{"id":5880,"date":"2010-12-22T15:24:37","date_gmt":"2010-12-22T23:24:37","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=5880"},"modified":"2014-10-19T15:29:12","modified_gmt":"2014-10-19T22:29:12","slug":"somewhere","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/somewhere\/","title":{"rendered":"SOMEWHERE"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

Sofia Coppola is masterful when it comes to mood and attention to detail in a film.\u00a0 Just take a look at \u201cMarie Antoinette\u201d or \u201cLost In Translation.\u201d\u00a0 Both are perfect in each sense.\u00a0 Even with her earliest film, \u201cThe Virgin Suicides\u201d, Coppola establishes her own directing style, one that she has honed to perfection over the years.\u00a0 With SOMEWHERE, she turns her keen sense of observation to a world which, in many respects, she is very familiar; that of Hollywood and celebrity.\u00a0 But Coppola takes it a step further by telling this story from the perspective of not only a guy, but a superstar and a father.\u00a0 With a radiant performance by Elle Fanning and the emotional sensitivity of Stephen Dorff, SOMEWHERE is a beautifully examined intimate portraiture that is engaging and personal, at times feeling almost like a small roundtable press day or 1:1 interview. Coppola gives us a slice of life from the inside looking out, punctuated with laughter and filled with heart.<\/p>\n

\"somewhere10\"<\/p>\n

Johnny Marco is a living legend.\u00a0 A superstar action hero, he has looks, money, fame.\u00a0 He lives at the famed Chateau Marmont; you know the place, the one where John Belushi died, the one hidden behind trees and a winding drive, the one that we rarely see, the one that just screams mystery, glamour and fame.\u00a0 Living in a hotel, Johnny has everything he could possibly want at his beckon call.\u00a0 Room service brings food and alcohol.\u00a0 He gets wake-up calls when necessary.\u00a0 Personal assistants, publicists and agents make his decisions for him and just tell him where and when to be someplace.\u00a0 He never even has to think.\u00a0 He has more friends than he knows what to do with, many of whom are nice enough to throw parties on Johnny\u2019s dime.\u00a0 And girls?\u00a0 Oh, Johnny\u2019s got a steady stream of them, including on-call strippers who bring their own poles for in-room performances.\u00a0 And talk about vanity!\u00a0 Just look in the bathroom.\u00a0 Bottles of Propecia and Viagra line the sink.\u00a0 After all, being a superstar does require maintenance.\u00a0 And when he\u2019s not being chauffeured around, he\u2019s got a nifty little Ferrari to tool around town in.\u00a0\u00a0 Why, even a drunken fall down the stairs and a broken arm aren\u2019t enough to stop Johnny from playing in his sandbox called celebrity life.\u00a0 But Johnny\u2019s also got something else – an 11 year daughter named Cleo who he generally only sees on weekends but who is now deposited on Johnny\u2019s doorstep just as Johnny is in the middle of a promoting a new film and travelling to Italy to accept a glitzy award.<\/p>\n

\"somewhere7\"<\/p>\n

In the blink of an eye, one easily sees that Johnny is not the fatherly type and has had limited involvement in Cleo\u2019s life.\u00a0 He is clueless as to her schooling, what grade she\u2019s in, what hobbies she has.\u00a0 He\u2019s so out of touch, that even regular mealtimes are outside of his realm of comprehension.\u00a0 But despite this great divide, there is a great rapport between father and daughter, even if it means Cleo acting more the parent than Johnny.\u00a0 A great love is clearly evident, if only Johnny would learn how to grow up and express it.<\/p>\n

Showing a surprising side of his talents, Stephen Dorff steps in as Johnny Marco.\u00a0 With great sensitivity, he is at ease and comfortable in the part. Believable to a fault. Very telling is his scene in full prosthetic make-up as an old man. At that moment and thereafter, Dorff brings this new emotional layer to Johnny that makes him more likeable, more interesting.\u00a0 He has seen the future and he doesn’t like the emptiness in the eyes behind the mask.\u00a0\u00a0 Dorff’s chemistry with Elle Fanning is charming as it appears more like an older brother-little sister relationship, which is right in keeping with Johnny’s emptiness and ineptitude as an independent thinking man.\u00a0 Dorff really gives some great grown kid-frat boy attitude to Johnny.\u00a0 When asked \u201cWhy Stephen Dorff?\u201d Coppola is confident in her choice.\u00a0\u00a0 \u201cHe came to mind when I was writing the script.\u00a0 He came to mind in this kind of Hollywood bad boy, actor [way].\u00a0 I thought it would be interesting to see him show this more sensitive side.\u00a0 I\u2019m glad I had a hunch and I\u2019m glad he really came through for me.\u201d<\/p>\n

\"somewhere8\"<\/p>\n

For the character of Cleo, there was also no doubt in Coppola\u2019s mind.\u00a0 \u201cWhen I met Elle, I was really taken with her.\u00a0 She is so radiant and I love that she is smart and wise but still a kid.\u00a0 She gets excited about a Halloween costume and ballet.\u201d\u00a0 Fanning is simply enchanting as Cleo.\u00a0 She is the character with whom you most connect. She is the one you worry about, the one who makes you smile, while Johnny is the one who entertains.\u00a0\u00a0 So excited over the part of Cleo that Fanning even learned not only how to ice skate, but a complete choreographed routine, for what is a very pivotal scene in the movie.\u00a0 So intent was Coppola in capturing true emotion, that Dorff never saw Fanning skate, let alone the final routine, so the paternal reaction captured on camera is as authentic as it can possibly be.<\/p>\n

And I would be remiss not to mention some of Hugh Hefner\u2019s former\u00a0 \u201ctwin girls next door\u201d who tackle their pole dancing tasks with some rather interesting results.<\/p>\n

\"somewhere-sofia\"<\/p>\n

Written and directed by Sofia Coppola, the relationship between Johnny and Cleo is precious and beautifully visualized, but where Coppola truly excels is in capturing emotion –\u00a0 the sadness of a little girl lost between a screwed up mom and movie star dad, not to mention the internal realization by Johnny that he really is a helpless empty mess; he has this amazing career, amazing daughter, all the trappings that money can buy, yet he can’t make a meal of spaghetti – even his daughter has to cook for him when they are together.\u00a0\u00a0 He is cared for 24\/7 and has really stopped thinking for himself.<\/p>\n

Drawing the audience into the characters, Coppola embraces humor and some truly funny laugh-out-loud funny moments, particularly when addressing the ins and outs of Johnny Marco\u2019s life as a \u201ccelebrity.\u201d\u00a0 According to Coppola, \u201cI put in things that I think are funny so it\u2019s always nice that other people think so, too.\u00a0 I like putting in all those little moments, the kind of details you find funny or touching or sad.\u201d\u00a0 And Coppola has many personal remembrances of those little details. \u201c[My dad] is not like the dad in the movie.\u00a0 But I was familiar with sometimes being a kid and being brought into worlds that kids aren\u2019t usually around.\u00a0 It was always exciting to go on a trip with my dad where you get to see things in the world where kids aren\u2019t normally around.\u00a0 Like I put in the scene of him teaching her craps. I remember being in a casino with my dad and him explaining that [laughing], so I tried to put in kid memories into that character that are connected to my life.\u201d<\/p>\n

\"somewhere3\"<\/p>\n

Written in the summer of 2008 and shot in 2009, Coppola credits the story with her being \u201ca little homesick and thinking about LA.\u201d\u00a0 Having just finished \u201cMarie Antoinette\u201d and living in Paris, she wanted something \u201cnot girlie, and now with a guy\u2019s perspective.\u201d\u00a0 \u201cWhen I\u2019m writing, I try to be open to whatever I\u2019m interested in and not try to figure it out.\u00a0 I think just pop culture and celebrity is kind of curious.\u00a0 And a challenge for me – I wanted to do this minimal portrait of this guy.\u201d\u00a0 Herself a relatively new mom with her first daughter, \u201cI was thinking about how much that changes your perspective and priorities and then imaging a guy like this with that relationship, what that might be like. I try to put whatever is personal for me, what I\u2019m thinking about, into what I\u2019m doing.\u201d\u00a0 On asking Coppola how she created the character of Johnny, \u201cI based him on people I\u2019ve met and people I know; on stories I\u2019ve heard from the Chateau Marmont.\u00a0 He\u2019s kind of a combination of them.\u00a0 Not one person in particular, but there\u2019s maybe a dozen people that I took pieces of.\u201d<\/p>\n

\"somewhere5\"<\/p>\n

Shooting at the Chateau Marmont is a rarity in movie history.\u00a0 Known for its homey shabby chic atmosphere and as a hideaway that respects the privacy of its guests, the hotel has always done its best to deter opening its doors to film crews.\u00a0 However, when you personally know the manager and owner of the hotel and provide a sense of security that gives them the feeling that, \u201cyou\u2019re going to portray it in an accurate way\u201d, doors do open, as is the case with SOMEWHERE.\u00a0 And luckily for Coppola they did as \u201cthere was no back up plan.\u201d\u00a0\u00a0 Once gaining filming access, the next challenge was not disrupting the hotel.\u00a0 Again, luck came into play as Coppola had previously lensed at the Park Hyatt.\u00a0 \u201c I was used to having to kind of sneak around and stay out of the way.\u00a0 We didn\u2019t have trucks.\u00a0 I wanted to shoot with a small crew and to be able to film in the real location we had to have a really small crew.\u00a0 We took over the fifth floor.\u00a0 Each department was in a different room.\u00a0 The manager was really helpful to work with us.\u00a0 But we had to stay out of the way.\u201d<\/p>\n

\"somewhere4\"<\/p>\n

A great personal challenge for Coppola was trying to \u201cfigure out how much we could push [the story] without it being totally boring.\u00a0 I wanted to keep the audience involved; have it feel like it was from [Johnny\u2019s] point of view and to be in his state of mind.\u201d\u00a0\u00a0 Besides the humor and engaging characters, the real key to success comes in the form of Harris Savides\u2019 cinematography.\u00a0 Beautifully capturing the drama of Sunset Boulevard and the glittering Los Angeles skyline where dreams twinkle in the midnight sky, balanced with the sun-filled days with a clear blue sky, everything looks beautiful, feels beautiful, is beautiful.<\/p>\n

There is nothing earth shattering or mind blowing about SOMEWHERE. This is a simple story that is told simply, eloquently and beautifully. Coppola gives us wit, truth, irony, laughter, smiles and heart. She has taken cliched moments about Hollywood and made them funny and endearing. She has taken the truth in life and placed it under a nuanced magnifying glass that is perhaps rose-tinted at times. We are along for the ride as if in Johnny’s Ferrari, getting an inside peek behind the walls of the rich and famous, seeing that at times, it is nothing more than an empty shell and one should be thankful that they don’t need a note from mom pinned to their clothes with instructions for the day.<\/p>\n

A hopeful, lovely, easy breezy charming piece of moviemaking, SOMEWHERE is going everywhere.<\/p>\n

Johnny Marco – Stephen Dorff<\/p>\n

Cleo – Elle Fanning<\/p>\n

Written and Directed by Sofia Coppola.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Sofia Coppola is masterful when it comes to mood and attention to detail in a film.\u00a0 Just take a look at \u201cMarie Antoinette\u201d or \u201cLost In Translation.\u201d\u00a0 Both are perfect in each sense.\u00a0 Even with her earliest film, \u201cThe Virgin Suicides\u201d, Coppola establishes her own directing style, one that she has […]<\/p>\n","protected":false},"author":2,"featured_media":2682,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,884],"class_list":["post-5880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-somewhere"],"yoast_head":"\nSOMEWHERE - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/somewhere\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SOMEWHERE\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/somewhere\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-12-22T23:24:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-19T22:29:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2011\/11\/dorff-somewhere.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"397\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/somewhere\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/somewhere\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"SOMEWHERE\",\"datePublished\":\"2010-12-22T23:24:37+00:00\",\"dateModified\":\"2014-10-19T22:29:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/somewhere\\\/\"},\"wordCount\":1872,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/somewhere\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2011\\\/11\\\/dorff-somewhere.jpg\",\"keywords\":[\"drama\",\"SOMEWHERE\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/somewhere\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/somewhere\\\/\",\"name\":\"SOMEWHERE - 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