{"id":6775,"date":"2010-09-01T03:01:29","date_gmt":"2010-09-01T10:01:29","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=6775"},"modified":"2014-10-21T08:08:19","modified_gmt":"2014-10-21T15:08:19","slug":"peter-and-vandy","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/peter-and-vandy\/","title":{"rendered":"PETER AND VANDY"},"content":{"rendered":"<p style=\"text-align: right;\"><strong>By: debbie lynn elias<\/strong><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright size-medium wp-image-6777\" src=\"http:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter_and_vandy_poster-203x300.jpg\" alt=\"peter_and_vandy_poster\" width=\"203\" height=\"300\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter_and_vandy_poster-203x300.jpg 203w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter_and_vandy_poster.jpg 234w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/>I have often reminded you that some of the best films come from the theatre.\u00a0 And although it\u2019s been awhile since our last stage to screen incarnations, the drought is now over with the delightful, introspective and even voyeuristic character study,\u00a0 PETER AND VANDY.\u00a0 Written and directed by playwright Jay DiPietro, who makes his film directorial debut here, PETER AND VANDY is an adaptation of DiPietro\u2019s 2002 smash hit of the same name.\u00a0 Critically and publicly acclaimed, including a Drama Desk nomination for Best Play, DiPietro\u2019s journey started with one scene about a man and a woman, a scene with characters so compelling that even a friend told him he should \u201ckeep writing about these characters.\u201d\u00a0 Immediately, DiPietro knew what he had to do; continue with the story only do it with a twist &#8211; tell it completely out of sequence,\u00a0 a tact which only serves to make the characters more interesting, more relatable, more connectable, more real and so much more a couple, particularly when fighting over the method with which to make a peanut butter and jelly sandwich &#8211; one knife or two.<\/p>\n<p>Peter is a struggling architect.\u00a0 Vandy is a successful art dealer.\u00a0 Both having an eye for life and the world (although clearly opposites in every other respect), it\u2019s not surprising they have eyes for each other, however it takes Vandy more than hot second to realize Peter is one hot catch.\u00a0 Perhaps it was the fact he hit on her in the dead of winter while she was trying to daintily eat her lunch on a park bench a la Miss Manners while he was brown bagging it and looking more like a serial killer at that moment that caused her some pause.\u00a0 But knowing that beneath layers of grime and grit often lies a masterpiece, Vandy takes a second and is more than smitten by what she sees.<\/p>\n<p>Layering montages, we bounce back and forth with Peter and Vandy as they go through the rigors of life.\u00a0 Celebrating\u00a0 the good, the bad, the ugly, the toothpaste fights, the romantic dinners, the take-out\/eat-in conundrums, my friends\/your friends, toilet seat up or down, the love, the joy, the tears, the fears, the laughter, the significant insignificance of rote and routine, the honesty of a relationship and what really goes on.\u00a0 Little things of day-to-day living that seem of little importance and that we take for granted, are all showcased in this intimate portrait, showing the power that the most seemingly mundane acts have in the grand scheme of a relationship.\u00a0 And somewhere along the way, all the days and nights run together and you don\u2019t know where it began or where it will end, but that it is what it is.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-medium wp-image-6780\" src=\"http:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter-vandy-400x265.png\" alt=\"peter-vandy\" width=\"400\" height=\"265\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter-vandy-400x265.png 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter-vandy-300x199.png 300w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/peter-vandy.png 452w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>Jason Ritter and Jess Weixler are two of my favorite \u201cnew generation\u201d actors, as well as two of my favorite people.\u00a0 Both already extremely accomplished, Weixler dazzling us with her performance as Dawn in the Sundance hit (and one of my faves) \u201cTeeth\u201d, and Ritter with his chameleonic works in \u201cHappy Endings\u201d, as Jeb Bush in \u201cW\u201d and then my favorite performance of his, that as bad boy Mick in \u201cThe Education of Charlie Banks\u201d, the latter a performance where Ritter just blew me out of the water with his intensity and magnetism, together they are unstoppable.\u00a0 They are electrifying.\u00a0 Neither of these actors is a flash in the pan and with their performances here as Peter and Vandy, respectively, they cohesively bring new levels of maturity and depth not only to their characters but to themselves as actors.<\/p>\n<p>Because of the very nature of the story structure centering on Peter and Vandy 98% of the time, chemistry between the leads is crucial, relying heavily on a confidence and trust between Ritter and Weixler.\u00a0\u00a0 Surprisingly, they only met two days before shooting began.\u00a0\u00a0 Weixler gives full credit to DiPietro \u201cfor having thought that this would work.\u00a0 We took time to trust each other and get to know each other and share that psychological intimate space.\u201d\u00a0 Expounding on, as if finishing Weixler\u2019s thought and sentence, Ritter opines \u201cWe both knew the movie wouldn\u2019t work if we didn\u2019t work so we let all of our walls down that we usually use to protect ourselves.\u00a0 Within the first week we were sharing a lot of the most intense things of our life.\u00a0 When you start to get to know the part of someone that they hide from the rest of the world, all of a sudden you are looking at them in a different way than in looking at someone you just met or someone you at trying to pretend you have chemistry with.\u00a0 In movies, so many times they just make sure that both people are supremely attractive and supremely charming and hope they crackle.\u00a0 For us it was more paring all of that down and trusting each other.\u00a0\u00a0 Once we \u2018sussed\u2019 each other out and found out we re trustworthy, we could really dive full force into it.\u201d<\/p>\n<p>According to Ritter, \u201cJay came to Jess first\u201d about this project.\u00a0\u00a0 Getting the role was a fantasy moment for Weixler.\u00a0 \u201cI loved his script.\u00a0 It felt so true to life.\u00a0 So honest.\u00a0 I was late for something.\u00a0 It was raining.\u00a0 I was running for a cab and I lost my shoe and Jay picked up my shoe and he put my shoe on before my cab came .\u00a0 It was very cinematic.\u00a0 Then he went to Los Angeles to find his Peter that was the right match for me.\u00a0 Jay thought that Jason would be him.\u201d<\/p>\n<p>Immediately, Ritter\u00a0 \u201cconnected to Peter\u2019s uncertainty.\u00a0 His level of confidence in the world feels about right to me.\u00a0\u00a0 That\u2019s as real as it can get for me.\u00a0 Often I\u2019ll read a script and it will be someone who is so confident and can just go into a room and everyone loves him and is not scared of anything, [but here] I finally connected with all the things that make him nervous and make him angry and make him feel self-conscious.\u00a0 It all struck me as really true.\u201d\u00a0 And in a moment of true confessions, like Peter, \u201cI also apologize for myself more than I should.\u00a0 There\u2019s a lot of Jason in Peter.\u201d<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-medium wp-image-6779\" src=\"http:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/2009-10-14_131930-400x266.jpg\" alt=\"2009-10-14_131930\" width=\"400\" height=\"266\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/2009-10-14_131930-400x266.jpg 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/2009-10-14_131930-300x200.jpg 300w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/09\/2009-10-14_131930.jpg 601w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>I first met Jess Weixler for the release of \u201cTeeth\u201d.\u00a0 At that time, she told me she almost didn\u2019t take the role of Dawn in they film because of the number of \u201csex scenes\u201d (which are actually quite entertaining people as the film is about a woman whose vagina has teeth &#8211; yes, let your imaginations run wild).\u00a0 Needless to say, I had to call her on that because with PETER AND VANDY, she and Ritter have some of the most physically and emotionally intimate scenes that explode with genuine passion and love.\u00a0 According to Weixler, \u201cWhat\u2019s funny is that the sex scenes in \u2018Teeth\u2019 are not sexy at all while these are extremely so. Maybe I did get my feet wet before just for this. I\u2019m over my fear of sex scenes.\u201d\u00a0\u00a0 One of the things that really stands out with Weixler\u2019s Vandy is her constant observation.\u00a0 A character that is very methodical, very detailed, somewhat OCD, Weixler takes it to a higher psychological level as the camera constantly catches her \u201cstudying\u201d Ritter\u2019s Peter.\u00a0\u00a0 Be it over a newspapers, raising eyes above a book, watching him while he sleeps, there is a nuanced studiousness that is enlightening and intriguing, making the film as much as character study between the characters as it is with the audience.<\/p>\n<p>Beyond DiPietro\u2019s witty dialogue which Ritter and Weixler deliver with affable ease and the unique delivery pattern and patter of a long time couple,\u00a0 key to PETER AND VANDY is the honesty with which the story is told, the characters are presented.\u00a0\u00a0 Interestingly, DiPietro shows development of the characters and the relationship, nothing it stagnant, yet everything feels like it will eventually remain the same &#8211; comfortable like an old pair of shoes.\u00a0 A very non-linear story on film, DiPietro elected to shoot the film linear, in chronological order.\u00a0 As told by Weixler, \u201cWe shot the first scene where we first meet, on the first day.\u00a0 Then, aside from the outdoor stuff, we shot in order.\u00a0 We were getting to know each other as the characters were getting to know each other.\u201d\u00a0 However, given the non-linear editing, the film is left open to interpretation by each of us as to what becomes of Peter and Vandy.\u00a0 For me, they are the perfect couple.\u00a0 For you, they may be something different.\u00a0 You wonder after leaving the theatre what becomes of them.<\/p>\n<p>A three week shoot, by the end of the second week, Wiexler and Ritter \u201chad such a grip on each other that we could really get mad at each other and feel that we had the right to.\u201d\u00a0 (Hence the extreme realism in a fight over one knife or two when making PB&amp;J.)\u00a0 Obviously linear formatting worked as scenes between the couple fighting are beyond \u201cthe bickering Bickersons.\u201d\u00a0 They really put some depth behind the rage.\u00a0\u00a0 For Ritter, \u201cThat was what so great about the script.\u00a0 You see these people falling in love and that\u2019s something that we\u2019ve seen in films before, but then you get to see them at their ugliest and their most blasse.\u00a0 You see their entire character.\u00a0 You don\u2019t just see them in one chapter of their life.\u00a0 You see a portrait.\u00a0 And because it\u2019s a portrait and not just one chapter you almost are able to see their past and their future.\u201d\u00a0 This portrait is then intensified with DiPietro\u2019s orchestrated non-linear editing, brilliantly executed\u00a0 by none other than one of the master editor behind \u201cThe Cove\u201d, Geoffrey Richman.\u00a0 Life is an amalgamation, a melding.<\/p>\n<p>Central to the dynamic of PETER AND VANDY is the cinematography of Frank DeMarco which celebrates the production design of Lucio Seixas, particularly with the bulk of scenes occurring in Vandy\u2019s well appointed and decorated apartment.\u00a0\u00a0 Using light and color to their best advantage, each set is treated as if a painting from one of the great Masters.\u00a0 The multitextural design of the apartment mirrors the emotional palette of its inhabitants, as does the costume color palette which varies with emotion and time.\u00a0 Adding to the emotional honesty of the film is the soundtrack which is an eclectic blend of \u201cindie\u201d tracks from groups like The National, Animal Collective, Frightened Rabbit and Menomena.<\/p>\n<p>It\u2019s the little things in life that mean the most, cost the least, but can wreck total havoc on you, even if it\u2019s just making a peanut butter and jelly sandwich.\u00a0 Celebrate the little things and the honesty of love and life with PETER AND VANDY.<\/p>\n<p>Peter &#8211; Jason Ritter<\/p>\n<p>Vandy &#8211; Jess Weixler<\/p>\n<p>Written and directed by Jay DiPietro.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By: debbie lynn elias I have often reminded you that some of the best films come from the theatre.\u00a0 And although it\u2019s been awhile since our last stage to screen incarnations, the drought is now over with the delightful, introspective and even voyeuristic character study,\u00a0 PETER AND VANDY.\u00a0 Written and directed by playwright Jay DiPietro, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6780,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[],"class_list":["post-6775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.5 (Yoast SEO v27.5) - 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