{"id":5801,"date":"2011-02-02T14:48:33","date_gmt":"2011-02-02T22:48:33","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=5801"},"modified":"2014-10-19T14:51:30","modified_gmt":"2014-10-19T21:51:30","slug":"the-other-woman","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/the-other-woman\/","title":{"rendered":"THE OTHER WOMAN"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"otherwoman6\"<\/p>\n

There were high hopes out of Toronto last year after the screening of \u201cLove And Other Impossible Pursuits.\u201d\u00a0 Starring Natalie Portman and Lisa Kudrow as the big name attractions, writer\/director Don Roos\u2019 adaptation of the\u00a0 novel of the same name by Ayelet Waldman, is a prime example of often understated, thoughtful and thought provoking filmmaking, albeit at times, flawed.\u00a0 After sitting on a shelf for a year, the film has now been dusted off and repackaged as THE OTHER WOMAN, with a timely release that not only capitalizes on Natalie Portman\u2019s accolades for \u201cBlack Swan\u201d, but provides the audience with a glimpse into the emotional acting journey that now makes Natalie Portman a force to be reckoned with as a major star.<\/p>\n

Emelia Greenleafe is a typical Harvard law graduate.\u00a0 With high hopes and high aspirations (and big ego), she has joined one of New York\u2019s top law firms as an associate attorney.\u00a0 But from day one, it\u2019s evident that her hopes and aspirations consist of more than climbing the corporate ladder to partnership; she has her on Jack, one of the senior attorneys and who is very married with a young son.\u00a0 Despite law firm protocol, Emilia is not about to be deterred in her pursuits of success and Jack and makes that known at the firm Christmas party hosted by Jack and his uber successful ob\/gyn wife, Carolyn.\u00a0\u00a0 As timing and luck would have it, not too long after, an opportunity presents itself where Emelia is tapped to assist with and out-of-town discovery phase of some critical litigation on a case belonging to Jack.\u00a0 Needless to say, being out-of-town opened up all kinds of new avenues of discovery for both Emilia and Jack as a late deposition session soon moved into Emelia\u2019s hotel room.\u00a0\u00a0 Filled with mutual lust and mixed with a wife from whom Jack had \u201cgrown apart\u201d and who \u201cdidn\u2019t understand\u201d him anymore, the passion that erupts between the two could register on the Richter Scale.\u00a0 Ironically, as Emilia gets pushier and more demanding about Jack getting a divorce, she finds herself pregnant.<\/p>\n

\"otherwoman2\"<\/p>\n

Walking away from his wife and son, Jack marries Emilia and they try to blend their new family with Jack\u2019s old, and that includes his son William and ex-wife Carolyn.\u00a0 William is a tough sell though and Emilia is embattled with always trying to prove herself.\u00a0 But there is hope with the birth of Isabel.\u00a0 Sadly, three days after her birth, Isabel dies of Sudden Infant Death Syndrome, plunging Emilia into an anger fueled depression that still rages after eight months,\u00a0 as she teeters on what appears to be the edge of sanity with William, Carolyn, Jack and even her own father, the brunt of her rage and blame.\u00a0 But what is really behind her demise?<\/p>\n

Natalie Portman truly comes into her own as Emilia, completing the transition from child\/youth actress into a thespian for the ages.\u00a0 As Emilia she brings this edgy uncertainty that has a forced quality to it, boding very well for the dynamic between Emilia and everyone else in the film. It gives the relationships this great strained quality that propels the film forward.\u00a0 Portman is consistent with an uncertain introspective rage and irrationality that bleeds emotion.\u00a0\u00a0\u00a0 On the flip side, she also brings a lightness and warmth to Emilia in several sweet scenes with Charlie Tahan\u2019s William.\u00a0 Having now seen THE OTHER WOMAN, one can appreciate Portman\u2019s performance in \u201cBlack Swan\u201d even more and see the growth of this actress.<\/p>\n

\"otherwoman5\"<\/p>\n

The two performances, however, that just leap off the screen are that of Lisa Kudrow and Charlie Tahan.\u00a0 Tahan just blew me away as William, driving the emotion of the film home. The innocence of a child as to the world around him and emotion in general, combined with a brilliant intellectual sincere precociousness that Tahan brings to Charlie, is a perfect foil to Portman\u2019s emotionally scarred Emilia.\u00a0 Tahan\u2019s cadence and dictive staccato actually mirror that of Kudrow’s lending to an appreciated startling effect.\u00a0 As for Kudrow, the staccato vocal and emotional bitchy freneticsm she brings as Carolyn really fuels the film and amps the energy. Whenever Kudrow is on screen, the energy level just skyrockets.\u00a0 She is divine.\u00a0 Scott Cohen gives the film a great grounding as the weak and often blandly\u00a0 indecisive Jack, serving as a nice balance to the two different emotional extremes brought by Portman and Kudrow.<\/p>\n

\"otherwoman1\"<\/p>\n

Written and directed by Don Roos, his adaptation of Waldman\u2019s novel is solid in its character portrayals and believability of story.\u00a0\u00a0\u00a0 Using Charlie – and the memory of Isabel – as catalysts for the conflict contained within the adult plotlines, provides a clarity and simplicity of issues. \u00a0 This is a story that has been told time and time again, but here, with the catalyst, and often the viewfinder, being that of a child’s eye, we are given an entirely different interpretation that expands both the mind and the heart. It was impossible to look away from the screen as you develop a relationship with each of the characters, yourself wanting to see what happens.\u00a0 Can there be truth and healing and acceptance?\u00a0 In the end, it is Charlie that I found myself rooting for, hoping that he would get the family, the whole family, that he envisioned in an art class drawing.\u00a0 Where the adaptation finds its flaws, however, is with the father-daughter relationship between Emelia and her father.\u00a0 It goes to an extreme of disbelief and at its climax, is played out with gross insensitivity in the presence of an 8 year old child.\u00a0 And while Lisa Kudrow\u2019s performance as Carolyn is first rate, there are times I felt Roos went for the stereotypical disgruntled bitchy ex-wife dialogue which, to Kudrow\u2019s credit, she sparked with a uniquely different and honest emotional take and delivery.<\/p>\n

\"otherwoman3\"<\/p>\n

Don Roos has a good eye for intimate character portraiture and through some inventive and unusual camera angles gives us a revealing visual that parallels the emotional gravitas of the story.\u00a0\u00a0 Steve Yedlin\u2019s cinematography excels with tonal lighting that sets the emotional stage.\u00a0\u00a0 Likewise, Michael Shaw\u2019s production design is appropriate and ties in well with the economic strata of the principals.<\/p>\n

THE OTHER WOMAN pushes all the right buttons without feeling like a Lifetime movie.\u00a0\u00a0 Surprisingly, there are no loose ends come film\u2019s end giving the audience a sense of satisfaction and emotional food for thought.<\/p>\n

Emilia – Natalie Portman<\/p>\n

Carolyn – Lisa Kudrow<\/p>\n

William – Charlie Tahan<\/p>\n

Jack – Scott Cohen<\/p>\n

Written and Directed by Don Roos based on the novel \u201cLove And Other Impossible Pursuits\u201d by Ayelet Waldman<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias There were high hopes out of Toronto last year after the screening of \u201cLove And Other Impossible Pursuits.\u201d\u00a0 Starring Natalie Portman and Lisa Kudrow as the big name attractions, writer\/director Don Roos\u2019 adaptation of the\u00a0 novel of the same name by Ayelet Waldman, is a prime example of often understated, thoughtful […]<\/p>\n","protected":false},"author":2,"featured_media":5804,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,876],"class_list":["post-5801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-the-other-woman"],"yoast_head":"\nTHE OTHER WOMAN - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/the-other-woman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE OTHER WOMAN\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/the-other-woman\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2011-02-02T22:48:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-19T21:51:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2011\/02\/otherwoman2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"265\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-other-woman\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-other-woman\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"THE OTHER WOMAN\",\"datePublished\":\"2011-02-02T22:48:33+00:00\",\"dateModified\":\"2014-10-19T21:51:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-other-woman\\\/\"},\"wordCount\":1125,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-other-woman\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2011\\\/02\\\/otherwoman2.jpg\",\"keywords\":[\"drama\",\"THE OTHER WOMAN\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-other-woman\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/the-other-woman\\\/\",\"name\":\"THE OTHER WOMAN - 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