{"id":5894,"date":"2010-12-22T18:12:06","date_gmt":"2010-12-23T02:12:06","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=5894"},"modified":"2014-10-19T18:15:20","modified_gmt":"2014-10-20T01:15:20","slug":"rabbit-hole","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/rabbit-hole\/","title":{"rendered":"RABBIT HOLE"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"rabbit-hole-movie-poster\"<\/p>\n

It is rare indeed to experience the adaptation of an excellently crafted and performed, emotionally impactful play, into an equally excellent film.\u00a0 Such is the case here with John Cameron Mitchell\u2019s adaptation of the David Lindsay-Abaire drama RABBIT HOLE, the screenplay for which is adapted by Lindsay-Abaire himself.\u00a0 Not only equaling, but often excelling the emotional gravitas of the stage version, Mitchell expands the story beyond the four walls of a home, integrates nuanced characterizations and relationships, and plays with color, light and tersely dancing dialogue, housing all under a powerhouse performance from Nicole Kidman that, as we are already seeing, begs for not only accolades from the critics and public alike, but recognition with perhaps more than a few golden statuettes.\u00a0 Peeling away layer after layer of a couple\u2019s existence 8 months after the death of their child, Mitchell ultimately lays them emotionally bare for all the world to see, with an understated elegance and complexity fueled by hope and rebirth.<\/p>\n

Howie and Becca Corbett are your typical good looking, upper-middle class East Coast couple\u00a0 – a beautiful home, nice cars, tasteful understated clothing and mannerisms that give a sense of being \u201cwell off\u201d, an impeccably manicured lawn and garden tended by Becca herself, elegant intimate quiet dinners for two at home often followed by quiet moments of reflection or reading.\u00a0 On the surface, their life seems perfect.\u00a0 But on second look, some of the veneer is cracked, allowing a glimpse into what lies beyond visible perfection.\u00a0 Although surrounded in the front yard by a white picket fence, the gate is always latched.\u00a0 The backyard resembles a \u201csecret garden\u201d with bowers and trees and hedges and a hidden gated door that is also locked, or is supposed to be.\u00a0 Looking out the front, beyond the street there is a lake, a river, completing the feeling of a medieval fortress.\u00a0\u00a0 In the kitchen, there are a child\u2019s drawings on the refrigerator.\u00a0 In the cupboard, sippy cups and insulated lunch bags with comic characters on them.\u00a0 Yet, there are no toys on the floor, no sounds of a child.\u00a0 And when Howie and Becca speak, it\u2019s about the weather, ignoring a neighbor.\u00a0 Office water cooler conversation is more engaging and interesting than the conversation between them.\u00a0 There is a frigid distance between them; an empty hollowness to their relationship.\u00a0 And then we discover why.<\/p>\n

Eight months ago, their son Danny ran into the street after his dog, was struck by a car and killed.\u00a0 Devastated, rather than bring the couple together in solace and comfort over their grief, Danny\u2019s death has devastated them individually and as husband and wife, pushing them farther and farther apart with each passing day.<\/p>\n

\"rh5\"<\/p>\n

Howie wants, needs, to openly grieve for his son, but Becca does not.\u00a0\u00a0 Howie wants to participate in group therapy, talk and listen.\u00a0 Becca does not.\u00a0 Howie wants to remember Danny with photos and videos.\u00a0 Becca has stripped the house bare of Danny\u2019s photos.\u00a0 In fact, Becca wants to sell the house, move and start a new life.\u00a0 And now, on the 8 month anniversary, she has removed Danny\u2019s drawings from the refrigerator and has begun packing up the things in his room, doing her best to strip Danny from her memory, ignoring Howie\u2019s needs.\u00a0 Making things even more difficult is Becca\u2019s mother, Nat, who herself lost a son some years back.\u00a0 Try as she might to help Becca, her efforts fall on deaf ears as Becca feels smothered and doesn\u2019t feel the need to discuss anything.\u00a0 \u201cI\u2019m not you, Mom.\u201d\u00a0 As we feel Becca\u2019s pain and anger seething below the surface begging to explode, she is pushed even further to what has to be close to a breaking point, when her unmarried sister announces she\u2019s pregnant.\u00a0 And then, as if by divine intervention, Becca sees Jason, a young teenaged boy, the boy who was driving the car that killed Danny.<\/p>\n

 <\/p>\n

This is truly an Oscar moment for Nicole Kidman. As Becca, she brings a cohesive range of emotion and incredible dry wit, concurrently nailing sarcastic one liners while evoking deep internal pain and vulnerability, all subtly layered beneath denial, sorrow and falsely placed ignorant bliss.\u00a0\u00a0 The emotion is real, raw and honest.\u00a0 And although I hate to mention it, it was blissful to see Kidman\u2019s facial muscles moving, to see brow furrows, laugh lines, small crows feet.\u00a0 She looks like a real person, a real mother, a woman who is emotionally torn and being eaten up inside.\u00a0 We see life in her eyes and with every line on her face.\u00a0 And it is beautiful.\"rh2\"<\/p>\n

Aaron Eckhart\u2019s Howie is solid as he allows Howie to be visibly flawed, hurt and confused while retaining the sympathy necessary to propel the story.\u00a0 There are several exceptional emotionally charged scenes for Eckhart where he is mesmerizing, breaking the viewers\u2019 hearts as we watch Howie\u2019s break.<\/p>\n

Interesting is the chemistry between Kidman and Eckhart.\u00a0 It\u2019s very uncomfortable, very casual and off-putting.\u00a0 I never bought for a moment they were husband and wife, however, given the emotional estrangement of the characters, their pairing works well.\u00a0\u00a0 Where both truly excel is in the conveyance of their grief and respective coping mechanisms.\u00a0 Their emotions are palpable, touchable and believable and never moreso than when each reaches their breaking point.<\/p>\n

\"rh1\"<\/p>\n

Particularly effective is the relationship between Kidman’s Becca and Miles Teller’s Jason. Incredibly dialed in and focused, teller touches your heart in a very dramatic way thanks to the great tacit sensitivity that he brings to the character.\u00a0 His scenes with Kidman are tender and gentle and although with minimal dialogue, it is crucial dialogue to the story.\u00a0 My only complaint about Dianne Wiest\u2019s performance is not enough screen time.\u00a0 As Nat, she is wonderful, wise and at times, prolifically funny.\u00a0 Sandra Oh also compliments the cast as support group member Gabby, playing a pivotal point in the healing process of Eckhart\u2019s Howie.<\/p>\n

David Lindsay-Abaire’s story is very grounded; very honest and open. Already winning a Pulitzer for RABBIT HOLE, with this adaptation, he retains the very essence of what makes this an award winning story, but then combining his talents with those of director James Cameron Mitchell, gives us an adaptation that is extremely organic with a great natural flow and ease – much like the current of the river\/lake that Becca and Howie look out upon every day. There is a silent truth and believability, connectability that good, bad or indifferent, pulls at the heart. Opening with Becca gardening, trying to “give birth” to a creation of her own – her garden – superb symbolism.\u00a0\u00a0 One of the keys to the beauty of this film is the irreverent handling of grief.\u00a0 Never going for melodrama, Lindsay-Abaire and Mitchell humanize the characters with a delicate hand, allowing the actors to take center stage, letting raw energy flow as the cameras roll.<\/p>\n

\"rh3\"<\/p>\n

Frank DeMarco\u2019s cinematography is crisp and beautiful yet minimalistic.\u00a0 Implementing a lovely color palette, thanks to lighting and Kalina Ivanov\u2019s production design, striking contrasts are created that propel the various emotions and characters.\u00a0\u00a0 There is a washed out yellowish sickly feel in the Corbett home for much of the movie with the only vibrancy found in Danny’s room.\u00a0 Contrastly, there is a stark clarity of exteriors and then the warming sun in park scenes with Becca and Jason which are exquisite to watch, adding volumes to the emotional palette.<\/p>\n

A film adaptation that surpasses the excellence of the stage, RABBIT HOLE is a journey that is emotionally complex, candid and honest with an unflinching authenticity and genuineness of the human condition, topped off by a riveting performance by Nicole Kidman.<\/p>\n

Becca – Nicole Kidman<\/p>\n

Howie – Aaron Eckhart<\/p>\n

Jason – Miles Teller<\/p>\n

Nat – Dianne Wiest<\/p>\n

Directed by James Cameron Mitchell.\u00a0 Written by David Lindsay-Abaire based on his play \u201cRabbit Hole.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias It is rare indeed to experience the adaptation of an excellently crafted and performed, emotionally impactful play, into an equally excellent film.\u00a0 Such is the case here with John Cameron Mitchell\u2019s adaptation of the David Lindsay-Abaire drama RABBIT HOLE, the screenplay for which is adapted by Lindsay-Abaire himself.\u00a0 Not only equaling, […]<\/p>\n","protected":false},"author":2,"featured_media":5900,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[176,885],"class_list":["post-5894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-drama","tag-rabbit-hole"],"yoast_head":"\nRABBIT HOLE - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/rabbit-hole\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RABBIT HOLE\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/rabbit-hole\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-12-23T02:12:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-20T01:15:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/12\/rh5.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"284\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rabbit-hole\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rabbit-hole\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"RABBIT HOLE\",\"datePublished\":\"2010-12-23T02:12:06+00:00\",\"dateModified\":\"2014-10-20T01:15:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rabbit-hole\\\/\"},\"wordCount\":1334,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rabbit-hole\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/12\\\/rh5.jpg\",\"keywords\":[\"drama\",\"RABBIT HOLE\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rabbit-hole\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/rabbit-hole\\\/\",\"name\":\"RABBIT HOLE - 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