{"id":4915,"date":"2012-01-18T16:01:13","date_gmt":"2012-01-19T00:01:13","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=4915"},"modified":"2014-10-18T16:08:04","modified_gmt":"2014-10-18T23:08:04","slug":"haywire","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/haywire\/","title":{"rendered":"HAYWIRE"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"haywire<\/p>\n

Steven Soderbergh – you are forgiven. After The Girlfriend Experience<\/em> starring porn star turned wannabe actress, Sasha Grey, I didn\u2019t think I would ever watch another Soderbergh film. Although visually stunning thanks to impressive cinematography, the heinous “acting” of Grey left me cold. Then came Contagion<\/em>, a rehash of a rehash of a rehash just with bigger names than the prior rehashes. And I was saddened wondering where was the Steven Soderbergh of old? The Soderbergh who gave us the fun, thrill and intrigue of the Ocean<\/em>\u2019s trilogy, the mesmerizing Solaris<\/em>, the power (albeit slightly untruthful) of Erin Brokovich <\/em>or the cutting edge voyeuristic thrill of sex, lies and videotape<\/em>. Thankfully, the “real” Steven Soderbergh is back with guns a blazin\u2019 with HAYWIRE – a film I affectionately and truthfully refer to as Ocean’s Fourteen. <\/em>With one of the hottest casts to grace the silver screen since, well, Ocean’s Thirteen<\/em>, Soderbergh brings together the hottest and best of the best with McGregor, Fassbender, Banderas, Tatum, Paxton and Douglas, along with newcomer and MMA superstar, Gina Carano, for a mind-blowing trip around the world filled with espionage, intrigue, a fantastic score, hot looking guys and one kick ass heroine, not to mention, a perfect set-up for a sequel. HAYWIRE kicks ass – literally and figuratively.<\/p>\n

\"haywire<\/p>\n

Once a Marine, always a Marine and Mallory Kane is no different. A former black ops Devil Dog, on leaving the corp Mallory Kane turned to a life she could easily embrace – that working for a private government contractor hired to perform clandestine dirty missions around the world, all under the guise of insuring the security of the United States and democracy. Her boss, Kenneth, answers to government man Coblenz who works with Spanish businessman Rodrigo as a facilitator or liaison. (Got all that?) Partnering with her on the latest mission is fellow operative Aaron. But after completing her latest mission freeing a Chinese journalist held in Barcelona, tables turn and Mallory suddenly finds herself a target. But whose?<\/p>\n

\"haywire\"<\/p>\n

Once a Marine, always a Marine and Mallory Kane is no different. A former black ops Devil Dog, on leaving the corp Mallory Kane turned to a life she could easily embrace – that working for a private government contractor hired to perform clandestine dirty missions around the world, all under the guise of insuring the security of the United States and democracy. Her boss, Kenneth, answers to government man Coblenz who works with Spanish businessman Rodrigo as a facilitator or liaison. (Got all that?) Partnering with her on the latest mission is fellow operative Aaron. But after completing her latest mission freeing a Chinese journalist held in Barcelona, tables turn and Mallory suddenly finds herself a target. But whose?<\/p>\n

\"haywire<\/p>\n

Two of the hottest and sexiest guys on the planet, Ewan McGregor and Michael Fassbender, step in as Kenneth and Paul. While both are mysterious, McGregor gives Kenneth a very affable quality while Fassbender\u2019s Paul has a polish and unspoken darkness to him. Antonio Banderas has you doing a double take with two completely different looks – one bearded as a mature distinguished looking businessman and the other, clean shaven, bare chested, tanned and gorgeous, exuding slick mystery at every turn. Channing Tatum brings a youthful vigor and brashness to Aaron, but laces him with a bit of naivete that is disarmingly charming. A real joy for me is watching Michael Angarano\u2019s Scott. A pivotal character critical to the film as a storytelling tool, Angarano has a deer-in-headlights exuberance that not only begs for more screen time but is left wide open within Mallory Kane\u2019s story so as to be the perfect entre for a sequel. And of course, there\u2019s Bill Paxton and Michael Douglas. Paxton, as Mallory\u2019s father, is another character who begs for more story. A former Marine like his daughter, there is an unspoken and coded language between the two characters that creates its own dynamic, one that Paxton propels with deadpan believability. As for Michael Douglas\u2019 Coblenz, another multi-layered performance that keeps you guessing and asking questions.<\/p>\n

\"haywore-01\"<\/p>\n

Constructing the story around Carano\u2019s Mallory and telling it primarily from her point of view is what makes the story itself work. Written by Lem Dobbs, as with the Ocean\u2019s <\/em>trilogy, much of the story is told in flashback. Opening with a dynamic scene in a little diner up in the Rockies, we first meet Mallory as she sits alone, bruised and cut, sipping a cup of coffee. But that solace quickly ends as the action kicks into high gear with Tatum\u2019s Aaron bursting in to “capture her”, spurring an intense fight that drags Michael Angarano\u2019s seemingly innocent Scott into the mix not only jumping into the fray, but serving as a getaway assist for Carano\u2019s Mallory. And while Mallory speeds away from the scene, she regales the events leading up to the diner, instructing Scott to “memorize” the names, places and sequencing. As Angarano\u2019s Scott sits mouth agape, so do we, similarly swept into the mystery and excitement. Already breathless just watching this sequence, the story and accompanying visuals just ramp it up from there.<\/p>\n

HAYWIRE, however, isn\u2019t all action and intrigue. There\u2019s a lot of wry wit interspersed throughout the dialogue, much which comes in the form of perfectly executed one liners from Michael Douglas and Antonio Banderas, both of whom have pitch perfect timing with their delivery.<\/p>\n

\"haywire<\/p>\n

Where HAYWIRE truly excels though is in the technical mastery of its actors performing their own stunt work and fight sequencing compounded with Soderbergh\u2019s superb lensing (he is his own cinematographer). This isn\u2019t a film with harnesses, poorly cast doubles or weak paltry punches. This is no holds barred, woman on man, hand-to-hand combat film showcasing the athleticism and skill of newcomer Gina Carano, the physical and emotional talents of seasoned veterans like Fassbender, McGregor and Banderas, while celebrating the intellectual prowess and intrigue of a great story, great characters and flawless editing.<\/p>\n

\"haywire<\/p>\n

But the real celebration is with the action. Calling on the expertise of stunt coordinator R.A. Rondell and the technical prowess of former Israeli counter-terrorist Aaron Cohen, the fights are real, tactics authentic. Adding to the adrenalin rush are Soderbergh\u2019s extended scenes which were shot continuously so we get the specific sensory experience of running, jumping, leaping tall buildings in a single bound. Editing is crisp and sharp but minimal. The physicality sets the pace and tone, something that many directors often ignore, and that in and of itself, compounded with some breathtaking camera angles, leaves one breathless and blinking in disbelief as an audience member. It\u2019s that much of a jet-fueled, E-ticket ride. As Carano describes it, her co-stars, McGregor, Tatum and Fassbender ” wanted to do everything. From the smallest things even off-camera, which I don\u2019t know if that\u2019s normal or not, but off-camera to on-camera, I showed up with the stunt crew and we coordinated the fights together.”<\/p>\n

\"haywire-02\"<\/p>\n

For the fight between Carano and McGregor (one for which McGregor may have wished he had a light saber in his hand), “we learned our fight scene in two days. . .It was a long fight scene, and then we put it on sand and in the water, and added all those crazy elements to it. But they wanted to do everything, so I think that Soderbergh did a wonderful job at surrounding us with the best people he could in a film.” McGregor has nothing but accolades for Carano. ” She\u2019s so precise. I really felt there was never an issue or a worry to get hurt. The only time I did get hurt was when I accidentally punched Gina in the head. . .I watched her do some of the fight scenes in New Mexico with stuntmen. They would do a take, and at the end of the take Steven would say, \u2018Cut,\u2019 and the stuntmen, not her, were just destroyed. They would be sweating, and Gina would be like, \u2018Right? Ready for another take?\u2019”<\/p>\n

One of the most talked about fight sequences is that between Carano and Fassbender which happened to be the first fight scene shot. According to Carano (and as I know from Fassbender\u2019s prior work on Centurion<\/em>), “Fassbender\u2019s crazy. He loves that shit. He had no problem slamming me into anything. Actually Steven Soderbergh told him once, \u2018We need to get this shot better, when you slam her head into the wall,\u2019 and I was like, \u2018Damn that things not soft you know?\u2019 But, Soderbergh\u2019s behind the camera, and he\u2019s being very mischievous, like he wants something bad to happen. I slam a vase in [Fassbender\u2019s] face, so I\u2019m supposed to throw the vase past him just for that take, because we just want to get my head slamming into the wall. We\u2019re going for it. He slammed my head so hard into the wall that I kind of lost it for a second, and I slammed the vase right into Fassbender\u2019s face.” During that same sequencing, Carano has Fassbender in a thigh vice grip, which looks so realistic that Fassebender\u2019s face is not only beet red, but veins are bulging. Playing it down, Fassbender assures that the grip was “Not as tight as it looks on my face. . .It was tight enough but I did sort of rush blood into my face to make it look like I was really [choking].”<\/p>\n

\"haywire-03\"<\/p>\n

The final cohesive knot in HAYWIRE comes from composer David Holmes. The man behind the music in the Ocean\u2019s <\/em>trilogy, Holmes give us that same vibe and energy in HAYWIRE, complimenting the intelligence and action unfolding on screen. I have to say, this is already on my list as a fave score for 2012.<\/p>\n

Ladies and gentlemen. Meet the female answer to Jason Statham. Gina Carano is here to stay. And hopefully, so is a HAYWIRE franchise! Intelligent. Action-packed. Kick ass. Fun. You are gonna go haywire for HAYWIRE.<\/p>\n

Mallory Kane – Gina Carano<\/p>\n

Kenneth – Ewan McGregor<\/p>\n

Paul – Michael Fassbender<\/p>\n

Coblenz – Michael Douglas<\/p>\n

Rodrigo – Antonio Banderas<\/p>\n

Aaron – Channing Tatum<\/p>\n

Scott – Michael Angarano<\/p>\n

Directed by Steven Soderbergh. Written by Lem Dobbs.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Steven Soderbergh – you are forgiven. After The Girlfriend Experience starring porn star turned wannabe actress, Sasha Grey, I didn\u2019t think I would ever watch another Soderbergh film. Although visually stunning thanks to impressive cinematography, the heinous “acting” of Grey left me cold. Then came Contagion, a rehash of a rehash […]<\/p>\n","protected":false},"author":2,"featured_media":4917,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[708,783],"class_list":["post-4915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-action-thriller","tag-haywire"],"yoast_head":"\nHAYWIRE - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/haywire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HAYWIRE\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/haywire\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-19T00:01:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-18T23:08:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2012\/01\/haywire-ewan-gina-fight.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"266\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haywire\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haywire\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"HAYWIRE\",\"datePublished\":\"2012-01-19T00:01:13+00:00\",\"dateModified\":\"2014-10-18T23:08:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haywire\\\/\"},\"wordCount\":1718,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haywire\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/haywire-ewan-gina-fight.jpg\",\"keywords\":[\"action-thriller\",\"HAYWIRE\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haywire\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/haywire\\\/\",\"name\":\"HAYWIRE - 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