{"id":6396,"date":"2010-09-03T05:46:13","date_gmt":"2010-09-03T12:46:13","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=6396"},"modified":"2014-10-20T12:52:21","modified_gmt":"2014-10-20T19:52:21","slug":"surveillance","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/surveillance\/","title":{"rendered":"SURVEILLANCE"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"Surveillance_Poster\"<\/p>\n

It takes one heckuva film or performance for me to be swayed into a position of utter allegiance to an actor, writer or director, but with SURVEILLANCE, writer\/director Jennifer Lynch has\u00a0 done just that, solidifying my belief in her unique vision, style and solid execution of a project.\u00a0\u00a0 Already known for pushing the envelope thanks to \u201cBoxing Helena\u201d, with SURVEILLANCE, Lynch pushes the psychological thriller envelope even further, captivating, enthralling and intriguing us with her own intensity in a cat and mouse game of twists and turns and the unexpected, all linked together by the voice of an innocent child.<\/p>\n

\"2009-07-01_141343\"<\/p>\n

The highway can be a lonely place.\u00a0 Driving along, mile after mile, with nothing but the barrenness of golden brown dying field grass to keep you company, you become oblivious to the world beyond the tinted glass of a car window.\u00a0 If you are a family going on vacation, mom and dad do nothing but chatter, reminisce about the past and ignore the kids in the back seat who are plugged into iPods or MP3 players or beating the crap out of each other.\u00a0 If you are young and in love and strung out on drugs, you tune out the world to everything but for taking your next hit or professing your undying drugged-out love for one another.\u00a0 If you are local cops bored out of your mind and just itching for a little excitement, playing heinous games with travelers is the answer to your prayers.\u00a0 And if you have murder, mayhem and lust on your mind, preying on innocent travelers in local motels or drivers faced with road trouble, well…….that opens up a whole new can of wax, er, make that latex.<\/p>\n

Officers Jack Bennett and Jim Conrad are, shall we say, not some of law enforcement\u2019s finest.\u00a0 Getting their kicks from harassing drivers with false speed traps or shooting out their tires so as to cause accidents or at the very least, forcing drivers to stop so that Bennett and Conrad can \u201chave their way with them\u201d, these two long for some real excitement – serial killers, murders, gun-fights.\u00a0 Little do they know, they are about to get their wish.\u00a0 Their supervisor, Captain Billings, is just the opposite.\u00a0 He enjoys and appreciates his sleepy town with zero crime.\u00a0 But that statistic suddenly changes with the appearance of FBI agents Sam Hallaway and Elizabeth Anderson who arrive at police headquarters to investigate shootings on the highway.\u00a0 Interestingly, their arrival is concurrent to a call for investigation at a local motel where some guests were found beaten to death.\u00a0 And as if this madness isn\u2019t enough for Captain Billings, what about the arrival of Officer Bennett with one hysterical Bobbi Prescott, and a quiet, frightened little girl named Stephanie, all of whom are the only survivors of a horrific murder spree out on the highway.<\/p>\n

\"2009-07-01_141402\"<\/p>\n

Taking charge of the investigation, Hallaway assumes a position of surveillance, observing the interrogation process on monitors in another room while Anderson elects to question Stephanie, who just witnessed the killing of her mother, step-father and brother, and does so with the loving touch of a mother.\u00a0 Or does she?\u00a0 Bennett, who witnessed the death of his partner, is grilled by Billings and another officer.\u00a0 Prescott, who watched her boyfriend get killed, also gets her turn to tell her tale.\u00a0 And so we retrace the events of the day.\u00a0 Everyone was involved in the same ultimate crossing of paths and fate.\u00a0 Everyone was on scene together.\u00a0 Yet, everyone has a different story.\u00a0 But who saw what?\u00a0 And what did they see?\u00a0 And who is, or isn\u2019t, telling the truth?\u00a0\u00a0 And just what is it that little Stephanie sees and knows?<\/p>\n

Bill Pullman knows of my great admiration and affection for both him and his work.\u00a0 Actor, teacher, writer,\u00a0 holder of a doctorate, and one fine cowboy to boot, Pullman is one of the most under-rated actors of our time.\u00a0 Unassuming, affable, likeable to a fault, his performances are always rock solid, enjoyable and often inspiring.\u00a0 Celebrating diversity in his roles, Pullman has gone from being lovestruck with Sandra Bullock to the President of the United States fighting aliens to a vintner in \u201cBottle Shock\u201d to a string of roles in smaller films that just blow your mind with the power of his performances.\u00a0 I didn\u2019t think it possible Pullman could surpass his performance as Bill Frich in \u201cYour Name Here\u201d but boy was I wrong because in SURVEILLANCE, as Sam Hallway, Pullman gives us the most fascinating, intriguing, stimulating and textural performance of his career.\u00a0 Totally out of character from anything Pullman has ever done, as Hallaway, he goes to the extreme giving us a psychological profile that is beyond compelling.\u00a0 He turns on a dime.\u00a0 He wins you over with a smile and that devilish twinkle in his eye.\u00a0 But he always has this edge, these pieces that don\u2019t quite fit, which draws you ever deeper into the character and the story.\u00a0\u00a0 And then, there\u2019s Pullman with Julia Ormond.\u00a0 All I can say is, I don\u2019t know how Lynch didn\u2019t get an NC-17 rating on this film given a few scenes between Pullman and Ormond!<\/p>\n

I remember the first time I saw Julia Ormond on screen.\u00a0 It was in \u201cFirst Knight\u201d with Gere and Connery.\u00a0 All I could think about was how expressive her face and her eyes were. That has been one of her true gifts over the years and now, as Agent Elizabeth Anderson, it is her ability to speak volumes without uttering a word that give us this electrifyingly complex character and performance.\u00a0 Her chemistry with Pullman is undeniable and between the two, the tacitly and tactilely\u00a0 nuanced layers of communication are mesmerizing.<\/p>\n

More than holding her own against veterans Pullman and Ormond is Ryan Simpkins.\u00a0 As Stephanie, she is luminous innocence personified.\u00a0 With minimal dialogue, she masters the character with a mere look, melting your heart as she recounts the day\u2019s events by drawing pictures with paper and crayons.\u00a0 Key to Simpkins\u2019 performance though is her ability to observe and to do so surreptitiously with a shy glance.\u00a0 Already having appeared opposite DiCaprio and Winslet in \u201cReservation Road\u201d and now Pullman and Ormond, I hope to see great things from her in the future.\u00a0 Also joining this ensemble is Pell James as Bobbi Prescott.\u00a0 A true force of nature, James brings a dynamic yet grounded energy to the coked-out Bobbi. layering that with a very maternal, protective relationship with Simpkins\u2019 Stephanie.\u00a0 She beautifully balances the look of sexy good-girl with a bad girl persona.<\/p>\n

\"2009-07-01_141417\"Rounding out the cast is a tour-de-force performance by French Stewart who is simply killer as the demented and twisted Officer Conrad.\u00a0\u00a0 This is a real casting coup by Lynch.\u00a0 Also joining in the fun are two of my long time favorite character actors, Michael Ironside as Captain Billings and Caroline Steiner as his secretary Janet.\u00a0 Both are welcome faces recognizable to you all.\u00a0 And not to be missed is Cheri Oteri who has a serious turn as Stephanie\u2019s ill-fated mother.<\/p>\n

Describing her casting process as a \u201cblissful and tricky one\u201d, Lynch wrote the part of Hallaway for Pullman who, for whatever reason, passed on the role the first go round.\u00a0 Thankfully, with the passage of time and a myriad of rewrites, two weeks before going to camera, the actor who was cast, backed out, leading Lynch right back to Pullman.\u00a0 This time, within two hours of speaking with Lynch, he called her back and said, \u201cI\u2019m in.\u201d\u00a0 For Lynch, \u201cit was a dream come true.\u201d\u00a0 Ormond, on the other hand, much to Lynch\u2019s surprise, came looking for Lynch, asking for the part.\u00a0 As for Simpkins, Lynch wanted \u201ca child\u201d and not a little performer and looked for someone who reminded her of her own daughter, filled with childlike honesty.<\/p>\n

Excited by the idea that she could \u201cmake a serial killer film that [I] hadn\u2019t seen before that really examined how ****ed up it is when people are wounded and then become people who wound…and how the lines between sex and violence get blurred\u201d, Jennifer Lynch brings us a new level of psychological terror with SURVEILLANCE.\u00a0\u00a0 (And for my money, Lynch surpasses the talents of her father, David Lynch.)\u00a0\u00a0 Calling on her own personal experience as \u201cthe kid in the back seat who saw something on a cross country trip and wasn\u2019t listened to\u201d, spurned the idea for the disturbing, alternate reality of\u00a0 SURVEILLANCE, along with ponderings of cops with power and firepower, cookie cutter FBI agents \u201cwho got something kinda crazy going on\u201d and a \u201ccookie cutter cop who isn\u2019t at all what he seems to be.\u201d<\/p>\n

\"2009-07-01_141434\"<\/p>\n

A gifted storyteller, Lynch\u2019s style is that of layering a cake. She builds and builds, moving you ever closer to the edge of your seat, intentionally layering the complexities of the story, doling out information piecemeal, all of which aids in the understanding of why characters are lying, why each is \u201cboth good and bad and very human therefore\u201d, increasing the interest and cinematic foreplay before the climactic revelations.\u00a0 The tension is intense and vivid and plays to the intelligence of an audience, raising the bar.<\/p>\n

\"2009-07-01_141449\"Very telling of the caliber of person Jennifer Lynch is, is the manner in which Ryan Simpkins filmed.\u00a0 Not believing \u201canybody needs to suffer to make something good\u201d or \u201cbe unhappy to make an unhappy scene\u201d, Lynch would \u201cinspire Ryan to evoke something without torturing her\u201d, such as talking about cooking brussel sprouts which would \u201cget her to look the way I needed her to look without torturing her.\u201d\u00a0\u00a0 Lynch firmly believes there was no need for her to see certain things or read the entire script to get a true rich performance.\u00a0 Key is the manner in which Lynch wrote the character, finding the peace that comes from a child during trauma.<\/p>\n

Talking with Lynch is one experience I will not soon forget and one I hope to repeat many times over.\u00a0 She has a clarity of thought that is unparalleled as is her enthusiasm for this film and for life itself.\u00a0 Involved in every aspect of the film, Lynch\u2019s decisions are crystalline and calculated, including selection of her technical crew, starting with cinematographer Peter Wunstorf and his extraordinary work.\u00a0 Key to the sensory effects of the film are the various color pallets and patinas.\u00a0 A golden starkness outside.\u00a0 A muted palette with an occasional punch of color.\u00a0 Black and white surveillance monitors.\u00a0 Deliberate on the part of Lynch and Wunstorf, it plays into the concept that \u201ceveryone\u2019s memory looks different.\u201d\u00a0 Stephanie\u2019s\u00a0 sharp, Crayola-crayon, clear.\u00a0 The drug addicts are over-exposed.\u00a0 Everything is a bit too bright, a bit too washed and yet \u201chyper-real.\u201d The cop is patinaed in a golden auburn fashion to reflect his \u201clegend in his own mind.\u201d\u00a0 Adding to the scenic looks are the individualized looks for each character.\u00a0 Shot with four different types of Kodak film stock which were treated to create five different looks, it fell to Wunstorf to translate the definitive looks in Lynch\u2019s mind into a perfect balance on\u00a0 film.<\/p>\n

\"2009-07-01_141502\"<\/p>\n

The icing on the cake is Todd Bryanton\u2019s score.<\/p>\n

Taut, edgy, titillating, thrilling.\u00a0 SURVEILLANCE is a masterful examination into the dark side of the human condition.\u00a0\u00a0 I\u2019m already looking for the sequel.\u00a0 (Not to mention the DVD which I have been assured by Lynch, Pullman and Ormond has many many more thrills and surprises).<\/p>\n

Sam Hallaway – Bill Pullman<\/p>\n

Elizabeth Anderson – Julia Ormond<\/p>\n

Stephanie – Ryan Simpkins<\/p>\n

Bobbi Prescott – Pell James<\/p>\n

Officer Conrad – French Stewart<\/p>\n

Written and directed by Jennifer Lynch.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias It takes one heckuva film or performance for me to be swayed into a position of utter allegiance to an actor, writer or director, but with SURVEILLANCE, writer\/director Jennifer Lynch has\u00a0 done just that, solidifying my belief in her unique vision, style and solid execution of a project.\u00a0\u00a0 Already known for […]<\/p>\n","protected":false},"author":2,"featured_media":6400,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[941],"class_list":["post-6396","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-surveillance"],"yoast_head":"\nSURVEILLANCE - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/surveillance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SURVEILLANCE\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/surveillance\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-09-03T12:46:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-20T19:52:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/2009-07-01_141343.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"398\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/surveillance\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/surveillance\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"SURVEILLANCE\",\"datePublished\":\"2010-09-03T12:46:13+00:00\",\"dateModified\":\"2014-10-20T19:52:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/surveillance\\\/\"},\"wordCount\":1960,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/surveillance\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/09\\\/2009-07-01_141343.jpg\",\"keywords\":[\"SURVEILLANCE\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/surveillance\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/surveillance\\\/\",\"name\":\"SURVEILLANCE - 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