{"id":5457,"date":"2014-10-19T11:53:27","date_gmt":"2014-10-19T18:53:27","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=5457"},"modified":"2014-10-19T11:53:27","modified_gmt":"2014-10-19T18:53:27","slug":"lady-antebellum-and-composer-aaron-zigman-bring-out-the-best-music-in-the-best-of-me","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/interviews\/lady-antebellum-and-composer-aaron-zigman-bring-out-the-best-music-in-the-best-of-me\/","title":{"rendered":"Lady Antebellum and composer Aaron Zigman bring out the best music in \u2018The Best of Me\u2019"},"content":{"rendered":"

Film scores and the art of scoring is quite often under appreciated.\u00a0 For myself, a devotee raised on movie musicals, scores and soundtracks, all are essential elements of the cinematic experience.\u00a0 Scores are distinctive, iconic, telling their own chapter of the story.\u00a0 Just look at that of \u201cGone With the Wind\u201d by Max Steiner, or anything by John Williams which has such a symphonic emboldened presence or the work of Bernard Hermann who scored everything from \u201cCitizen Kane\u201d to \u201cTaxi Driver\u201d along with a little film we call \u201cPsycho.\u201d\u00a0 A favorite film composer over the past decade whose compositions have a distinctively thematic voice of their own is Aaron Zigman.\u00a0 And it\u2019s Zigman, no musical stranger to Nicholas Sparks film adaptations (he scored \u201cThe Notebook\u201d and \u201cThe Last Song\u201d) on whom director Michael Hoffman called when it came to scoring \u201cThe Best of Me\u201d.<\/p>\n

\"Aaron<\/a>
Aaron Zigman in his studio<\/figcaption><\/figure>\n

Be it scoring or specific lyric tracks or music for a film, the director always has an idea of what he wants the music to convey, the emotional beats it needs to hit, the signature character themes, a particular musical palette that speaks to the film and connects with the audience.\u00a0 According to Hoffman, with \u201cThe Best of Me\u201d early conversations among himself, producer Denise DiNovi and the film\u2019s distributor Relativity Media and its music division \u201cbegan [by] talking about the issue of authenticity and the relationship between authenticity and finding a kind of country voice for the movie.\u00a0 That was always there as a kind of lynchpin piece.\u201d Crucial for developing this particular score, however, was Hoffman relocating the Nicholas Sparks story from the Carolinas to Louisiana which meant \u201ctrying to find something that evoked that world in the music.\u201d\u00a0 Giving full credit to Aaron Zigman for finding that Louisiana \u201csomething\u201d, Hoffman notes it was also agreed \u201cwe really wanted to limit the amount of thematic materials so [the score] really landed and really came home and really related the story in the past to the story in the present.\u201d\u00a0 The operative musical considerations were \u201csimplicity, authenticity, emotionality.\u201d<\/p>\n

But Hoffman didn\u2019t just stop with the score.\u00a0 He and producer DiNovi also wanted lyric songs that would capture the emotion and story of the film while being compatible with the emotion of the score.\u00a0 For that, they sought out platinum recording artists and country stars, Lady Antebellum.<\/p>\n

\"Lady<\/a>
Lady Antebellum performing track from ‘The Best of Me’<\/figcaption><\/figure>\n

Admittedly one of Lady A\u2019s biggest fans, producer Denise DiNovi has nothing but praise for their work with \u201cThe Best of Me\u201d; especially when considering this is Lady A\u2019s first time at the rodeo writing songs specifically for a film.\u00a0 \u201cI\u2019ve had songs written for many films and they\u2019re wonderful, but I think [Lady Antebellum] did something here that is so difficult; where they told the story of the film in the song as well, in a way that doesn\u2019t give it away but just really deepens it and augments the movie.\u00a0 They did it so brilliantly.\u201d<\/p>\n

Band member and songwriter Charles Kelley quickly admits, \u201cWe had fun doing it. . .I think this is a good fit for us because we love writing romantic songs.\u00a0 I think we\u2019re best known for more romantic songs and nostalgic songs.\u00a0 So this was actually a fun task for us.\u201d<\/p>\n

Two Lady Antebellum songs are an integral part of the film.\u00a0 The first, \u201cI Did With You\u201d written by Lady A with Monty Powell, served as the thematic anchor of the film and from which Zigman pulled inspiration for his score.\u00a0 The second, \u201cFalling For You\u201d, tells the love story of the film\u2019s characters, Amanda Collier and Dawson Cole, within the song lyrics themselves.<\/p>\n

\"Luke<\/a>
Luke Bracey and Liana Liberato in ‘The Best of Me’<\/figcaption><\/figure>\n

Talking about the process of writing their first songs for a motion picture Hillary Scott opined, \u201cAs songwriters, there\u2019s no real formula.\u00a0 So to have a specific direction and different highlights from the film, like the script and different things that are about the relationship as it grows, it was just really neat to be able to work it into the lyric.\u201d\u00a0 An added bonus was \u201cgetting to see the film before it was completely finished to actually edit a couple of lyrics to make it even more specific.\u201d<\/p>\n

So how does it feel to have your first experience writing songs for a film under your belt?\u00a0 Avowed Nicholas Sparks fan Scott sums it up best.\u00a0 \u201cTo be able to be part of this is really awesome.\u201d<\/p>\n

\"James<\/a>
James Marsden and Michelle Monaghan in ‘The Best of Me’<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Film scores and the art of scoring is quite often under appreciated.\u00a0 For myself, a devotee raised on movie musicals, scores and soundtracks, all are essential elements of the cinematic experience.\u00a0 Scores are distinctive, iconic, telling their own chapter of the story.\u00a0 Just look at that of \u201cGone With the Wind\u201d by Max Steiner, or […]<\/p>\n","protected":false},"author":2,"featured_media":5477,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[841,667,840,668,669,666,842,665,843,664],"class_list":["post-5457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-aaron-zigman","tag-james-marsden","tag-lady-antebellum","tag-liana-liberato","tag-luke-bracey","tag-michelle-monaghan","tag-music-score","tag-nicholas-sparks","tag-soundtrack","tag-the-best-of-me"],"yoast_head":"\nLady Antebellum and composer Aaron Zigman 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