{"id":3333,"date":"2013-09-02T12:27:03","date_gmt":"2013-09-02T19:27:03","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=3333"},"modified":"2014-10-16T13:31:42","modified_gmt":"2014-10-16T20:31:42","slug":"prince-avalanche","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/","title":{"rendered":"PRINCE AVALANCHE"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

Loosely based on the Icelandic film Either Way<\/em>, by Hafsteinn Gunnar Sigurosson, writer\/director David Gordon Green puts his own patented spin on the story with PRINCE AVALANCHE.\u00a0 Starring Paul Rudd and Emile Hirsch, Green employs the idea of \u201canti-casting\u201d, with his two actors being \u201ctwo people who have no business being in a movie together\u201d,\u00a0 going for the philosophical jugular with fresh, easy performances and refreshing storytelling that strip emotions and life to their barest, clearing the way for an offbeat and methodically entertaining movie-going experience.<\/p>\n

\"PA<\/p>\n

Set against the burned out desolation of Bastrop, Texas in 1988 after a devastating fire (the actual fire was in 2011 and the worst in Texas history), Alvin and Lance are part of the State\u2019s road crews tasked with replacing bot dots, road markers and repainting miles and miles of yellow dividing lines on rural roadways.\u00a0 Alvin and Lance are each as flawed as the charred remains of the region, yet garner a sympathy as we watch them day in, day out.\u00a0 Spending their days either in reflective, contemplative silence or sniping at each other like an old married couple, or better still, a 21st Century Oscar Madison and Felix Unger, the two are nothing, if not embraceable.<\/p>\n

The Unger-esque Alvin has a hoity air about him, celebrating his self-perceived, high-minded intellect and skill set.\u00a0 Lance, on the other hand, who is Alvin\u2019s girlfriend\u2019s slacker younger brother who has one goal in life – get laid; anytime, anywhere and by anyone.\u00a0 He lives for weekends off when he goes back to civilization in search of female companionship.\u00a0 Meanwhile Alvin, prefers the solitude of the blackened once lush forest, intent to survive off the land with his superlative outdoor skills.\u00a0 As the weeks go by and we watch the paint dry, Alvin and Lance grow closer, gaining a better understanding of not only each other, but more importantly themselves.<\/p>\n

\"PA<\/p>\n

I appreciate Paul Rudd stepping out of his usual comedic comfort zone with his performance of Alvin, reminding us of his dramatic acting chops, but, at first blush, watching PRINCE AVALANCHE and Rudd\u2019s tacitness is like watching paint dry.\u00a0 However, in this slow (and I do mean slow) and tedious fashion, one begins to see the story and the character take shape, drawing you into the man, making you question what makes him tick.\u00a0 But while “silence” is an important part of Alvin’s character, and the film as a whole, there is just too much silence in many of Rudd\u2019s scenes.<\/p>\n

As Lance, Emile Hirsch has a few funny moments and also steps out of his comfort zone playing the seemingly not-so-bright\/dull-pencil youngster, a performance which is more than interesting considering what we’re used to seeing from Hirsch.\u00a0\u00a0 With Rudd’s Alvin an interesting dichotomy of calculated OCDC methodology, bordering on an almost autistic obsessiveness and forced calm, it becomes fascinating to watch Alvin get under Alvin\u2019s youthful energetic skin.<\/p>\n

\"2.JPG\"<\/p>\n

Written and directed by David Gordon Green, one has to ask first ask, \u201cWhy?\u201d\u00a0 Why something as tedious and \u201cboring\u201d as painting lines on desolate roads as a starting point for his version of this story?\u00a0 \u201cI think one of the reason that particular profession appeals to be me is because it does give that meditative element.\u00a0 It\u2019s one of those jobs that people don\u2019t think about.\u00a0 You drive down the road everyday and you don\u2019t think about somebody out there, putting those lines out there.\u00a0 I think it\u2019s an under appreciated art form.\u00a0 There\u2019s guys that can sell paintings and splatter paint on a canvas for millions of dollars and then there\u2019s guys that will spent their whole life going down the highway and never even put a signature on a stripe.\u201d\u00a0\u00a0 Green does make the most of this meditative aspect with extended scenes of silence, allowing Alvin, Lance and the audience to embrace the sounds of the rebirth of nature.\u00a0 In many ways, by just watching and listening, PRINCE AVALANCHE becomes a lulling cathartic.<\/p>\n

Using Either Way as a \u201cblueprint\u201d for PRINCE AVALANCHE, Green \u201cjust spent a day dictating that movie into a screenplay and then spent another couple days flipping it around and expanding certain things and emotionally investing myself in some of these characters with some dialogue. . .This one was pretty straightforward and I really jumped on the experience of streamlining the production process.\u00a0 I had the idea of remaking it in February and in July we were sound mixing the final product.\u00a0 Those are very quick, unusually quick, turnarounds for a movie.\u201d<\/p>\n

\"PA<\/p>\n

Employing a blend of scripted dialogue and improv, Rudd (whom Hirsch describes as a \u201cmaster improvisor\u201d) and Hirsch vacillate between the formats.\u00a0 According to Green, \u201cThere would be a long ass scene where Emile\u2019s given a six-page monologue and that\u2019s pretty much verbatim what was in the script.\u00a0 Then there\u2019s other times where they\u2019d let it loose.\u201d\u00a0 A very sweet happy accident involves \u201c[a] woman that Paul encounters going through the ashes of her home – all of that is improvised.\u00a0 That wasn\u2019t in the script.\u00a0 That\u2019s just a woman, that was her real story and we met her and incorporated her into the script.\u00a0 It was one of the those rare film opportunities where you can work both ways.\u201d<\/p>\n

Working well for the film is the physical comedy employed by Rudd and Hirsch, and never moreso than in a wrench-wielding chase across rocks, rills, mud and small ravines.\u00a0 Setting the film in the burned out Texas woods also provides ample opportunity to make use of the “emptiness” and “sadness” of the world around the boys, delivering a visual message of which Alvin and Lance are oblivious to – look around; these people, this land, has been burned to the ground and these people have nothing – making the problems of Alvin and Lance seem so insignificant.\u00a0 But, while each character is an interesting character study, at the end of the day, I still felt unfulfilled by the story as a whole.<\/p>\n

A minimalist approach visually and with dialogue, and with everything being more or less an observational dual character study, David Wingo\u2019s score, although engaging, needs to be a bit “beefier”.<\/p>\n

Standout with PRINCE AVALANCHE is Tim Orr\u2019s cinematography.\u00a0 With a visual tone that is wonderful to watch unfold through lighting and lensing, Orr creates a magical experience.\u00a0 Celebrating and embracing Mother Nature at her most bare, the imagery bodes a purity and freshness.\u00a0 As Green describes it, \u201cWe were there playing games with Mother Nature.\u00a0 She would throw us a curve ball and rain on us and we\u2019d say, \u2018Screw you.\u00a0 We\u2019re gonna film in the rain.\u2019\u00a0 And [we] really turned that into a beautiful pantomime scene of Paul in this burnt out house.\u00a0 We really tried to incorporate that and embrace that.\u00a0 We didn\u2019t have a lighting package so we would shoot into the sun.\u00a0 Typically if you\u2019re in a movie and the sun\u2019s in that direction [indicating], we\u2019re gonna film you and you\u2019re talking to me, then you\u2019d like me.\u00a0 You\u2019d turn around and we\u2019d put silk up and we\u2019d put some lights on me so I matched you.\u00a0 But in this movie, we\u2019d shoot you in the morning and we\u2019d shoot me in the evening so the good light was there behind you and then the good light was there behind me.\u00a0 We really strategized and used the tools of sunlight and the rain and the elements of nature and embrace them.\u00a0 Sometimes we would just shoot two profiles in close-up rather than traditional counter-shots.\u201d\u00a0 This timing is also embraced in the editing and story construct, particularly with the appearance of a bright shining sun when Lance and Alvin each break through their personal emotional doldrums, creating a beautiful emotional metaphor.<\/p>\n

\"PA<\/p>\n

Similarly, the use of the color yellow along with the primary colors of blue overalls and just bits of bright red, set a primary basic uncomplicated tone with yellow screaming \u201cCaution\u201d throughout the film.\u00a0 The use of red, extremely judicious in its use, is the most telling as it really does signify \u201cstop\u201d and \u201clook\u201d at the what\u2019s happening – the old woman, the truck driver and his moonshine, the red warning lights on the road posts, etc.<\/p>\n

Particularly effective is Orr\u2019s lensing as it captures\u00a0 random elements of budding green, creeks, grass, life re-emerging. \u201cYou\u2019ve got to love the caterpillars and turtles and elements as nature is starting to come back into its own.\u00a0 It was amazing to be there with a camera for the rebirth.\u201d\u00a0 Just like Lance and Alvin are undergoing their own rebirth.<\/p>\n

Written and Directed by David Gordon Green adapted from the story and screenplay\u00a0Either Way<\/em> by Hafsteinn Gunnar Sigurosson<\/p>\n

Cast:\u00a0\u00a0\u00a0\u00a0 Paul Rudd, Emile Hirsch<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Loosely based on the Icelandic film Either Way, by Hafsteinn Gunnar Sigurosson, writer\/director David Gordon Green puts his own patented spin on the story with PRINCE AVALANCHE.\u00a0 Starring Paul Rudd and Emile Hirsch, Green employs the idea of \u201canti-casting\u201d, with his two actors being \u201ctwo people who have no business being […]<\/p>\n","protected":false},"author":2,"featured_media":3337,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[249,554],"class_list":["post-3333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-dark-comedy","tag-prince-avalanche"],"yoast_head":"\nPRINCE AVALANCHE - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRINCE AVALANCHE\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2013-09-02T19:27:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-16T20:31:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/09\/PA-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"320\" \/>\n\t<meta property=\"og:image:height\" content=\"240\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"PRINCE AVALANCHE\",\"datePublished\":\"2013-09-02T19:27:03+00:00\",\"dateModified\":\"2014-10-16T20:31:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/\"},\"wordCount\":1492,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/PA-2.jpg\",\"keywords\":[\"dark comedy\",\"PRINCE AVALANCHE\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/\",\"name\":\"PRINCE AVALANCHE - Behind The Lens Online\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/PA-2.jpg\",\"datePublished\":\"2013-09-02T19:27:03+00:00\",\"dateModified\":\"2014-10-16T20:31:42+00:00\",\"description\":\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#primaryimage\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/PA-2.jpg\",\"contentUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/PA-2.jpg\",\"width\":320,\"height\":240},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/prince-avalanche\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"PRINCE AVALANCHE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#website\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/\",\"name\":\"Behind The Lens Online\",\"description\":\"a division of elias entertainment network\",\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\",\"name\":\"Behind the Lens\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/behind-the-lens.jpg\",\"contentUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/behind-the-lens.jpg\",\"width\":600,\"height\":748,\"caption\":\"Behind the Lens\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\",\"name\":\"debbie lynn elias\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5a60e3b15ca5d6738c95ea65bba59991c6f773c3bd70c951668c9dcbdc66b12f?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5a60e3b15ca5d6738c95ea65bba59991c6f773c3bd70c951668c9dcbdc66b12f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5a60e3b15ca5d6738c95ea65bba59991c6f773c3bd70c951668c9dcbdc66b12f?s=96&d=mm&r=g\",\"caption\":\"debbie lynn elias\"}}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"PRINCE AVALANCHE - Behind The Lens Online","description":"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/","og_locale":"en_US","og_type":"article","og_title":"PRINCE AVALANCHE","og_description":"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...","og_url":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/","og_site_name":"Behind The Lens Online","article_published_time":"2013-09-02T19:27:03+00:00","article_modified_time":"2014-10-16T20:31:42+00:00","og_image":[{"width":320,"height":240,"url":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/09\/PA-2.jpg","type":"image\/jpeg"}],"author":"debbie lynn elias","twitter_card":"summary_large_image","twitter_misc":{"Written by":"debbie lynn elias","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#article","isPartOf":{"@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/"},"author":{"name":"debbie lynn elias","@id":"https:\/\/behindthelensonline.net\/site\/#\/schema\/person\/2d9b602095eb0ce3d363efb75ad0b5d4"},"headline":"PRINCE AVALANCHE","datePublished":"2013-09-02T19:27:03+00:00","dateModified":"2014-10-16T20:31:42+00:00","mainEntityOfPage":{"@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/"},"wordCount":1492,"publisher":{"@id":"https:\/\/behindthelensonline.net\/site\/#organization"},"image":{"@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#primaryimage"},"thumbnailUrl":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/09\/PA-2.jpg","keywords":["dark comedy","PRINCE AVALANCHE"],"articleSection":["Movies","Reviews"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/","url":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/","name":"PRINCE AVALANCHE - Behind The Lens Online","isPartOf":{"@id":"https:\/\/behindthelensonline.net\/site\/#website"},"primaryImageOfPage":{"@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#primaryimage"},"image":{"@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#primaryimage"},"thumbnailUrl":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/09\/PA-2.jpg","datePublished":"2013-09-02T19:27:03+00:00","dateModified":"2014-10-16T20:31:42+00:00","description":"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...","breadcrumb":{"@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#primaryimage","url":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/09\/PA-2.jpg","contentUrl":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/09\/PA-2.jpg","width":320,"height":240},{"@type":"BreadcrumbList","@id":"https:\/\/behindthelensonline.net\/site\/reviews\/prince-avalanche\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/behindthelensonline.net\/site\/"},{"@type":"ListItem","position":2,"name":"PRINCE AVALANCHE"}]},{"@type":"WebSite","@id":"https:\/\/behindthelensonline.net\/site\/#website","url":"https:\/\/behindthelensonline.net\/site\/","name":"Behind The Lens Online","description":"a division of elias entertainment network","publisher":{"@id":"https:\/\/behindthelensonline.net\/site\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/behindthelensonline.net\/site\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/behindthelensonline.net\/site\/#organization","name":"Behind the Lens","url":"https:\/\/behindthelensonline.net\/site\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/behindthelensonline.net\/site\/#\/schema\/logo\/image\/","url":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/01\/behind-the-lens.jpg","contentUrl":"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2015\/01\/behind-the-lens.jpg","width":600,"height":748,"caption":"Behind the Lens"},"image":{"@id":"https:\/\/behindthelensonline.net\/site\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/behindthelensonline.net\/site\/#\/schema\/person\/2d9b602095eb0ce3d363efb75ad0b5d4","name":"debbie lynn elias","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/5a60e3b15ca5d6738c95ea65bba59991c6f773c3bd70c951668c9dcbdc66b12f?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5a60e3b15ca5d6738c95ea65bba59991c6f773c3bd70c951668c9dcbdc66b12f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5a60e3b15ca5d6738c95ea65bba59991c6f773c3bd70c951668c9dcbdc66b12f?s=96&d=mm&r=g","caption":"debbie lynn elias"}}]}},"_links":{"self":[{"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/posts\/3333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/comments?post=3333"}],"version-history":[{"count":3,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/posts\/3333\/revisions"}],"predecessor-version":[{"id":3341,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/posts\/3333\/revisions\/3341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/media\/3337"}],"wp:attachment":[{"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/media?parent=3333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/categories?post=3333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/behindthelensonline.net\/site\/wp-json\/wp\/v2\/tags?post=3333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}