{"id":38454,"date":"2024-12-09T00:54:07","date_gmt":"2024-12-09T08:54:07","guid":{"rendered":"https:\/\/behindthelensonline.net\/site\/?p=38454"},"modified":"2024-12-09T00:54:51","modified_gmt":"2024-12-09T08:54:51","slug":"director-steven-c-miller-bites-into-the-making-of-werewolves-exclusive-interview","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/interviews\/interview-exclusives\/director-steven-c-miller-bites-into-the-making-of-werewolves-exclusive-interview\/","title":{"rendered":"Director STEVEN C. MILLER &#8220;bites&#8221; into the making of WEREWOLVES &#8211; Exclusive Interview"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-38455 size-shareaholic-thumbnail\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/werewolves-logo-1-640x370.png\" alt=\"\" width=\"640\" height=\"370\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/werewolves-logo-1-640x370.png 640w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/werewolves-logo-1-400x232.png 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/werewolves-logo-1-1024x593.png 1024w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/werewolves-logo-1-768x444.png 768w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/werewolves-logo-1.png 1092w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-38454-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Steven-C-Miller-edited-WEREWOLVES.mp3?_=1\" \/><a href=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Steven-C-Miller-edited-WEREWOLVES.mp3\">https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Steven-C-Miller-edited-WEREWOLVES.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>In this exclusive interview, director STEVEN C. MILLER &#8220;bites&#8221; into the making of the action-packed and entertaining WEREWOLVES.<\/p>\n<p>SYNOPSIS:\u00a0 <em>A\u00a0supermoon event has triggered a latent gene in every human on the planet, turning anyone who entered the moonlight into a werewolf for that one night. Chaos ensued and close to a billion people died. Now, a year later, the Supermoon is back&#8230;.<\/em><\/p>\n<p>Directed by STEVEN C. MILLER and written by Matthew Kennedy, WEREWOLVES stars Frank Grillo, Katrina Law, Ilfenesh Hadera, Kamdynn Gary, James Michael Cummings, Lydia Styslinger, and Lou Diamond Phillips.<\/p>\n<p>Chatting with director STEVEN C. MILLER is laden with high-octane energy that matches that in his action films, including his latest, WEREWOLVES; a film that is as beautiful and textured as it action-packed and entertaining.\u00a0 As we discussed the &#8220;making of&#8221; WEREWOLVES, Steven highlighted the visual and visceral elements of the movie, emphasizing the importance of having physical practical werewolves. Also key to this production was his collaboration with Frank Grillo, who &#8220;enthusiastically&#8221; participated.<\/p>\n<div id='gallery-1' class='gallery galleryid-38454 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-15\/'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_TrailerPhoto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-13\/'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_053122_00119_RC-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-12\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_00756_R-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-7\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_061522_00233_R-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-5\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_061022_00478_R-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_062822_00249_RC-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_053122_01326_R-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/behindthelensonline.net\/site\/werewolves-2024\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_053122_01630_R-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>As we dug in-depth into WEREWOLVES, we discussed, among others:<\/p>\n<ul>\n<li>casting<\/li>\n<li>breaking down the script from a visual standpoint<\/li>\n<li>the challenges of balancing action and werewolf effects<\/li>\n<li>the decision to shoot at night and the importance of shooting night-for-night with this film<\/li>\n<li>the critical role of production designer Tyler Bishop Harron in creating immersive sets, both interiors and exteriors, that provide a visual backstory without the need for extraneous exposition<\/li>\n<li>developing the visual grammar with cinematographer Brandon Cox\n<ul>\n<li>reference films like the first <em>Underworld, Blade<\/em>, and <em>Blade Runner<\/em> as inspiration, aiming for a practical and textured look that felt authentic<\/li>\n<li>designing dynamic lighting and camera work to have the same kind of texture and feel as the practical werewolf effects they were using on set; developing a color palette to help achieve that authenticity<\/li>\n<li>experimenting with practical lighting elements, like the pop-up lights in the house, to create a layered and dynamic lighting scheme that would get progressively darker as the film went on<\/li>\n<li>the intentional placement and use of practical lights to reflect the characters&#8217; efforts to protect their home and plan their defense<\/li>\n<li>lighting the exterior night scenes as they were shooting night for night; utilizing the moon and strategic placement of harsher &#8220;streetlights&#8221; to create shadows and limit the full visibility of the werewolves, thus building suspense<\/li>\n<li>lensing choices; what would be most effective to capture the werewolves on camera<\/li>\n<li>creating a cohesive visual style that complemented the practical nature of the werewolf effects and enhanced the suspense and intensity of the film&#8217;s action sequences<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38470 size-shareaholic-thumbnail\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-640x268.jpg\" alt=\"\" width=\"640\" height=\"268\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-640x268.jpg 640w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-400x168.jpg 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-1024x429.jpg 1024w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-768x322.jpg 768w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-1536x644.jpg 1536w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/Werewolves_WolfProfile-2048x859.jpg 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38467 size-shareaholic-thumbnail\" src=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-640x427.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-640x427.jpg 640w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-400x267.jpg 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-1024x683.jpg 1024w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-768x512.jpg 768w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-1536x1025.jpg 1536w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-2048x1366.jpg 2048w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-360x240.jpg 360w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2024\/12\/YEAR2_KR_UNIT_060922_01004-850x567.jpg 850w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 12px;\"><strong><span style=\"color: #0000ff;\"><em>Behind the scenes werewolf fight scene<\/em><\/span><\/strong><\/span><\/p>\n<ul>\n<li>the importance of achieving authentic, textured visuals<\/li>\n<li>the werewolves and werewolf suits\n<ul>\n<li>the design<\/li>\n<li>giving each of the six practical suits individuality with personalization like fur color,\u00a0piercings, and the clothing\/accessories each wore<\/li>\n<li>creating a diverse group of werewolves with distinct visual identities that helped sell the scale and threat<\/li>\n<li>working with DP Brandon Cox and the special effects team to ensure the werewolves would look and move authentically on camera, testing different lenses and camera angles<\/li>\n<li>achieving a balance to make the werewolves feel big and imposing while allowing the practical effects team to operate them effectively during the action sequences<\/li>\n<\/ul>\n<\/li>\n<li>challenges in balancing the action, werewolves, and practical effects; the\u00a0delicate &#8220;ballet&#8221; of planning and execution between the stunt coordinator, effects coordinator, and puppeteering team<\/li>\n<li>ensuring the practical werewolf effects were integrated properly into the action sequences; carefully planning the werewolf movements and positioning<\/li>\n<li>maintaining the kinetic pace and visual style that Steven was going for, while also accommodating the practical limitations and requirements of the werewolf effects<\/li>\n<li>striking the right balance between showing enough of the werewolves to be impactful, while also preserving some mystery and suspense by not revealing too much; strategic camerawork and lighting<\/li>\n<li>lessons learned as a filmmaker<\/li>\n<li>and more!<\/li>\n<\/ul>\n<h2><strong>TAKE A LISTEN. . .<\/strong><\/h2>\n<p>by debbie elias, exclusive interview 12\/06\/2024<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff;\"><em><strong>WEREWOLVES is in theatres nationwide on December 6, 2024<\/strong><\/em><\/span><\/p>\n<p><code><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AzdnfFLNP0o?si=fnV7yVXIU0nnca4A\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/code><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Director STEVEN C. MILLER &#8220;bites&#8221; into the making of the action-packed and entertaining WEREWOLVES in this exclusive interview.<\/p>\n","protected":false},"author":2,"featured_media":38455,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3626],"tags":[1489,4031,11390,11391],"class_list":["post-38454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview-exclusives","tag-exclusive-interview","tag-frank-grillo","tag-steven-c-miller","tag-werewolves"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.5 (Yoast SEO v27.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Director STEVEN C. 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