{"id":3184,"date":"2013-10-24T11:07:19","date_gmt":"2013-10-24T18:07:19","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=3184"},"modified":"2014-10-16T11:11:42","modified_gmt":"2014-10-16T18:11:42","slug":"haunter","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/haunter\/","title":{"rendered":"HAUNTER"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"haunter<\/p>\n

Continuing on our countdown to Halloween, this week brings us an honest to goodness, goosebump inducing, arm & neck hairs standing on end, thrills & chills fright that even had me jumping a bit with those noises and sudden haunting whispers.\u00a0 A good old fashioned haunted house ghost story with a twist, HAUNTER is hauntingly chilling.\u00a0\u00a0 Showcasing everyone\u2019s favorite Little Miss Sunshine<\/em>, Abigail Breslin, with a performance that calls for depth, emotion and carrying 90% of the on-screen scenes, director Vincenzo Natali toys with the idea of life after death and eternal suffering a la Groundhog Day<\/em>.\u00a0 With HAUNTER, Natali plays with the mind and turns the typical ghost\/haunted house story on its ear, creating nothing short of an enthralling emotional and visceral experience.<\/p>\n

15-year old Lisa Johnson knows that she and her family are dead.\u00a0 While her parents and younger brother go through the same routine day in, day out, with the same conversations, same clothes, same meatloaf and mashed potatoes on the dinner table, same few clarinet bars of the theme from Peter and the Wolf<\/em>, Lisa is acutely aware that something is amiss.\u00a0 This is a hell beyond teenage rebellion.\u00a0\u00a0 But when Lisa starts to question the situation, the eternally rote routines take on a macabre tone as evil itself appears in the house, driving Lisa deeper into the mysteries of the Johnson home.<\/p>\n

The more Lisa digs, the more she discovers.\u00a0 For over 70 years, girls in the area have disappeared and died.\u00a0 Whole families have died in the Johnson house; usually by asphyxiation in the garage, but the deaths are all unsolved.\u00a0 Searching her home from attic to underground cellar, Lisa finds clues that lead her not only to the evil responsible for all of these murders, but connects her to the past, present and future in a temporal explosion of human connection that alters life, death and the after-life for all.<\/p>\n

\"haunter<\/p>\n

Abigail Breslin has spent almost her entire life stealing our hearts on screen, and for some of the fortunate few, off screen as well.\u00a0 A far cry from the adorable water-obsessed alien fighter in Signs<\/em> or just being “Spencer Breslin’s little sister” or her award winning turn as Little Miss Sunshine<\/em>, as Lisa Johnson, Breslin is put to the test, proving that she has truly learned her craft and morphed into an emotionally complex and textured actress.\u00a0 HAUNTER rises and falls on Breslin\u2019s performance; a performance layered with teenaged angst, familial love and frightened nuance of a little girl.\u00a0 Capturing teen rebellion and angst perfectly, every teen can relate to the character of Lisa, as can every parent.\u00a0 Her facial expression is terrific with its subtleties, aided by perfectly done eye make-up – just enough Bowie glitter rock and Banshee era goth to show that Lisa has an edgy side to her while still being a good daughter. She has not “gone over to the dark side”.\u00a0 This slightly goth tint also aids in metaphorically tacitly leading us to believe that that’s why Lisa is cognizant of them being dead before anyone else.\u00a0 She has this “understanding” and “connection” to the goth things.\u00a0 Kudos to writer Brian King and Natali for that subtext.<\/p>\n

Notable with Breslin\u2019s performance as repetitive scenes that are identical to the one prior until the final moment when things \u201cchange up.\u201d\u00a0 Stand-out are her reactions to slamming door scenes where, for example, Lisa reaches for a doorknob, turns the knob with calculated trepidation, only to have the door slam to black screen.\u00a0 On a second try, she flings the door open to find inky blackness, her response to which is a fear in her eyes that is palpable.\u00a0 The gasp in her breathing.\u00a0 Dichotomous emotional blend that conveys each emotion perfectly.\u00a0 Breslin reels you in with such intensity and conviction that you feel as if you are right there, side by side, shoulder to shoulder.<\/p>\n

Adorable is Breslin\u2019s on screen relationship with Peter DaCunha as Lisa\u2019s little brother Robbie.\u00a0 The two clearly relish the \u201cpain in the ass little brother – ultimate big sister protection\u201d dynamic.\u00a0 (Obviously Lisa is much kinder to Robbie than I would ever be to my younger siblings.)\u00a0 While you will easily recognize DaCunha from his myriad of tv commercials, as Robbie he has depth laced with innocence; believable as a child but with an old soul, reminding me of the Charles Wallace character in Madeline L’Engle’s book, A Wrinkle In Time<\/em>.<\/p>\n

Significant to the construct of HAUNTER is the Freudian aspect the father figure.\u00a0 While we meet several fathers from various time periods as the temporal worlds collide, the one we most frequently see is Lisa\u2019s father, Bruce, played by Peter Outerbridge.\u00a0\u00a0 I am always ambivalent about Peter Outerbridge and here is no different.\u00a0 More or less a functional actor but never strong or standout, he is perfect as Bruce given the need to have the character consumed by the essence of evil.\u00a0 Outerbridge always conveys “wimpiness” to me and here it works to his advantage.<\/p>\n

\"haunter<\/p>\n

Simply described as \u201cThe Pale Man\u201d, the legendary Stephen McHattie is pure evil.\u00a0 Completely creepy and chilling, the hairs stand on end and your heart catches in your throat every time he appears on screen, and in no matter what incarnation.\u00a0 He is the personification of evil.\u00a0 Absolutely delicious.<\/p>\n

Directed by Vincenzo Natali and written by Brian King, HAUNTER easily moves between ghostly temporal dimensions with a believable fluidity, positing discussion on life after death and eternal suffering; not to mention raising some serious questions on fathers and father figures.\u00a0\u00a0 Rather original in its conception (although HAUNTER\u00a0 does harken to the Nicole Kidman vehicle The Others<\/em> with the dead wandering around in their house and on the grounds as if alive.\u00a0 But that’s as far as the similarity goes.), we find out quickly that the Johnson family is dead and thus the trope gets turned on its head by eliminating this element of suspense and concentrating on the elements that are truly terrifying.\u00a0 We get to come along on Lisa\u2019s journey.\u00a0\u00a0\u00a0 Script is well constructed with little hints in the dialogue that foretell things to come and incorporate standard haunted house ideas without being too obvious or too much of a trope.\u00a0 Everything is tweaked just enough to lure you in to the mystery and tie all the ends together while still retaining essential ghost story\/haunted house vehicles like air vents, wall grates, lighting and noise.<\/p>\n

\"haunter<\/p>\n

As Natali notes, \u201c[HAUNTER] deals with a lot of themes that I have been obsessed with over the years.\u00a0 On one level it\u2019s about adolescence.\u00a0 It\u2019s about how when we\u2019re teenagers we see the world one way and we know the truth about the world but our parents are entirely blind to it. . .It is that duality that really fascinated me.\u00a0 Then it\u2019s also a film that is very much about family. . . The movie is kind of an onion-layered film.\u00a0 Every time I read it I would peel away another layer and see something else.\u201d\u00a0 But beyond the family and adolescence moments is the fragmenting of the father figure which were some of the most enjoyable moments for Natali.\u00a0 \u201c. . .[O]n its face everything seems perfectly normal and the family is having this kind of perfect suburban day together, the most wholesome kind of meal together, yet you know under the surface something truly disturbing is lurking.\u00a0 That, of course, is connected directly to the father.\u00a0 It evolves over time.\u00a0 I think it\u2019s unusual for a horror film to be as emotional as this movie is.\u201d\u00a0 Surprising, and unexpected, is the sweetness that develops through the course of the film.<\/p>\n

Without making this a spoiler, let\u2019s just say that the ending is beyond cool.\u00a0 The ambiguity created is a brilliant philosophical twist that begs existential discourse on life, death, temporal planes and tesseracts.\u00a0 I am enthralled with that aspect of HAUNTER.<\/p>\n

From a directorial standpoint, Natali is masterful at creating visceral tension and scares while grounding the film but adding an “ethereal” other worldly visual and emotional tone to the bandwidth as a whole.\u00a0 It’s a tricky balancing act but he does it with rapier precision.\u00a0 And something so often overlooked in haunting house and ghost films is sound design.\u00a0 We expect things that go bump in the night.\u00a0 But to tweak voicing into soft high pitched echoes that subtly appear just adds yet another layer of goosebumps.<\/p>\n

\"haunter<\/p>\n

Visually stimulating is that HAUNTER is self-contained within one setting – the Johnson house.\u00a0 When Natali talks about designing the film set entirely in the house, his excitement is beyond palpable.\u00a0 \u201c[W]e gradually discover this house is unto itself, a kind of universe and there are all kinds of strata of reality that coexist in this one space.\u00a0 That\u2019s just an exciting thing conceptually.\u00a0 From the point of view of visually portraying that, it\u2019s exciting because you get to explore that environment with a kind of fine tooth comb and in a way that you wouldn\u2019t if you were blazing from one location to another.\u00a0 It\u2019s like a symphony where you have one theme and you\u2019re endlessly creating variations on it and therefore, in some ways, you can become more baroque and outrageous and creative in the way that you show it.\u201d<\/p>\n

For a world like HAUNTER, it\u2019s all about atmosphere.\u00a0\u00a0 Coming into play is not only Natali\u2019s prior directorial experience with films like Cube<\/em> and Splice<\/em>, but also his\u00a0 background as a storyboard artist and animator for children\u2019s animated tv series like Babar<\/em>, Rupert<\/em> and Beetlejuice<\/em>.\u00a0 With HAUNTER, \u201cI want to see something that\u2019s unnerving and disturbing played out in a very beatific setting and light.\u201d\u00a0 With this in mind, Natali called upon cinematographer Jon Joffin.\u00a0 His work is so effectively tonal.\u00a0 Overhead slow moving pans capture the rote routine which Lisa sees but no one else does; it makes us feel Lisa’s angst and frustration at her family’s blindness.\u00a0 According to Natali, \u201c[Joffin] really created an atmosphere.\u00a0 If you make a haunted house film, which HAUNTER is, it\u2019s all about atmosphere; everything lives and dies by that.\u00a0 And it\u2019s a very intimate kind of horror film.\u201d\u00a0 And it\u2019s the lighting that helps create that intimacy and atmosphere.<\/p>\n

Here, lighting is effectively manipulative where it needs to be to evoke shock and scares, while having a permeating normalcy of an everyday family life.\u00a0 The visual contrast with sunlight and reality though is striking and further complements the thematics distinguishing life from death.\u00a0 The Johnson home has a golden glow, yet saturated and sharp edged feel.\u00a0 Jump to the future with Olivia and it’s softer, like a GE Soft White lightbulb with the exterior yards vibrant and green and sunlight with blue sky like a perfect East Coast day.\u00a0 \u201c The other thing that Jon did beautifully, I felt, was light the faces as if they were a landscape.\u00a0 A lot of the movie is about faces. . .We worked very hard to always put the faces in a half-light.\u00a0 There\u2019s always this sense that we\u2019re only seeing part of what\u2019s there.\u201d<\/p>\n

\"haunter<\/p>\n

An exciting visual aspect of the film is not only creating the different eras of ghostly planes, but particularly going back to the 1920’s and the acts which set the stage for what would happen for the next 100 years.\u00a0\u00a0 As we jump back in time to the 20’s, sound design, already meticulous, takes front and center stage as we hear film strip sprockets clicking in an old 16mm projector, making this sequence a completely sensory experience, fueling the visual texture of aging, speed adjustment, complete set design change to Victorian red velvet wallpapers, patina and sepia toned photos and tint to the scene.\u00a0 Fabulous saturating color play and “film distortion” like something stored in an attic.\u00a0 This third act sequence is exceptional filmmaking and storytelling.\u00a0 Key for Natali is that \u201cIt was important that each era be portrayed in a very distinct and unique way.\u00a0 The primary time period we\u2019re in is the mid-1980’s which is when Lisa and her family were killed.\u00a0 That was painted in very warm tones.\u00a0 When we go into the present, we actually wanted to treat it sort of from Lisa\u2019s point of view so it\u2019s almost like going into a science fiction film and the lighting becomes much harsher and cool, somewhere between sci-fi and reality tv – much more immediate.\u00a0 Whereas when we go back into the 1920’s, there\u2019s this kind of\u00a0 patina of an almost George Melies or a silent movie. . .It was really fun to re-examine that same space through these different lenses.\u201d<\/p>\n

\"haunter<\/p>\n

Mind-bending, thought provoking, the terror and haunting here comes from within the mind – and that’s always the best kind of terror.\u00a0 It’s palpable, tangible, resonating.\u00a0\u00a0 HAUNTER will haunt you long after the credits roll.<\/p>\n

Directed by Vincenzo Natali<\/p>\n

Written by Brian King<\/p>\n

Cast:\u00a0\u00a0\u00a0\u00a0 Abigail Breslin, Stephen McHattie, Peter DaCunha, Samantha Weinstein, Peter Outerbridge<\/p>\n

WATCH HAUNTER ONLINE AT SUNDANCE NOW!!!<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Continuing on our countdown to Halloween, this week brings us an honest to goodness, goosebump inducing, arm & neck hairs standing on end, thrills & chills fright that even had me jumping a bit with those noises and sudden haunting whispers.\u00a0 A good old fashioned haunted house ghost story with a […]<\/p>\n","protected":false},"author":2,"featured_media":3186,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[536,535],"class_list":["post-3184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-ghost-story","tag-haunter"],"yoast_head":"\nHAUNTER - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/haunter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HAUNTER\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/haunter\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2013-10-24T18:07:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-16T18:11:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/10\/haunter-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"193\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haunter\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haunter\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"HAUNTER\",\"datePublished\":\"2013-10-24T18:07:19+00:00\",\"dateModified\":\"2014-10-16T18:11:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haunter\\\/\"},\"wordCount\":2198,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haunter\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/10\\\/haunter-1.jpg\",\"keywords\":[\"ghost story\",\"HAUNTER\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haunter\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haunter\\\/\",\"name\":\"HAUNTER - 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