{"id":5052,"date":"2011-11-30T07:58:22","date_gmt":"2011-11-30T15:58:22","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=5052"},"modified":"2014-10-19T08:09:12","modified_gmt":"2014-10-19T15:09:12","slug":"a-dangerous-method","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/a-dangerous-method\/","title":{"rendered":"A DANGEROUS METHOD"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"dangerous<\/p>\n

Michael Fassbender <\/a>dominates the movie screens this week with two superb films – A DANGEROUS METHOD and Shame<\/em>.\u00a0\u00a0 Walking a fine line of social and moral acceptability with both characters crossing lines, pushing the envelope and addressing highly charged issues of sexual dysfunction, sex scenes are graphic in both and in the NC-17 rated Shame<\/em>, Fassbender bares it all with full frontal nudity.\u00a0 Both are superb with performances and direction that could garner further award attention.\u00a0\u00a0 Each is fascinating subject matter and you will find yourself engrossed in the stories and the characters.\u00a0 But here, I turn my attention to A DANGEROUS METHOD.\u00a0\u00a0 Helmed by award winning director David Cronenberg, this is based on the true story of psychiatrists, Carl Jung and Sigmund Freud, and Jung\u2019s patient Sabina Spielrein.?xml:namespace prefix = o ns = “urn:schemas-microsoft-com:office:office” \/<\/p>\n

As soon as this film ended, I wanted to see more.\u00a0 One of the most fascinating character studies I have ever seen, although we know how the lives of each of our principals, and the world, evolved, A DANGEROUS METHOD is so compelling, one can\u2019t help but crave wanting to see everything unfold for oneself.<\/p>\n

Set in the early 1900’s on the eve of WWI in a tumultuous political climate, A DANGEROUS METHOD is the story of another upheaval taking place in the world; that in the world of psychiatry.\u00a0\u00a0 While darkness was falling for many thanks to impending war, for others, there was enlightenment, discovery and hope thanks to an experimental treatment known as \u201cthe talking cure\u201d or psychoanalysis.\u00a0 Developed by Sigmund Freud, this treatment was groundbreaking and controversial.\u00a0 Until this time, people with \u201cmental\u201d afflictions were treated with pastoral settings, waterfalls, brooks, rills, lush green forests, lulling tones of music, peaceful surroundings.\u00a0 But they had no one listening to them.\u00a0 As related by director David Cronenberg, \u201cHere was Freud saying, \u2018Listen to them because they will tell you what\u2019s wrong with them.\u00a0 And they will tell you how to cure them.\u2019\u201d A devotee of this method was none other than psychiatrist Carl Jung.<\/p>\n

\"fassbender<\/p>\n

At the beginning of his career, Jung is living in Zurich, working at Burgholzi Hospital.\u00a0 Anxious to try Freud\u2019s treatment, of which he had only so far only read about, he is presented with patient Sabina Spielrein.\u00a0 A well-educated Russian who speaks fluent German, Sabina has been diagnosed with \u201chysteria\u201d and dumped on Jung\u2019s doorstep by her parents.\u00a0 As part of her condition, Sabina becomes violent, her body becomes contortive with speech difficult to impossible due to muscle tensing.<\/p>\n

Electing to treat Sabina with Freud\u2019s remarkable talking cure, he corresponds with Freud discussing the case and the slow, but successful progress of the method.\u00a0 (So successful is the treatment that eventually Sabina herself would become a psychiatrist and a \u201cprot\u00e9g\u00e9e\u201d of Freud.)\u00a0\u00a0 It is through this correspondence that Jung and Freud strike what would become a long term friendship.\u00a0 Similarly, as Jung delves ever deeper into Sabina\u2019s psyche (and heart) and uncovers the genesis of her problems and the disturbing sexual elements to her dysfunction,\u00a0 the relationship between Sabina and Jung intensifies, so much so that in what may be the first documented violation of the doctor\/patient relationship in a psychiatric setting, Jung crosses all boundaries and begins an affair with Sabina.<\/p>\n

\"method-01\"<\/p>\n

But what happens when the relationship amongst Freud, Jung and Spielrein turns into a psychological menages-a-trois with lies, deceit and guilt consuming Jung?<\/p>\n

Brilliant enigmatic dichotomous performances by Keira Knightley and Michael Fassbender <\/a>as each walks the line of sanity, while seeking and trying to understand it,\u00a0 but in very different ways.\u00a0\u00a0 As Carl Jung, Fassbender exhibits such buttoned down control, primness, propriety, stick-up-his-butt reserve and does so\u00a0 with such a ferocity, that he remains true to the character of Jung even in the heat of masochistic sexual liaisons with Knightley’s Sabina.\u00a0 He maintains a firm controlled resistence, never allowing one to see Jung either achieve or receive pleasure, always presenting a silent aura of being a scientist, studying. He is methodical, precise and meticulous in his movements, diction, elocution, manners.\u00a0 Appealing to Fassbender about portraying Jung is the \u201cconflict. . . I think what we do is heightened reality.\u00a0 It\u2019s like people go, \u201cIt\u2019s not real.\u201d\u00a0 Well, real can be really boring.\u00a0 It\u2019s like we\u2019re trying to ask questions and seek out drama and the best way to have that is to have conflict.\u00a0 Conflict between characters or conflict within the character itself.\u00a0 I think it just makes it for more interesting viewing and it\u2019s more provocative and makes us question things a bit more. . . I\u2019m not like \u2018here\u2019s\u00a0 the villain – here\u2019s the good guy\u2019 which is kind of just boring for me.\u00a0 It\u2019s like, \u2018what happens if you grow the two together.\u2019\u201d\u00a0\u00a0 Here, we have a character rooted in reality and fact that is perhaps, the essence of conflict.<\/p>\n

\"method-02\"<\/p>\n

As Sabina, Keira Knightley, with contortionistic facial movements and wild-eyed expressiveness so necessary to the character as the physical manifestations of her psychological trauma,\u00a0 just commands the screen. Working closely with Cronenberg to achieve and execute an exacting portrayal, Cronenberg analyzes the creation of these physical nuances within the character.\u00a0 \u201cI said to Keira, \u2018As in other cases with these patients, [the movement] should all be around your mouth and jaw.\u00a0 You\u2019re trying to deform the words so they\u2019re not understandable at all.\u2019\u00a0 You can talk to [Keira] about these abstract things and she can find a way to embody it.\u00a0 That\u2019s her brilliance as an actress.\u201d\u00a0 Notable for Cronenberg in Knightley\u2019s performance is that even as Sabina becomes a professional in her own right, \u201cthere\u2019s still that volatility, that fragility underneath the surface. It\u2019s a really beautiful performance.\u201d One faux pas by Knightley, however, is with her accent.\u00a0 Generally consistent, there are times when she slips up during her rapid-fire, foaming at the mouth dialogue delivery.<\/p>\n

\"method-03\"<\/p>\n

Viggo Mortenson is virtually unrecognizable as Sigmund Freud.\u00a0 With altered facial perceptions and a very different physicality, he is everything one would believe is the essence of Freud.\u00a0 His vocal intonations, however, sounded more like George C. Scott as Patton as opposed to the Viennese doctor.\u00a0 Mortenson and Fassbender have an enigmatic and dynamic chemistry that ebbs and flows with, at times forced restraint, at other times adoration and envy, and at other times, shame and disappointment.\u00a0 It is as interesting to watch these two as it is Fassbender and Knightley.\u00a0 Equally impressive is Vincent Cassel as psychiatrist turned addict, Otto Gross.\u00a0 Sent by Freud to Jung for treatment, Gross is a linchpin in the turn of events amongst the parties.\u00a0 As someone on the outside now looking now, Cassel brings not only an energetic and frenzied aspect to the film, but a grounding and thoughtful positing of the events unfolding.\u00a0 He speaks what the audience is thinking.<\/p>\n

\"method-05\"<\/p>\n

Written by Christopher Hampton based on his play The Talking Cure<\/em>, itself adapted from the book A Most Dangerous Method <\/em>by John Kerr, director David Cronenberg further empowers the work by drawing on the original source material – the letters between Jung and Freud\u00a0 – giving new layers and insight into the minds and hearts of these men.\u00a0 So personalized and intimate that while watching, one can\u2019t help but feel as if they are in the doctor\u2019s chair and the characters are on the couch, affording the audience an opportunity to turn the tables and psychoanalyze these men.<\/p>\n

Beyond the intense almost visually psychoanalytical character studies, the film succeeds in illumination of the ongoing battle of psychiatric treatment and the methods of Freud versus Jung, a battle we not only see explained visually through the individual personas of the characters themselves, thus allowing greater understanding of the two schools of thinking, but through the scripted dialogue and timeline. A great history lesson for those interested in the subject matter.\u00a0 It also serves as a great expression of European social reality contrasted with Freudian theories of human urges and sexuality.<\/p>\n

\"method-06\"<\/p>\n

Known for early films that focus on exploration of the body, horrific scientific exploration and abstractness, with A DANGEROUS METHOD, Cronenberg takes the abstractness and volatility of psychoanalysis and these individuals, making them front and center, placing it all under a microscope, making this film voyeuristically fascinating to watch, both visually and emotionally.\u00a0 A standout aspect among the visuals is that involving self-voyeuristic viewing in mirrors, particularly between Jung and Sabina during sex scenes. While there is no factual evidence that this is what actually occurred, Cronenberg\u2019s rationale for this lensing style is more than plausible.\u00a0 \u201cThese people were their own first subjects.\u00a0 They felt they had invented A new thing, this psychoanalysis.\u00a0 And the relationship between and analyst and his patient was a brand new relationship that had never existed between humans before.\u00a0 They were experimenting with it. . .At that point the ethical boundaries have not been established and the realities of what that relationship was were not known.\u00a0 They were very obsessive about observing themselves. . .With Sabina, I felt,\u00a0 having plugged in totally to this obsessive psychoanalytic state of mind, would be observing herself, even while she was having sex.\u00a0 She would be observing herself; how she felt, what her reaction was, what Jung\u2019s reaction was – because you see the way we played that.\u00a0 Jung is not really enjoying those moments, he\u2019s doing it for her.\u00a0 And he would be observing it to from a clinical distance.\u00a0 So that was really the reason for that choreography.\u201d<\/p>\n

\"method-07\"<\/p>\n

Visually, the film is exquisite. Peter Suschitzky’s cinematography is liberating – expansive, light, bright, metaphoric for the psychoanalytical expanding of the mind; almost representative of a light at the end of the mind’s dark tunnel. Brilliantly designed and lensed. And the beauty of Bodensee as a substitute for Lake Zurich – the serenity, peace, beauty and light of the setting is a wonderful contrast to the darkness of the mind and the tunnel vision that Jung and Freud accused each other of promulgating. Likewise, James McAteer’s production design is meticulous, exacting and serves each character and each scene perfectly. The care and attention to detail that went into this production is both astounding and appreciated.<\/p>\n

Dare to face the dangers of the mind with A DANGEROUS METHOD.<\/p>\n

Carl Jung – Michael Fassbender<\/a><\/p>\n

Sigmund Freud – Viggo Mortenson<\/p>\n

Sabina Spielrein – Keira Knightley<\/p>\n

Otto Gross – Vincent Cassel<\/p>\n

Directed by David Cronenberg.\u00a0 Written by Christopher Hampton based on the play The Talking Cure<\/em> by Hampton and adapted from the book, A Most Dangerous Method <\/em>by John Kerr.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Michael Fassbender dominates the movie screens this week with two superb films – A DANGEROUS METHOD and Shame.\u00a0\u00a0 Walking a fine line of social and moral acceptability with both characters crossing lines, pushing the envelope and addressing highly charged issues of sexual dysfunction, sex scenes are graphic in both and in […]<\/p>\n","protected":false},"author":2,"featured_media":5060,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[796,176],"class_list":["post-5052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-a-dangerous-method","tag-drama"],"yoast_head":"\nA DANGEROUS METHOD - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/a-dangerous-method\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A DANGEROUS METHOD\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/a-dangerous-method\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2011-11-30T15:58:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-19T15:09:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2011\/11\/method-06.png\" \/>\n\t<meta property=\"og:image:width\" content=\"834\" \/>\n\t<meta property=\"og:image:height\" content=\"546\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/a-dangerous-method\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/a-dangerous-method\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"A DANGEROUS METHOD\",\"datePublished\":\"2011-11-30T15:58:22+00:00\",\"dateModified\":\"2014-10-19T15:09:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/a-dangerous-method\\\/\"},\"wordCount\":1785,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/a-dangerous-method\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2011\\\/11\\\/method-06.png\",\"keywords\":[\"A DANGEROUS METHOD\",\"drama\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/a-dangerous-method\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/a-dangerous-method\\\/\",\"name\":\"A DANGEROUS METHOD - 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