{"id":3482,"date":"2013-06-25T15:00:55","date_gmt":"2013-06-25T22:00:55","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=3482"},"modified":"2014-10-16T15:04:27","modified_gmt":"2014-10-16T22:04:27","slug":"erased","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/erased\/","title":{"rendered":"ERASED"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

For Aaron Eckhart fans the world over, as ERASED\u2019s ex-CIA operative Ben Logan, this is the performance you wanted to see from him in Olympus Has Fallen <\/em>as opposed to what that film delivered – presidential Milquetoast rather than Commander-in-Chief.\u00a0\u00a0 With ERASED, a non-stop espionage thriller, Eckhart is hard-hitting, commanding, decisive, intelligent and thoughtful, soaring as a protective father struggling to not only keep himself and his15-year old daughter Amy safe from would-be assassins and subterfuge at every turn, but also deal with rebellious teenaged angst (which as any parent can tell you, can be more daunting than any terrorist out there).\u00a0\u00a0 Directed by Philipp Stolzl from a script by Arash Amel, ERASED is an edge-of-your-seat non-stop action thriller with surprises at every turn, including a maturing Liana Liberato who more than proves her mettle as an actress moving from childhood into adult roles.<\/p>\n

\"erased<\/p>\n

Ex-CIA agent Ben Logan is now living what he believes to be a quiet life in Brussels.\u00a0\u00a0 Working as a security expert for Halgate Group, a single father, Ben is trying to establish a secure home life for his teenaged daughter Amy, now living him for the first time.\u00a0 His former life as an agent a secret from Amy, he is finding parenting is not exactly a walk in the park what with school pick-ups and drop-offs, boys, packing lunches, doing laundry, making dinner and the requisite homework monitoring.<\/p>\n

As if all of this isn\u2019t daunting enough, Ben arrives at work one day to find the company gone, the offices and security design labs empty.\u00a0 His emails from Halgate personnel have even been deleted.\u00a0\u00a0 Phone calls to co-workers start to lead him down a path littered with dead bodies and suspicious dealings.\u00a0 His co-workers were all illegal immigrants, virtually untraceable and undetectable if \u201cmissing.\u201d\u00a0 But Ben is far from untraceable and now he has Amy to protect.\u00a0 With Amy by his side, the father and daughter are on the run trying to stay alive.\u00a0 The more they run, the closer they become and the deeper they delve into the espionage at play; espionage that involves traitors within the U.S. government and collusion with private European interests and death at the hands of Halgate.<\/p>\n

\"erased<\/p>\n

Joyously, as Ben Logan, Aaron Eckhart serves up a far meatier performance here than in Olympus Has Fallen<\/em>.\u00a0 Already a well-written character on the page, Eckhart makes the role his own, giving Ben emotional and intelligent substance.\u00a0 While much of Eckhart\u2019s performance involves him running all over Brussels looking filthy and blood-stained, he more than fills the \u201caction\u201d shoes but also makes Ben a believable \u201cthinking man\u201d.\u00a0 A perfect combination of muscle and mind.\u00a0 He has impeccable pacing and timing with action-reaction and is very instinctive and organic.\u00a0 According to Eckhart, \u201cThis movie doesn\u2019t rely on green screen and computer-generated images.\u00a0 This is us out in the streets of Europe, in the cars, I\u2019m doing the driving, I\u2019m doing the fighting, I\u2019m runnning – with Liana – and Liana\u2019s there.\u00a0 I think the only thing I didn\u2019t do was go through the glass.\u00a0 That was the only thing I didn\u2019t do in the movie.\u00a0 That\u2019s rewarding for me.\u201d<\/p>\n

And doing all of his own stunts and driving required extensive training on Eckhart\u2019s part.\u00a0\u00a0 \u201cI trained real hard.\u00a0 I did jujitsu and MMA.\u00a0 I had a French Special Forces crazy man named Olivier train me who inflicted great pain on me and really taught me everything I knew about jujitsu.\u00a0 I do all the fighting.\u00a0 It\u2019s really important that I do all the fighting in the movie and be real and I know what I\u2019m doing because this is a smaller movie.\u00a0\u00a0 When I got there, we gotta get into it real quick.\u00a0 We didn\u2019t have the time to choreograph these fights like you usually do with a huge film. So, I had to know the language coming in, the submissions, the hand holds, all that sort of stuff, which was fun.\u00a0 But very dangerous. Very dangerous.\u201d<\/p>\n

But beyond the action, Eckhart really fuels the fire and exposes a chink of vulnerability in Ben\u2019s armor – that of being a loving father.\u00a0 And this is where Eckhart achieves the perfect blend within the character – his chemistry with Liana Liberato.\u00a0 \u201cIt\u2019s a movie with my daughter and we have to deal with our feelings towards each other and misunderstandings.\u201d<\/p>\n

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I really took note of Liberato in David Schwimmer’s Trust<\/em> where she played daughter to Clive Owen, and again in Trespass<\/em> with Nic Cage.\u00a0 Now, here as Amy, she just continues to grow in her abilities.\u00a0 Liberato is likeable, confident and has a mature air yet captures the very essence of still being \u201cDaddy’s Little Girl.\u201d\u00a0 Watching the dynamic between she and Eckhart is one of the best parts of the film, both in plot design and character growth\/development.\u00a0 There is quite a bit of the dynamic that harkens to the Lucy Genarro “today I’m McClane” and John McClane Die Hard<\/em>\u00a0 scenarios that gave the audience a resonating emotional touchstone reference.\u00a0 So engaging are Liberato and Eckhart that I would love to see a sequel pairing up this dad and daughter team.\u00a0\u00a0 Liberato is quick to credit Eckhart with the believability of dad and daughter noting \u201cYou have to feed off of the other person obviously and Aaron\u2019s a really great person to work with.\u00a0 We had a great time bonding and hanging out together.\u00a0 He made it so easy.\u00a0 We had a good time.\u201d<\/p>\n

\"erased<\/p>\n

Besides having her very first on-screen kiss (for which she made her mom leave the set), new for Liberato is doing her own stunt work and in ERASED that\u2019s quite a feat.\u00a0 \u201cI do my stunts but they also have a stunt girl there to do it and basically mimic what I do afterwards.\u00a0 But for ERASED, I would go to the production office before we started filming.\u00a0 My character was a photographer as well so I had a guy who would teach me how to use a film camera and we had the stunt guy come in and basically show me some of the moves.\u00a0 It was more Aaron\u2019s responsibility to learn a lot of these things because his was very planned out, the certain moves that he had, whereas I\u2019m just flinging myself on someone and hope that there was a pad that could catch me underneath.\u00a0 But we always had a stunt guy who hung out and taught me things and I could ask him questions.\u201d\u00a0\u00a0 While she downplays her skills and action efforts, she gleefully celebrates \u201call of these bruises on my legs but I was so proud of them.\u00a0 Battle scars!\u00a0 It felt really awesome! . . .We were slipping and sliding everywhere.\u201d<\/p>\n

After just seeing Olga Kurylenko in Terrence Malick\u2019s To The Wonder where she was completely miscast and showed no acting ability whatsoever, as CIA operative Anna Brandt in ERASED, she turns the tables, delivering a strong solid performance.\u00a0 Although Kurylenko still needs to hone her acting skills (something which we see occurring as she moves from role to role), she more than holds her own in ERASED, giving us a duplicitous and interesting character in Anna Brandt.\u00a0\u00a0 Beyond a strong physical resemblance here to Catherine Zeta-Jones, her performance and the character of Anna as a whole, feels like a cross between Jones in Oceans Twelve<\/em> and Entrapment<\/em>.<\/p>\n

\"erased<\/p>\n

Written by Arash Emel and directed by Philipp Stolzl, who marks his return to the \u201caction thriller\u201d, ERASED provides numerous intrigues which Stolzl uses to best visual advantage.\u00a0 When executed correctly heists, cons and duplicity always make for good storytelling from both narrative and visual perspectives and for the most part, ERASED makes the best of the tools in the toolbox.\u00a0 Unfortunately, there are perhaps too many intrigues and plot devices which causes some befuddlement in the narrative and taking too long to get to the heart of the matter.\u00a0\u00a0 And where the film falls short\u00a0 is in the narrative commentary denouncing the geopolitical misdeeds on which the story is premised, culminating in a puff of smoke rather than explosive finale. A word of warning, however, there is an airport scene which will rip your heart out.\u00a0 Bring tissues.<\/p>\n

Even at her young age, Liberato knows the mark of a good director and when it comes to Stolzl, she is quick to point out, \u201cHe knew what he wanted and he had this idea in his head that he told us very clearly what he wanted and we were hopefully able to give him what he wanted.\u00a0 He was wonderful.\u201d\u00a0\u00a0 With so much action, script structure and ad-libbing always come into question.\u00a0\u00a0 According to Liberato, Stolzl welcomed input and collaboration from the cast.\u00a0 \u201c We would just meet in the [hotel] lobby and go over the entire script.\u00a0 We got to change whatever it is we felt like we wanted to change.\u00a0 It obviously changed what we were filming.\u00a0 It was all very flexible.\u00a0 He was completely open to changing things.\u201d<\/p>\n

Shooting on location in Brussels with some interiors in Montreal, for Eckhart, \u201cThe main worry was the crews.\u00a0 How do you split a movie up and then work with European crews in an American action movie with a German director?\u00a0 Everybody was all over the place. [But] it was absolutely seamless. When you\u2019re working in those big huge train stations and out on the street and having all the different languages in the cafes, it just works for the movie.\u00a0 Like on that train.\u00a0 On that train.\u00a0 We had 3 hours on that train to shoot the movie.\u00a0 That means to get on.\u00a0 Not 3 hours to act.\u00a0 3 hours to get our stuff on, set up and shoot it so it was interesting working in that way.\u00a0 It only enhanced it.\u00a0 Plus, it\u2019s important to play the place for the place. . .We were playing Europe for Europe.\u201d<\/p>\n

\"erased<\/p>\n

Love cinematographer Kolja Brandt\u2019s tonal look of the film.\u00a0\u00a0 With extensive handheld lensing, ERASED was shot digitally on the RED camera.\u00a0 Super-sharp, crisp resolution showcases the visuals which are cool, grey and icy when dealing with CIA and the corporate espionage and its personnel,\u00a0 but then counter-balanced with the rich color and warmth of Brussels, serving as an almost metaphoric cloak to seedy crime.\u00a0 Nicely done.\u00a0 Exceptional is Dominique Fortin\u2019s editing which keeps the visuals moving at a rapid clip but takes time to breathe and embrace the development of the relationship between Ben and Amy.<\/p>\n

Edge-of-your-seat, non-stop action, adventure and espionage keep ERASED from being erased.<\/p>\n

Directed by Philipp Stolzl<\/p>\n

Written by Arash Amel<\/p>\n

Cast: Aaron Eckhart, Liana Liberato, Olga Kurylenko<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias For Aaron Eckhart fans the world over, as ERASED\u2019s ex-CIA operative Ben Logan, this is the performance you wanted to see from him in Olympus Has Fallen as opposed to what that film delivered – presidential Milquetoast rather than Commander-in-Chief.\u00a0\u00a0 With ERASED, a non-stop espionage thriller, Eckhart is hard-hitting, commanding, decisive, […]<\/p>\n","protected":false},"author":2,"featured_media":3486,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[179,571],"class_list":["post-3482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-action","tag-erased"],"yoast_head":"\nERASED - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/erased\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ERASED\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/erased\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2013-06-25T22:00:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-16T22:04:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2013\/06\/erased-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"255\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/erased\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/erased\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"ERASED\",\"datePublished\":\"2013-06-25T22:00:55+00:00\",\"dateModified\":\"2014-10-16T22:04:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/erased\\\/\"},\"wordCount\":1797,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/erased\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2013\\\/06\\\/erased-1.jpg\",\"keywords\":[\"action\",\"ERASED\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/erased\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/erased\\\/\",\"name\":\"ERASED - 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