{"id":494,"date":"2014-09-02T12:34:46","date_gmt":"2014-09-02T19:34:46","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=494"},"modified":"2014-10-08T12:40:02","modified_gmt":"2014-10-08T19:40:02","slug":"tcm-alec-baldwin-and-robert-osborne-present-pre-code-classics-fridays-in-september","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/festivals\/tcm-alec-baldwin-and-robert-osborne-present-pre-code-classics-fridays-in-september\/","title":{"rendered":"TCM: Alec Baldwin and Robert Osborne Present Pre-Code Classics Fridays in September!"},"content":{"rendered":"

Alec Baldwin and Robert Osborne Present Pre-Code Classics Fridays in September<\/strong><\/p>\n

TCM Looks at Freewheeling Era with 24 Hours of Movies Every Friday During September<\/strong><\/p>\n

\n

\"tcm-02_02\"<\/p>\n

Every Friday in September, Turner Classic Movies (TCM)<\/strong> is heading back in time to the pre-Code era, before American films fell under the censor’s eye and began to avoid topics and situations that were considered morally dubious. TCM will shine a light on this freewheeling cinematic period, presenting a weekly 24-hour festival of pre-Code movies, with award-winning actor Alec Baldwin<\/strong> and TCM’s Robert Osborne<\/strong> set to introduce the primetime lineups as part of TCM’s Friday Night Spotlight<\/em><\/strong>.<\/p>\n

Pre-Code Hollywood is the era in the American film industry between the introduction of sound in the late 1920s and the strict enforcement of the Motion Picture Production Code beginning in the mid-1930s. Films of this period included unflinching portrayals of such subject matter as sexuality, prostitution, illegal drug use, abortion and extreme violence. Without the interference of censors, lawbreakers in the movies were often allowed to profit from their schemes, and fallen women became the heroines of many films.<\/p>\n

\"tcm-02_03\"TCM’s pre-Code festival covers a wide range of genres and represents the output of all major Hollywood studios of the era. The freedom and daring of the period provided vivid opportunities for performers who were unafraid of the racy pre-Code themes.<\/p>\n

Female stars who boldly carved out careers in the era’s climate of open sexuality included Barbara Stanwyck<\/strong>, whose performance in Baby Face<\/em> (1933) will kick off the first night’s primetime lineup. Other female stars who managed to push the envelope during the pre-Code era included Mae West<\/strong> (I’m No Angel<\/em>, She Done Him Wrong<\/em>, both 1933) and Jean Harlow<\/strong> (Red Dust<\/em>, 1932; Bombshell<\/em>, 1933). Among male actors, Warren William<\/strong> \u2013 known as the “King of Pre-Code” \u2013 benefited particularly from the indulgent nature of the times by creating a gallery of unrepentant villains and anti-heroes including those in Skyscraper Souls<\/em> (1932) and Employees’ Entrance<\/em> (1933). And the leading “gangster” stars of the period, Edward G. Robinson<\/strong> (Little Caesar<\/em>, 1931) and James Cagney<\/strong> (The Public Enemy<\/em>, 1931), gained heroic stature in the eyes of the public while filling their crime melodramas with realistic grit and violence that would be impossible on screen a few years later.<\/p>\n

TCM’s lineup of pre-Code films includes two movies making their first appearance on the network: Search for Beauty<\/em> (1934) and Call Her Savage<\/em> (1932). In addition, the lineup includes the 2008 documentary Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood<\/em>. A complete schedule is included below.<\/p>\n

TCM’s September edition of Friday Night Spotlight<\/em> marks a reunion for Baldwin and Osborne, who co-hosted The Essentials<\/em> on TCM from 2009 to 2011. Earlier this year, Baldwin conducted an in-depth interview of Osborne for the TCM special Private Screenings: Robert Osborne<\/em>, which aired as part of TCM’s 20th anniversary celebration.<\/p>\n

Pre-Code Classics <\/em>\u2013 Fridays in September<\/p>\n

Friday, Sept. 5<\/strong><\/p>\n

6 a.m. \u2013 The Big Shakedown<\/em> (1934)<\/p>\n

7:15 a.m. \u2013 Parachute Jumper<\/em> (1933)<\/p>\n

8:30 a.m. \u2013 Ex-Lady<\/em> (1933)<\/p>\n

9:45 a.m. \u2013 Virtue<\/em> (1932)<\/p>\n

11 a.m. \u2013 Wild Boys of the Road<\/em> (1933)<\/p>\n

12:15 p.m. \u2013 Safe in Hell<\/em> (1931)<\/p>\n

1:30 p.m. \u2013 Frisco Jenny<\/em> (1932)<\/p>\n

2:45 p.m. \u2013 Female<\/em> (1933)<\/p>\n

4 p.m. \u2013 Illicit<\/em> (1931)<\/p>\n

\"tcm-02_04\"<\/p>\n

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5:30 p.m. \u2013 Night Nurse<\/em> (1931)<\/p>\n

6:45 p.m. \u2013 Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood<\/em> (2008)<\/p>\n

8 p.m. \u2013 Baby Face<\/em> (1933)<\/p>\n

9:30 p.m. \u2013 The Divorcee<\/em> (1930)<\/p>\n

11 p.m. \u2013 Footlight Parade<\/em> (1933)<\/p>\n

1 a.m. \u2013 Gold Diggers of 1933<\/em> (1933)<\/p>\n

2:45 a.m. \u2013 Search for Beauty<\/em> (1934) \u2013 TCM Premiere<\/p>\n

4:15 a.m. \u2013 Taxi!<\/em> (1932)<\/p>\n

 <\/p>\n

Friday, Sept. 12<\/strong><\/p>\n

6 a.m. \u2013 The Naughty Flirt<\/em> (1931)<\/p>\n

7 a.m. \u2013 Ten Cents a Dance<\/em> (1931)<\/p>\n

8:30 a.m. \u2013 When Ladies Meet<\/em> (1933)<\/p>\n

10 a.m. \u2013 Double Harness<\/em> (1933)<\/p>\n

11:15 a.m. \u2013 For the Defense<\/em> (1930)<\/p>\n

12:30 p.m. \u2013 Union Depot<\/em> (1932)<\/p>\n

1:45 p.m. \u2013 Mary Stevens, MD<\/em> (1933)<\/p>\n

3 p.m. \u2013 The Age of Consent<\/em> (1932)<\/p>\n

4:45 p.m. \u2013 Bombshell<\/em> (1933)<\/p>\n

6:30 p.m. \u2013 Red-Headed Woman<\/em> (1932)<\/p>\n

\"tcm-02_05\"<\/p>\n

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8 p.m. \u2013 Red Dust<\/em> (1932)<\/p>\n

9:30 p.m. \u2013 Design for Living<\/em> (1933)<\/p>\n

11:15 p.m. \u2013 Trouble in Paradise<\/em> (1932)<\/p>\n

12:45 a.m. \u2013 Dr. Jekyll and Mr. Hyde<\/em> (1932)<\/p>\n

2:30 a.m. \u2013 The Story of Temple Drake<\/em> (1933)<\/p>\n

3:45 a.m. \u2013 Freaks<\/em> (1932)<\/p>\n

5 a.m. \u2013 Jewel Robbery<\/em> (1932)<\/p>\n

 <\/p>\n

Friday, Sept. 19<\/strong><\/p>\n

6 a.m. \u2013 Parole Girl<\/em> (1933)<\/p>\n

7:30 a.m. \u2013 Three Wise Girls<\/em> (1932)<\/p>\n

8:45 a.m. \u2013 Lady Killer<\/em> (1933)<\/p>\n

10:15 a.m. \u2013 Possessed<\/em> (1931)<\/p>\n

11:45 a.m. \u2013 Two Seconds<\/em> (1932)<\/p>\n

1 p.m. \u2013 The Little Giant<\/em> (1933)<\/p>\n

2:30 p.m. \u2013 The Mind Reader<\/em> (1933)<\/p>\n

3:45 p.m. \u2013 Beauty and the Boss<\/em> (1932)<\/p>\n

5 p.m. \u2013 Waterloo Bridge<\/em> (1931)<\/p>\n

6:30 p.m. \u2013 Hot Saturday<\/em> (1932)<\/p>\n

8 p.m. \u2013 Blonde Venus<\/em> (1932)<\/p>\n

\"tcm-02_06\"<\/p>\n

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9:45 p.m. \u2013 I’m No Angel<\/em> (1933)<\/p>\n

11:30 p.m. \u2013 She Done Him Wrong<\/em> (1933)<\/p>\n

12:45 a.m. \u2013 Blonde Crazy<\/em> (1931)<\/p>\n

2:15 a.m. \u2013 Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood<\/em> (2008)<\/p>\n

3:30 a.m. \u2013 Skyscraper Souls<\/em> (1932)<\/p>\n

5:15 a.m. \u2013 She Had to Say Yes<\/em> (1933)<\/p>\n

 <\/p>\n

Friday, Sept. 26<\/strong><\/p>\n

6 a.m. \u2013 A Free Soul<\/em> (1931)<\/p>\n

8 a.m. \u2013 Downstairs<\/em> (1932)<\/p>\n

9:30 a.m. \u2013 Ladies They Talk About<\/em> (1933)<\/p>\n

10:45 a.m. \u2013 Loose Ankles<\/em> (1930)<\/p>\n

12 p.m. \u2013 They Call it Sin<\/em> (1932)<\/p>\n

1:15 p.m. \u2013 Heroes for Sale<\/em> (1933)<\/p>\n

2:30 p.m. \u2013 Employee’s Entrance<\/em> (1933)<\/p>\n

4 p.m. \u2013 Midnight Mary<\/em> (1933)<\/p>\n

5:15 p.m. \u2013 Other Men’s Women<\/em> (1931)<\/p>\n

6:30 p.m. \u2013 The Public Enemy<\/em> (1931)<\/p>\n

\"tcm-02_07\"<\/p>\n

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8 p.m. \u2013 Scarface<\/em> (1932)<\/p>\n

9:45 p.m. \u2013 Little Caesar<\/em> (1930)<\/p>\n

11:15 p.m. \u2013 Penthouse<\/em> (1933)<\/p>\n

1 a.m. \u2013 Three on a Match<\/em> (1932)<\/p>\n

2:15 a.m. \u2013 Call Her Savage<\/em> (1932) \u2013 TCM Premiere<\/p>\n

3:45 a.m. \u2013 The Hatchet Man<\/em> (1932)<\/p>\n

5 a.m. \u2013 State’s<\/em> Attorney<\/em> (1932)<\/p>\n

\u00a0<\/strong><\/p>\n

(All Times Eastern)<\/p>\n","protected":false},"excerpt":{"rendered":"

Alec Baldwin and Robert Osborne Present Pre-Code Classics Fridays in September TCM Looks at Freewheeling Era with 24 Hours of Movies Every Friday During September Every Friday in September, Turner Classic Movies (TCM) is heading back in time to the pre-Code era, before American films fell under the censor’s eye and began to avoid topics […]<\/p>\n","protected":false},"author":2,"featured_media":496,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,80],"tags":[],"class_list":["post-494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivals","category-tcm-classic-film-festival"],"yoast_head":"\nTCM: Alec Baldwin and Robert Osborne Present Pre-Code Classics Fridays in September! - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by 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