{"id":5728,"date":"2011-03-11T14:16:36","date_gmt":"2011-03-11T22:16:36","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=5728"},"modified":"2014-10-19T14:20:03","modified_gmt":"2014-10-19T21:20:03","slug":"mars-needs-moms-2","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/mars-needs-moms-2\/","title":{"rendered":"MARS NEEDS MOMS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"mars8\"<\/p>\n

In 2006, the world was blessed with what quickly became a classic in children\u2019s literature – Berkeley Breathed\u2019s \u201cMars Needs Moms.\u201d\u00a0 Inspired by a disagreement involving broccoli between Breathed\u2019s wife and their 5 year old son, Milo, Breathed was placed in the difficult position of how to explain to Milo how he might feel if he didn\u2019t have a Mom or what if she was suddenly taken away by Martians.\u00a0 So inspired with this creative rationalization, Breathed sat down that night and wrote MARS NEEDS MOMS.\u00a0 A little 32 page book, which he also illustrated, it didn\u2019t take long for it to find its way into the hands of Robert Zemeckis and Disney.\u00a0 Always at the forefront of technology and entertainment, Zemeckis immediately had a vision for a film.\u00a0 \u201cA lot of great elements perfect for performance capture, digital film and 3D.\u00a0 It takes place on Mars.\u00a0 An alien environment.\u00a0 It all had to be rendered.\u00a0 It had a lot of fun elements and things that lend itself perfectly to this process [motion performance].\u201d\u00a0 Seeing this as a \u201cgreat challenge to take such a small story and try to flesh out a movie idea out of it\u201d, with an interesting subtext and \u201cemotional moments that you don\u2019t usually find in most children\u2019s books or family fare\u201d, Simon and Wendy Wells were tapped to write a script with Simon directing.\u00a0 The end result is MARS NEEDS MOMS in 3D and Imax 3D.\u00a0 A wonderful blend of science, imagination, adventure and fun with heart as its core, MARS NEEDS MOMS is the adventure of your dreams!<\/p>\n

 <\/p>\n

\"mars6\"<\/p>\n

Milo is your average 9 year old.\u00a0 He dreams, he plays, he hates his vegetables.\u00a0 And while he loves his parents, there are times he wishes he didn\u2019t have them. \u00a0Of course, those times are infrequent and rare and only occur when Milo gets in trouble for something…like when feeding his broccoli to the cat, telling Mom he ate it himself so he can stay up and watch tv, only to have the car throw-up the broccoli, giving away Milo\u2019s deception. Uh, oh.\u00a0 So naturally, when he gets in trouble with Mom, what\u2019s the perfect response?\u00a0 I wish I didn\u2019t have a mom.<\/p>\n

I guess Milo forgot about the old adage, be careful what you wish for, because no sooner does night fall, than guilt sets in and on getting out of bed to apologize to Mom, sees her being whisked away on a spaceship!\u00a0 Mom is being taken away from him!\u00a0 Determined to save her, Milo stows away in the ship and soon finds himself soaring through the skies and landing on…you guessed it – Mars.\u00a0 Red on the outside as we have seen through our own JPL rovers, underground, there is a vast compound that goes deep into the core of the planet.\u00a0 Multi-layered, there is drab, disinfecting, order and discipline to rival that of\u00a0 Imperial storm troopers.<\/p>\n

\"mars3\"<\/p>\n

Discovered by the Martians, Milo is taken captive and imprisoned while his Mom is taken unconscious to some other area within the Martian compound.\u00a0 Crying, angry, pounding away at his prison, Milo must save Mom.\u00a0 But how?\u00a0 It doesn\u2019t take long though before help arrives in the form of Gribble – another Earthling whose mom was taken away 20 years ago.\u00a0 Like Milo, he tried to save his Mom.\u00a0 Sadly, Gribble was unsuccessful and became stranded on Mars, left to create a world for himself underground.\u00a0 Although a self taught technical genius, Gribble\u2019s social skills are stalled at age 10 given that he has been in hiding with no human contact or education. To Gribble, the world is still 1985.<\/p>\n

Happy to have a friend, Gribble teams up with Milo in his quest to save Mom, but Gribble plans to drag this out as long as possible as he fears being alone again.\u00a0 With enough exuberance and joy to fill the entire planet, Gribble is uncontainable as he shows Milo his lair, lays out his plans for the future.\u00a0 Milo, on the other hand, is rapidly becoming an adult as he focuses on the dire situation of his mom, with a ticking clock rapidly running down until her demise.\u00a0 You see, MARS NEEDS MOMS to program its Nannybots as they don\u2019t believe that child-rearing should be done by Martians, deeming it a waste of time.\u00a0 Problem is, is that on programming the Nannybots with essence of moms, moms disintegrate.<\/p>\n

\"mars5\"<\/p>\n

Facing trials and tribulations and comic foibles galore, Milo and Gribble press on with their mission, and soon gain the help of a rebel Martian named Ki.\u00a0 Happy, spritely and energetic, Ki isn\u2019t your typical Martian.\u00a0 She speaks English thanks to pilfering some data obtained from other kidnapped moms and observations of earth habits.\u00a0 But the date she\u2019s studied is all from the 1960’s and early 70’s filled with flower power and groovy things of the time.\u00a0 Forming a tightly knit triumvirate, the three set out on the most fantastical and dangerous adventure of their lives.<\/p>\n

Seth Green gives the physical performance for the motion capture of Milo while Seth Duskey does the voicing.\u00a0\u00a0\u00a0 According to Green, \u201cwhen you\u2019re making a movie like this with skin tight velcro\u00a0 suits and dots all over your face…harnesses banging around with each other, you feel the camaraderie [with other actors] very easily.\u00a0 Here, that camaraderie is with Dan Fogler aka Gribble.\u00a0 The biggest challenge for Fogler, Green and the other actors was the motion capture performance process.\u00a0 For Fogler, \u201cThe harnesses are incredibly constricting and if you are a person of girth as I am (laughing)……\u201d\u00a0 Key to the process for Fogler is that \u201cYou get a taste of seeing what its like to be a stunt person which is COOL.\u00a0 It\u2019s like you\u2019re doing action movie stuff.\u201d\u00a0 The physicality of both Green and Fogler is outstanding.\u00a0 As for Fogler, he is hysterical and buffoonish just like a grown up who’s still a kid, but he brings this beautiful sincerity to Gribble. \u201cI love playing sad clowns.\u00a0 Hysterical characters who have a lot of pain inside.\u00a0 That\u2019s Gribble.\u00a0 He\u2019s a huge teddy bear with the brain of a 10 year old but a complete genius.\u201d<\/p>\n

\"mars2\"<\/p>\n

Elisabeth Harnois captured my attention with this great energy and elan as Ki.\u00a0 For Harnois, motion capture is the highlight of the job.\u00a0 \u201cI enjoy the process SO much and the way you get to engage with other actors.\u00a0 It\u2019s very much like theater.\u201d\u00a0 And of course, \u2018[Flying in harnesses] is so fun.\u00a0\u00a0 They really let us do stuff that in any other film, we probably wouldn\u2019t be allowed to do.\u00a0 It was painful but it was also really fun.\u201d<\/p>\n

Joan Cusack is the epitome of \u201cmom.\u201d\u00a0 A mom herself with a son named Miles, even Cusack admits there were times she fell so completely into the role of Mom that she would say \u201cMiles\u201d instead of Milo.\u00a0 As with all the other actors, this was also Cusack\u2019s first time shooting in motion performance.\u00a0\u00a0 \u201cIt was almost like you\u2018re going back to childhood, like you\u2019re playing where you have to imagine everything.\u00a0 You get to imagine again, which is kind of fun.\u201d<\/p>\n

\"mars1\"<\/p>\n

Veteran character actress Mindy Sterling easily handles the role of the Martian \u201cSupervisor\u201d.\u00a0 Calling on her comedic improvisational roots with The Groundlings, for Sterling, motion capture is like manna from heaven.\u00a0 \u201cWe loved it! It was so free, so liberating and so creative.\u00a0 Where you had to be creative in how you saw the set and how you saw the things you were dealing with because there wasn\u2019t anything there.\u00a0 Just some tape.\u00a0 You really had to go to your acting and to your visual conception of everything.\u00a0 It was so different.\u00a0 You didn\u2019t have to be boggled down\u00a0 with hair and make-up or the lighting.\u00a0 It was so amazing.\u201d\u00a0 Also amazing, was the creation of the Martian language which Sterling had to speak.\u00a0 Described as \u201creally fun and different. There are some words they definitely created and made something out of so we could consistently use them as part of the Martian language. [Other times] I didn\u2019t have to memorize anything.\u00a0 It was great making up my own thing.\u201d<\/p>\n

Written by Simon and Wendy Wells, and directed by Simon, according to Wendy, \u201cit took about a year [to write the screenplay].\u00a0 We start up with a kernel of idea from the book and then wrote a novella of about 100 pages to see where it would take us.\u201d\u00a0 For Simon, \u201cThe book has incredibly powerful tentpoles.\u00a0 First,\u00a0 the awful moment where the kid is rude to his mother and then the sort of redeeming of that when he really discovers what a mother\u2019s love means – that a Mum will give her life for her child… Finding stuff to do along the way, well, take that thematic idea and build more characters who relate to that thematic idea and explore the territory that is implicit in that thematic idea.\u00a0 It fleshed out fairly easily finding more to do.\u201d<\/p>\n

The dialogue is realistic with Milo’s questions for Gribble of why, why, what, where, how. Similarly, the innocence of Gribble and Ki is celebratory with wide-eyed wonder.\u00a0\u00a0 And the mother-son dynamic…perfect.\u00a0 How many kids haven\u2019t tried feeding the cat or dog unwanted food, or thrown fits about taking out the trash, or tried to skirt around a deal with mom or dad and “reinterpret” verbiage. And how often has every kid yelled at their parents, wishing they didn’t have them.<\/p>\n

\"mars10\"<\/p>\n

As director, Simon, along with his technical team of magicians – Doug Chiang, Production Designer; Kevin Baillie, VFX Supervisor; Huck Wurtz, Animation; Robert Presley, Director of Photography; and Anthony Shafer, Stereoscopic (3D) supervisor\u00a0 – turn MARS NEEDS MOMS into a flight of fantastical.\u00a0 And let me tell you, these guys are the best in the business.\u00a0 Utilizing state of the art motion performance technology, including the new Kabuki Mask which allows for capture of full facial expression, the result is the finest motion capture performance film ever done, thanks to 120 stage cameras capturing 360 degree motion.\u00a0 Lensed in 3d (not post-production conversion), Shafer and team developed their own 3D camera system.\u00a0 And then we toss in animation which is impeccably and beautifully executed by Wurtz and his department.\u00a0 And I have to admit, my favorite visual sequence in the film is the discovery of the Ancient Underground.\u00a0 Filled with wonder, it is breathtakingly exquisite with 3D only adding to the magic of\u00a0 the dancing vibrant color and light.\u00a0 Overall color palettes are defining and expressive.<\/p>\n

\"mars7\"<\/p>\n

What I particularly appreciate is the nod to JPL and the creation of visuals that while based on the original Breathed illustrations, are in keeping with the surface feeds we’ve been receiving from the Mars rovers. Color, texture, and then incorporating scientific facts about Mars and laws of physics also contributes to the fantastical reality that there is life on Mars; something that has always been a part of imagination and playtime with kids – flying to the Moon, Mars and beyond, and of course, meeting Martians.<\/p>\n

A totally immersive moviegoing experience, for Cusack, \u201cThere is a lot of care into every piece\u201d of MOMS NEEDS MARS. For Sterling, \u201cFilm is so magical…3d really brought it to life.\u201d\u00a0\u00a0 For Fogler, \u201cThis is epic space comedy.\u00a0 Actor friendly…expensive playtime.\u201d\u00a0 As for me, I just love Simon Wells’ sense of adventure and with MARS NEEDS MOMS, he soars.<\/p>\n

Milo – Seth Green\/Seth Duskey<\/p>\n

Gribble – Dan Fogler<\/p>\n

Ki – Elisabeth Harnois<\/p>\n

Supervisor – Mindy Sterling<\/p>\n

Mom – Joan Cusack<\/p>\n

Directed by Simon Wells. Written by Simon Wells and Wendy Wells based on the book by<\/p>\n

Berkeley Breathed.<\/p>\n

Doug Chiang – Production Designer<\/p>\n

Kevin Baillie – VFX Supervisor<\/p>\n

Huck Wurtz – Animation<\/p>\n

Robert Presley, Director of Photography<\/p>\n

Anthony Shafer, Stereoscopic (3D) supervisor<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias In 2006, the world was blessed with what quickly became a classic in children\u2019s literature – Berkeley Breathed\u2019s \u201cMars Needs Moms.\u201d\u00a0 Inspired by a disagreement involving broccoli between Breathed\u2019s wife and their 5 year old son, Milo, Breathed was placed in the difficult position of how to explain to Milo how […]<\/p>\n","protected":false},"author":2,"featured_media":5737,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[45,200],"class_list":["post-5728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-family","tag-mars-needs-moms"],"yoast_head":"\nMARS NEEDS MOMS - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/mars-needs-moms-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MARS NEEDS MOMS\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/mars-needs-moms-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2011-03-11T22:16:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-19T21:20:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2011\/03\/mars8.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"270\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/mars-needs-moms-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/mars-needs-moms-2\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"MARS NEEDS MOMS\",\"datePublished\":\"2011-03-11T22:16:36+00:00\",\"dateModified\":\"2014-10-19T21:20:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/mars-needs-moms-2\\\/\"},\"wordCount\":2000,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/mars-needs-moms-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2011\\\/03\\\/mars8.jpg\",\"keywords\":[\"family\",\"Mars Needs Moms\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/mars-needs-moms-2\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/mars-needs-moms-2\\\/\",\"name\":\"MARS NEEDS MOMS - 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