{"id":6004,"date":"2010-11-05T07:50:21","date_gmt":"2010-11-05T14:50:21","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=6004"},"modified":"2014-10-20T07:54:40","modified_gmt":"2014-10-20T14:54:40","slug":"127-hours","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/127-hours\/","title":{"rendered":"127 HOURS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"1273\"<\/p>\n

One rock.\u00a0 One man.\u00a0 The forces of nature.\u00a0 A really crappy off-brand Leatherman tool.\u00a0 127 hours.\u00a0 Who else but Danny Boyle, screenwriter Simon Beaufoy, and actor James Franco could turn that combination into one of the most exciting, suspenseful and triumphant films of the year?\u00a0 The answer – no one.<\/p>\n

Aron Ralston is a mountaineer and extreme sport athlete who lives for the adrenalin rush of doing the impossible, the unthinkable and even the reckless and unsafe.\u00a0 His greatest passion is rock climbing, mountain climbing.\u00a0 By now, you all probably know Aron\u2019s story, either hearing or reading about it in 2003 when it happened, with the release of Aron\u2019s best-selling memoir, \u201cBetween a Rock and a Hard Place\u201d, or now, with the buzz surrounding 127 HOURS.<\/p>\n

\"1278\"<\/p>\n

On a beautiful spring day in April 2003, then 26 year old Aron Rolston went hiking in Canyonlands National Park in Utah.\u00a0 Having hiked and climbed there countless times before, he was anxious to head back to Blue John Canyon, an exquisite area deep within the beautiful painted desert.\u00a0 Unfortunately, while atop a rock formation 65 feet above ground level, Aron slipped, plummeting down into a narrow crevasse.\u00a0 And right behind him, tumbled a large boulder.\u00a0 In an effort to keep his head from getting crushed, Aron dodges the boulder, but in so doing, positions his body so that as the boulder becomes stuck between the walls of the crevasse, so does Aron\u2019s right arm and hand, literally pinning him between a rock and a hard place.<\/p>\n

Try as he might, the boulder was immovable.\u00a0 He was stuck.\u00a0 With his mind racing, he thought of rescue.\u00a0 He thought of calling someone on his cell phone for help.\u00a0 But then realization struck. No one, but for two girls he had met earlier in the day, even knew where he was.\u00a0 Aron was notorious for not returning phone calls, leaving notes or letting anyone know what he was doing or where he was going.\u00a0 He always felt invincible.\u00a0 But now…\u00a0 And the cell phone was of no use as there was no signal.<\/p>\n

\"1277\"<\/p>\n

Keeping a cool head, much like NASA with Apollo 13, Aron took stock of what he had to work with to not only survive, but to free himself – rope, harnesses, some credit cards, head lamp, minimal water, a camel pak, video camera and a knock-off Leatherman tool.\u00a0 Keeping his mind busy and adapting to functioning with only one arm and hand as he worked to create a sleeping harness and chisel away at the rock with the crappy bladed tool, Aron began to reflect on his life; on what he had and what he had failed to appreciate.\u00a0 Using his video camera to record his thoughts and send messages to his mother and family as his \u201cLast Will and Testament\u201d, the direness of the situation only increased, as did Aron\u2019s calm and resolution. As day turned into night and night into another day and another day and another day, with only 15 minutes a day of sunlight to warm him, chilling nights, torrential downpours, no food, depleted water supply, Aron realized that in order to survive, there was only one thing he could do.<\/p>\n

\"1271\"<\/p>\n

This is the most powerful performance of James Franco\u2019s career.\u00a0 Masterful artistry. As Aron Ralston, he is on screen 100% of the time.\u00a0 He is it.\u00a0 Even Tom Hanks had Wilson to entertain him in \u201cCastaway\u201d.\u00a0 Here, there is nothing but Ralston and 127 hours of solitude.\u00a0 But it\u2019s not the physical efforts made in character or the video reflections that make the most impact, it is Franco\u2019s presence in pure silence that are the most riveting and impactful.\u00a0 A physically demanding role, Franco lost an excess of 25 pounds before shooting began and then relied on face padding for the early scenes of a healthy Ralston, removing the prosthetic as days and hours progressed and his body began to emaciate from water deprivation.\u00a0 In reality, Ralston lost 40 pounds over the course of those\u00a0 127 hours.\u00a0\u00a0 Viewing the videos with Ralston, Franco was able to see and feel Ralston\u2019s emotions at the time, brining them into his own performance. He recalled that while the voice messages were scripted, \u201cI think [Danny] gave me the freedom to be a little loose with the words.\u00a0 The most important thing was that it feel natural.\u201d\u00a0 On watching the real videos, Franco found that \u201cone of the things that was the most powerful was how simple it was; how direct and connected it was.\u00a0 So to capture that, Danny allowed me some looseness.\u201d<\/p>\n

\"1274\"<\/p>\n

As we have seen time and time again, Danny Boyle is a true visionary.\u00a0 And with 127 HOURS, one must also add \u201cgenius.\u201d\u00a0 With an artfully crafted script by Simon Beaufoy and Boyle, we are given a window into Ralston\u2019s mind that fills the screen with meaning, courage, inner fortitude\u00a0 and humanity. Incorporating Ralston\u2019s use a video camera during his ordeal not only opened up avenues for storytelling, but aided in the minimal dialogue by using many of Ralston\u2019s own words and thoughts which were on video, many times as a basis for \u201cfantasy\u201d or delirium, and other times, for the sheer truth and power of Ralston\u2019s voice.\u00a0 According to Franco, \u201cCertain scenes were verbatim.\u00a0 Some of the video messages are verbatim what [Ralston] actually said.\u201d Using silence as a tool, some of the most riveting sequences are Franco\u2019s pensive reflection just staring up into the starlit inky black night.\u00a0 Achieving a storytelling balance, humor is also reflected in the dialogue with every child\u2019s favorite – bathroom humor.\u00a0 For Boyle, \u201cthat kind of thing is crucial in these circumstances.\u00a0 That spark of humor shows that life is still pulsing away.\u201d<\/p>\n

At times his own worst enemy during production, Ralston wanted everything to be 100% by the book, word-for-word with no room for art, storytelling or naturalism.\u00a0 While the approach taken by Boyle, Beaufoy and Franco was to \u201chonor Aron\u2019s story and do everything that he did, but we also wanted to have our own approach or have the latitude to find things on our own.\u00a0 So we did everything, the chipping [of the rock] and everything as he did, but not matching exactly [his hand moving a certain way, etc.] but doing it on our own, figuring it out.\u201d\u00a0\u00a0 As to his own approach toward 127 HOURS, Boyle is adamant.\u00a0 \u201cYou have to take control of it.\u00a0 You can\u2019t honor his story if you are in a three-legged race.\u00a0 If me and [Franco] are tied together, and kind of hopping along because we\u2019re keeping an eye on Aron the whole time, you\u2019ve got to brief yourself completely, immerse yourself in it, have this idea that you will respect his story and then make your own version of it.\u00a0 I\u2019m a big believer in that.\u201d\u00a0 The end result – Ralston is more than pleased.<\/p>\n

\"1276\"<\/p>\n

Key to establishing the tone of 127 HOURS is a pulsating, driving soundtrack by A.R. Rahman.\u00a0 With the opening titles, the score is high energy, complimenting a trifecta editing job by John Harris of the sites and sounds of the hustle and bustle of the city and life in general, and then segueing into the \u201carrogant prideful\u201d Aron, as he races across the desert on a bike, tunes pounding in his head, matching his speed beat for beat. In those opening minutes, thanks to the music tracks and the editing, we learn all we need to know about Aron as it is this that sets the stage for his true journey and the journey of 127 HOURS.\"1272\"<\/p>\n

Always wanting authenticity, Boyle goes above and beyond with 127 HOURS.\u00a0 Actually returning to the exact spot where Ralston was trapped in order to shoot, Boyle flew in crew, cameras, equipment, actors, bathrooms – it was essential that this film be shot on site.\u00a0 To capture the pivotal sequences of man against rock, Boyle had a scale model built of Blue John Canyon that allowed it to be rigged for shooting purposes.\u00a0 Calling on two cinematographers, Anthony Dod Mantle (with whom Boyle worked on \u201cSlumdog Millionaire\u201d) and\u00a0 Enrique Chediake (\u201c28 Weeks Later\u201d), Boyle achieved a freshness to the production; not to mention the ability to continually shoot.\u00a0 Mantle was actually tethered from ropes hanging into the precipice to obtain many of the shots we see. The result is heart-stopping.\u00a0 Another unique perspective is obtained through use of a Camel Pak Camera.\u00a0 Increasing the urgency and direness of Ralston\u2019s water situation, the camera shows the liquid traversing through the pak tube and, given that Ralston was forced to save his urine in this Pak as a means of replacing fluids, the color, texture and fluidity is so realistic, it had me gagging.<\/p>\n

It\u2019s no spoiler to tell you that Ralston amputated his forearm using that dull, ineffective knock-off Leatherman tool and that scene is viscerally displayed on screen.\u00a0 And while many may disagree with me, I did not find that scene gross or disgusting or stomach turning, but rather, heart breaking and inspiring. In those moments you see what the man is made of.<\/p>\n

Man at his highest point and his lowest.\u00a0 Staring life and death in the face.\u00a0 127 HOURS is not only an inspirational story about one man\u2019s journey, but a testament to the very essence of\u00a0 survival and humanity, prompting each of us to look within ourselves.\u00a0 Like Aron Ralston himself, 127 HOURS is triumphant.<\/p>\n

Aron Ralston – James Franco<\/p>\n

Directed by Danny Boyle.\u00a0 Written by Danny Boyle and Simon Beaufoy based on the book \u201cBetween a Rock and a Hard Place\u201d by Aron Ralston.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias One rock.\u00a0 One man.\u00a0 The forces of nature.\u00a0 A really crappy off-brand Leatherman tool.\u00a0 127 hours.\u00a0 Who else but Danny Boyle, screenwriter Simon Beaufoy, and actor James Franco could turn that combination into one of the most exciting, suspenseful and triumphant films of the year?\u00a0 The answer – no one. Aron […]<\/p>\n","protected":false},"author":2,"featured_media":6008,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[892,176],"class_list":["post-6004","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-127-hours","tag-drama"],"yoast_head":"\n127 HOURS - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/127-hours\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"127 HOURS\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/127-hours\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-11-05T14:50:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-20T14:54:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/11\/1273.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"266\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/127-hours\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/127-hours\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"127 HOURS\",\"datePublished\":\"2010-11-05T14:50:21+00:00\",\"dateModified\":\"2014-10-20T14:54:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/127-hours\\\/\"},\"wordCount\":1605,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/127-hours\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/11\\\/1273.jpg\",\"keywords\":[\"127 HOURS\",\"drama\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/127-hours\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/127-hours\\\/\",\"name\":\"127 HOURS - 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