snow is reflective of the innocence of the children and mothers.\u00a0\u00a0 Exquisite touch.<\/p>\n

PHILOMENA – a story that took a lifetime, will now touch your heart for a lifetime.<\/p>\n

Directed by Stephen Frears<\/p>\n

Written by Steve Coogan and Jeff Pope based on Martin Sixsmith\u2019s book \u201cThe Lost Child of Philomena Lee\u201d<\/p>\n

Cast: Judi Dench, Steve Coogan, Sophie Kennedy Clark, Anna Maxwell Martin<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias What happens when you take a true, touching, heart-wrenching story more than 50 years in the making, have Steve Coogan and Jeff Pope adapt it into script form and then cast Judi Dench as the title character?\u00a0 You get PHILOMENA.\u00a0 A story that touches the heart with love, laughter and humanity. […]<\/p>\n","protected":false},"author":2,"featured_media":3082,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,521],"class_list":["post-3080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-philomena"],"yoast_head":"\nPHILOMENA - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/philomena\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PHILOMENA\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/philomena\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2013-11-23T01:23:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-16T00:25:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/11\/philomena-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"225\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/philomena\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/philomena\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"PHILOMENA\",\"datePublished\":\"2013-11-23T01:23:26+00:00\",\"dateModified\":\"2014-10-16T00:25:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/philomena\\\/\"},\"wordCount\":1198,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/philomena\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/philomena-1.jpg\",\"keywords\":[\"drama\",\"PHILOMENA\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/philomena\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/philomena\\\/\",\"name\":\"PHILOMENA - 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